Bbc

Thursday

Kate Chisholm

Northern exposure | 8 December 2016

In this season of watching and waiting as we approach Christmas and year’s end, radio has a precious role. At the switch of a button you can be taken straightaway into another kind of life, a different world, where present realities are not relevant or can at least be made to feel less imperative. While the screen can transport you to places you’ve never been, its visual escapism never quite overwhelms the imagination in the way that words, sound effects, music will do if subtly shaped into audio magic. Who needs images when in an instant you can be taken in your imagination to the wilds of northern Finland, crunching

Alexandra Coghlan

Lessons from the front

Christmas, for many people, begins at exactly 3 p.m. on Christmas Eve. It’s the moment when everything stops, frantic present-wrapping, mince-pie making and tree-decorating ceases and calm briefly takes hold. The reason? A single boy treble whose voice, clear and fragile as glass, pierces through the chaos with those familiar words: ‘Once in Royal David’s city/ Stood a lowly cattle shed…’. The service of Nine Lessons and Carols from King’s College, Cambridge, and its annual broadcast on BBC Radio 4 is as essential a part of contemporary Christmas folklore as stockings and Santa Claus, plum pudding and presents. Ageless and timeless, it seems as though there must always have been

Wednesday

Steerpike

Watch: Steve Baker wages war on BBC at PMQs

Although the BBC has traditionally been accused of showing anti-Conservative bias, since Jeremy Corbyn’s election as Labour leader the party has found itself waging war with the Beeb on numerous occasions. However, today Steve Baker swung it back to the Tories. The Brexit-backing backbencher used a question at PMQs to accuse the BBC of breaking its charter obligations by trying to ‘create problems for the government’: ‘I’m sure my honourable friend will be astonished if not aghast to learn that a succession of journalists from the BBC have contacted me seeking to create to manufacture stories of backbench rebellion on the issue of the EU. Will he agree with me

Sunday

Charles Moore

The day I got Rod Liddle sacked

On the few occasions when something I have written has directly affected a person, I have usually regretted it. During the row about the hunting ban, I got furious with Rod Liddle, then the editor of the Today programme, because he wrote an article attacking people who hunt. I composed a thunderous leader in the Daily Telegraph about his shocking lack of impartiality and called for his sacking. Amazingly, the BBC obliged. I was dismayed, because Rod (though indeed preposterous on that particular subject) was one of the few subversive spirits ever to rise to an important editorial position in the corporation. My guilt was only partially assuaged by his

Friday

Steerpike

Watch: BBC presenter blasts ‘imperialist lies’ over Fidel Castro

This week, it’s not gone unnoticed that the BBC have given Fidel Castro’s death a lot of air time and a lot of tributes. As Andrew Roberts noted over the weekend, BBC News described him as ‘one of the world’s longest-serving and most iconic leaders’ only mentioning in the fourth paragraph that ‘Critics saw him as a dictator’. So, Mr S was unsurprised to hear that a BBC presenter had hit out at the ‘imperialist lies’ being spread about the late Cuban dictator. However, on closer inspection it turned out to be a rather refreshing analysis of Castro’s legacy. On This Week, Andrew Neil attempted to set a few things straight about

Thursday

Charles Moore

The Spectator’s Notes | 1 December 2016

It seems perplexing that François Fillon, now the Republican candidate for the French presidency, should be a declared admirer of Margaret Thatcher. Although she certainly has her fans in France, it is an absolutely standard political line — even on the right — that her ‘Anglo-Saxon’ economic liberalism is un-French. Yet M. Fillon, dismissed by Nicholas Sarkozy, whose prime minister he was, as no more than ‘my collaborator’, has invoked her and won through, while Sarko is gone. In this time of populism, M. Fillon has moved the opposite way to other politicians. He says his failures under Sarkozy taught him that France needs the Iron Lady economic reforms which it

James Walton

Closing credits

BBC1’s The Missing has been one of the undoubted TV highlights of 2016. Yet, even thrillers as overwhelmingly thrilling as this one have been known to blow it in the concluding episode, when the biggest revelation of the lot turns out to be that the writers couldn’t really answer all the questions that previous episodes had so intriguingly raised. And of course, The Missing had raised more than most, with its fiendish plotting ranging across three timeframes — until last week, that is, when it added a fourth. So could Wednesday’s finale possibly avoid giving us that sense of outraged disappointment that comes from realising we’ve spent weeks looking forward

Tuesday

Liam Stokes

How can the BBC be allowed to break their own editorial standards?

I recently had the misfortune of featuring in a BBC documentary that repeatedly breached the corporation’s own editorial standards. I happened to be at the gym when word reached me that BBC Inside Out London wanted to interview me the following day. It was late in the evening, and I was told that the documentary was looking at game shooting and game meat, and the growing popularity of both in London. Not an anti-shooting piece at all, I was assured. Arriving at Regent’s Park for the interview, the team from the Beeb were decidedly furtive. There was much fiddling with phones and muttered conversations between interviewer and producer, in which

Monday

Steerpike

BBC attacks ‘lavish’ Netflix for propagating ‘myths’ about the royal family

Since Netflix released The Crown, much praise has been heaped on the network for the royal drama. In fact, the series — a dramatisation of the Queen’s early years — has proved so impressive that several critics have suggested the future of quality drama lies online rather than with broadcasters like the BBC. So, with that in mind, Mr S was intrigued to learn of a BBC article on the series that the corporation have been pushing of late. In a piece titled ‘Did the Queen stop Princess Margaret marrying Peter Townsend?’ for the BBC magazine, Paul Reynolds — the former BBC Court correspondent — argues that the ‘lavish’ drama ‘perpetuates the myth’ that Princess

Thursday

Neil Armstrong

Screen grab

St James’s Palace. 1953. A dynamic Duke of Edinburgh is relishing a ding-dong with the antediluvian fossils of the Coronation Committee. He wants to embrace modernity by allowing the BBC to televise the ceremony. The ‘grey old men’ want to continue doing things in exactly the same way that they have been done since 1066. Modernity prevails and the coronation is the biggest television spectacular there has been. This episode, splendidly recreated with a little artistic licence in The Crown, Netflix’s epic about the Queen, was a tipping point in terms of the public’s acceptance of the medium of television. Many viewers acquired their first sets for the sole purpose

James Delingpole James Delingpole

Faulty ignition

Apart from the next Game of Thrones, there’s nothing I’ve been looking forward to quite as much as The Grand Tour (Amazon Prime). I like Clarkson, Hammond and May, I like banter, I like political incorrectness, I like exotic scenery, I like cars, I like puerile jokes and I liked Top Gear. Take the same ingredients but with a £4.5-million-per-show budget — more than four times what they had with the BBC — and you’d have to ask yourself: ‘What could possibly stop this from being the greatest TV show ever?’ Well, I hate to be a party pooper but it’s definitely not there yet. We had some friends staying

Kate Chisholm

Interest-free credit

When did you last experience a boring Sunday afternoon? If you’re over 16, probably not since you were last 16 and stuck at home, raindrops sliding down the window pane, nothing on TV until five o’clock, nowhere to go because everywhere is shut. But boredom, says Phill Jupitus, has become an endangered emotion. Now that we have smartphones, at a gentle swipe, the touch of a button, we have access to any amount of diversion, 24 hours a day. We need never find ourselves with nothing to do, nothing to read that takes our fancy, no one to talk to. He’s not happy about this. In Being Bored: The Importance

Sunday

Melanie McDonagh

Insulting people who think differently from you isn’t the way to engage people

There were two items on BBC radio this morning which rather summed up the Corporation thinking about the State of the World. One was a brief but telling discussion on the Broadcasting House programme as to whether our political discussion now is getting to the point where we can’t actually air differences at all;  that, after Brexit and the Trump election, we are so utterly divided ideologically that common ground is impossible to find. It was an interesting conversation between Catherine Mayer, the co-founder of the Women’s Equality Party, and Iain Martin, who, while a Brexiteer, is also opposed to Trump. Fine, except that it was preceded by the secular

Camilla Swift Camilla Swift

Philip Hammond and John McDonnell go head-to-head – but are we any clearer on Brexit?

This morning’s Marr show was something of a financial matter, with the Chancellor, Philip Hammond, and Shadow Chancellor John McDonnell sharing the sofa. As Andrew Marr pointed out, having the pair of Chancellors share a sofa is a ‘great tradition’, but one that had a stop put to it when George Osborne was in charge. Now the tradition has come back – but it this morning’s performance might be a good example of why Osborne chose to put a stop to it in the first place. The general consensus seems to be that McDonnell came out on top – with commenters saying that he ran rings around Hammond. Naturally, lots

Friday

Damian Thompson

Brexit, Trump and the pious rage of the liberal clergy

Here are some statistics you’re unlikely to hear on Thought for the Day. Churchgoers in America backed Trump by 56 to 42 per cent – while six out of ten British Christians backed Brexit. Now, clearly these aren’t identical constituencies: I didn’t spot much enthusiasm for the US president-elect among Christian Leave voters. But we can spot one shared trend. Churchgoers on both sides of the Atlantic ignored the earnest but quietly hysterical entreaties of liberal church leaders to spurn Leave and Trump. (You might say: American evangelicals don’t have left-leaning bishops – but American Catholics most certainly do, and they still voted for Donald Trump by 52 to 45 per cent.) What

Thursday

James Walton

Old stamping ground

If I tell you that on Monday there was an hour-long documentary about the history of stamp-collecting, then you probably don’t need this column’s usual bit in brackets saying which channel it was on. Indeed, at times Timeshift: Penny Blacks and Twopenny Blues seemed determined to be the most BBC4-like programme in the history of BBC4: cheerfully niche, heroically indifferent to all notions of cool and so old-school in its production style that any mention of France was introduced with a blast of accordion music. Above all — and unlike so many other documentaries elsewhere — it was wholly confident that its viewers would be interested in interesting things without

Thursday

Kate Chisholm

Music matters

There’s nothing new about Radio 3 tearing up the schedules, temporarily abandoning regular favourites such as Private Passions, The Early Music Show, Choral Evensong in search of creative freedom. Its first controller was not just given permission but instructed by the director general, Sir William Haley, to ignore the demands of Big Ben and the news schedule in favour of allowing concerts to run on beyond the hour and to be heard just as they would have been in the concert hall, with ‘live’ operas broadcast in full from Paris or New York. There was to be ‘no annotation’, no commentary on the music that had just been heard. Pauses,

James Walton

Losing heart | 3 November 2016

In 2015, the first series of Humans (Sunday) was apparently Channel 4’s most watched home grown drama since The Camomile Lawn: a programme broadcast when Neil Kinnock was still the Labour leader and given a obvious ratings boost by the tabloid outrage about its many nude scenes (and by its many nude scenes). In the case of Humans, though, the British people can’t be accused of ulterior motives, because this is a winningly intelligent piece of sci fi that ponders, among other things, the nature of consciousness and the future of the human race. Cleverly, too, it’s set, not in a domed city of jet packing commuters, but in a

Monday

Steerpike

Jeremy Clarkson takes one last swipe at Danny Cohen

Although Jeremy Clarkson has now moved to Amazon Prime to host a new car show, it appears that the BBC is never far from the former Top Gear host’s mind. In an interview with the Sunday Times over the weekend, Clarkson couldn’t resist revisiting his ongoing feud with Danny Cohen, the former director of television at the BBC. With Cohen — a darling of the liberal elite — thought to be instrumental in his sacking, it comes as little surprise that Clarkson is boosted by the news that Cohen, too, has now departed the Beeb. Speaking of the former director of television’s exit, Clarkson says it was ‘inevitable’. ‘Of course he’s

Sunday

Douglas Murray

Stand by your imam: Shakeel Begg and his apologists

There have been two fascinating developments in the case of Shakeel Begg, the Imam of the Lewisham Islamic Centre. As I described here on Friday, Begg sued the BBC for describing him as an extremist, only for the judge in the case to last week dismiss the claim and confirm for the whole world to see that Begg is indeed an extremist. On Friday I mentioned that industry of clueless klutzes and sinister beards who make up much of the ‘interfaith’ racket in this country. Paragraphs 33 and 34 of the judgement in the case of Begg vs Beeb might serve as the purest distillation of this phenomenon.Under the heading