Bbc

Sunday

Carrie Gracie

Equal pay matters - that's why I have resigned as BBC China Editor

I have been a BBC journalist for three decades. With great regret, I have left my post as China Editor to speak out publicly on a crisis of trust at the BBC. The BBC belongs to you, the licence fee payer. I believe you have a right to know that it is breaking equality law and resisting pressure for a fair and transparent pay structure. In thirty years at the BBC, I have never sought to make myself the story and never publicly criticised the organisation I love. I am not asking for more money. I believe I am very well paid already – especially as someone working for a

Saturday

Rod Liddle

Spotted: a right-wing comedian on the BBC

I just exulted to my wife that Simon Evans had been on Radio Four’s The News Quiz. He’s a very funny man, Evans, but is also regarded as Britain’s only right-wing comedian. There are actually quite a few others – Leo Kearse, for example. Anyway, Evans was in excellent form, defending Donald Trump and describing the NHS as a Socialist Utopia which did not work. The audience wasn’t sure what it should do, and Evans was of course ribbed for his opinions by the other three panellists and indeed the compere. Which is when I thought: hang on, why should I be grateful to the BBC for allowing one single

Wednesday

Steerpike

Grauniad reviews organised crime drama: 'shades of Brexit'

Although we’re only three days into 2018, the Guardian has put in an early contender for the coveted title of most Grauniad article of the year. Proving that Brexit misery can be found in pretty much anything so long as you look hard enough, the paper has published an intriguing review of McMafia, the BBC’s new glossy mini-series on organised crime The series tells the story of Alex Godman – a man who has spent his life trying to stay clear of his family’s criminal past, but when tragedy strikes, he becomes embroiled in the world of international crime – including money laundering and shootings. The drama has so far

Thursday

Theo Hobson

The BBC's religious programming shake-up could easily make things worse

So the BBC resolves to improve its treatment of religion, to take it more seriously as a major force in our culture. Good. But if clumsily undertaken such intentions can backfire, and deepen the liberal elite’s disdain for religion. Imagine if Thought for the Day was doubled in length, or if Songs of Praise was aired twice a week. The challenge is to find new forms of religious broadcasting that unsettle assumptions. I can only think of one example of this in the last decade: Rev, the sitcom that combined affection for the C of E with satire. Because it was irreverent, it could also be profoundly sympathetic – it

Wednesday

Christian Wolmar

Are driverless cars the future?

  Philip Hammond’s last Budget focused on driverless cars as an example of the brave new technological world. But should we believe the hype? The Spectator arranged for Christian Wolmar, author of a new book on the subject, to meet Rory Sutherland, vice-chairman of Ogilvy & Mather and The Spectator’s Wiki Man columnist, to talk about the future of driving and transport.   Wolmar: Let’s face it: we’re talking about a technology that will never happen. There may be some driverless cars going round Phoenix in a very limited way but the owners, Waymo, which is part of Google, are very secretive about precisely what they’re doing. The hype is being

Lionel Shriver

A purity test for artists is the end of art

However we keep ourselves amused over the holidays this year, two sources of entertainment are off the docket. Amid the deluge of sexual misconduct allegations last month, the BBC dropped an Agatha Christie drama from its Christmas line-up after one of the actors, Ed Westwick, was accused of rape and sexual assault — which Westwick denies, slathering a layer of irony on the mystery’s title: Ordeal by Innocence. Mere hours before the scheduled premiere, the distributor of I Love You, Daddy refused to release the film, in anticipation of an ugly big reveal in the New York Times. The movie’s star, director, producer and writer, Louis C.K., now admits to

Thursday

James Delingpole

Women on top | 7 December 2017

Boy came to me the other night in a state of dismay. ‘Dad, I just turned on Match of the Day to watch England vs Kazakhstan and guess what: they never mentioned this, but it’s the women’s game.’ What bothered him was not so much being forced to watch a slower, less athletic, duller version of real football — though obviously that too — as that the BBC was being so utterly disingenuous about it. This policy of pretending there’s absolutely no difference between men’s and women’s international sporting fixtures has, I know, been operational for some time. But for those of us living outside the PC metropolitan bubble —

Thursday

James Walton

Living dolls

This week on Channel 4, we watched a cheery 58-year-old American engineer called James going on a first date. He was meeting Harmony, an extravagantly shapely blonde who was obliging enough to be wearing a low-cut crop top and tiny shorts, and who greeted him with a charming smile. After a spot of small talk and a dumb-blonde joke, she then alternated between assuring him how great he was and inviting him to masturbate over her. ‘You’re awesome,’ a visibly smitten James declared — apparently not at all bothered that Harmony was a robot. This scene — clearly regarded as a heartwarming one by Harmony’s maker Matt McMullen — provided

Thursday

James Delingpole

Family favourites | 23 November 2017

It’s a weird sensation getting your child back for an extended period when for the previous decade you’ve been packing him off every few weeks back to boarding school. Obviously, it’s quite pleasant, amusing and enlightening to study at close hand and at length this alien thing that you’ve bred. At the same time, though, they don’t half become a discombobulatingly overbearing presence. For example, in the old days I would definitely have reviewed Howards End, even though I can’t stand E.M. Forster or the ghastly pinko Schlegel sisters. But now that the Fawn and I no longer have the house to ourselves, we have to fall in with Boy’s

Friday

Steerpike

Emily Thornberry fails the socialism test

Oh dear. After a fortnight of government shambles, Jeremy Corbyn can enjoy the weekend safe in the knowledge that his party is… still neck and neck with the Tories. On last night’s Question Time, Emily Thornberry offered an insight into why her party – and it’s plan for 21st century socialism – may be failing to catch fire. Asked by a member of the audience what country was the best advert for Corbyn’s brand of socialism, the shadow foreign secretary struggled to come up with an answer: QT audience member: I’d like to hear of an example where Corbyn and McDonnell’s economic ideas have worked. DD: Okay, you can name

Thursday

James Walton

Adult entertainment | 16 November 2017

Any readers of the Sun who excitedly tuned in to Howards End on Sunday night with their pause button at the ready will, I fear, have been in for a disappointment. Before the programme went out, the paper had assured them that this new BBC1 adaptation would ‘do a Poldark’, with ‘a hot cast’ providing ‘a sexed-up remake’ of the 1992 Merchant Ivory film. (The sub-editors may have missed a trick by not headlining the piece, ‘It’s E.M. Phwoar-ster!’) In the event, what they got was a quietly thoughtful exploration of Edwardian intellectual life. The first episode, in fact, didn’t differ very much from the non-sexed-up film version — and

Kate Chisholm

Local heroes | 16 November 2017

It’s 50 years since the first local radio stations were launched by the BBC in yet another instance of the corporation working hard to stay ahead of the game, on this occasion responding to the challenge of the pirate stations, whose audiences were local and known to be very loyal. Radio Leicester was the first to go on air on8 November 1967, launched by a very plummy-voiced postmaster-general as ‘the first hometown radio station in Britain’. (The BBC executive behind the idea, Frank Gillard, had spent time in America and been impressed by local radio there, wishing to replicate its homespun feel.) Others followed quickly, dependent on whether the local

Thursday

Kate Chisholm

Ulysses on speed

It’s always odd to hear a familiar voice on a different programme, playing an alternative role. They never sound quite as comfortable behind the mike, as if they are wearing clothes that don’t quite fit. The voice has a different timbre, as it did on Sunday when Garry Richardson, who since 1981 has been keeping Today listeners updated on all the latest sports news, revealed his other passion. Since he was ten, when he was first taken to see the man from Knotty Ash at Blackpool in 1967, he’s been a fan of that extraordinarily tenacious star of the entertainment world, Ken Dodd. In Sir Ken Dodd: What a Beautiful

Thursday

Kate Chisholm

All’s well that ends well | 2 November 2017

Mandy was 38 when she was told she was ‘in the end stage’, suffering from COPD and finding it more and more difficult to breathe. Matthew, in his twenties, was given just four to five years of life after being diagnosed with a brain tumour. Vivek, also in his twenties, is confined to a wheelchair because he suffers from Duchenne muscular dystrophy and is already reliant on a ventilator for much of the time. Sophie has stage four lung cancer and tumours in her lungs, lymph nodes, bones and brain. You might think a programme made up of their thoughts, words, experiences would be one of lament and moping, misery

James Walton

Paradise lost | 2 November 2017

Anybody who wants to maintain a strong and untroubled stance against mass migration to Europe should probably avoid BBC2’s Exodus: Our Journey Continues. In theory, the case for limiting the numbers may be more or less unanswerable — but this is a joltingly uncomfortable reminder of what it can mean in practice. Any viewers suspicious of the BBC’s pinko tendencies will presumably have noticed that all the refugees we’ve met so far are completely lovely. Yet, faced with Thursday’s episode, even they might have found it tricky to preserve a steely primacy of head over heart. Or not to notice that these are people very much like us — only

Rod Liddle

So what attracted you to that powerful man?

Somewhere towards the end of the 1980s I was suddenly promoted three grades upwards in my job at the BBC; a bit like going from the middle of the old fourth division to the top of the Championship. Yay. The immediate consequences were more money, more power and almost endless opportunities for sexual intercourse. Women who had hitherto been averagely amiable work colleagues became much friendlier — and in a very different way. It was as if I’d been transformed overnight from Marty Feldman into Orlando Bloom. What a delightful period of my life that was. I was happily reminded of it when the actor Martin Clunes stepped into the

Thursday

Jonathan Mirsky

BBC4's The Vietnam War was unique, informative and shattering

The Vietnam War BBC4 The BBC should be praised for showing all ten episodes of this unique, informative and shattering American series on the Vietnamese war, despite screening eight fewer hours than in the original. Before each episode the BBC warned that ‘some viewers may find some scenes upsetting’. Which ones? A frog jumping in a pool of blood from the head of a dead Vietcong (NLF) fighter? The Saigon police chief shooting a prisoner in the head? The American colonel offering a case of whiskey to the first man to bring him the severed head of an enemy soldier? Which he gets. The eager US soldier on his first day in Vietnam noticing strings of

Nick Hilton

The Spectator Podcast: Save the children!

On this week’s episode we look at whether the kids are alright or if we need to talk about their generation. We also ask whether Philip Hammond’s cautious approach is suited to the present economy, and consider why the best minds of a generation were lost to trash TV. First, with Scotland outlawing smacking and safe spaces coddling students, it sometimes seems like the sharp edges of childhood have been sanded down. That’s why our children are so unhappy, writes Rod Liddle in the magazine this week. But do kids really need to be exposed to the world? Or are there good reasons why we don’t let 9-year-olds ride alone

Jonathan Maitland

The idiot box

How to sum up David Frost? The lazy writer’s friend, aka Wikipedia, calls him ‘an English journalist, comedian, writer, media personality and television host’. To which I would add only: ‘Britain’s first TV superstar.’ (To some he was also ‘The Bubonic Plagiarist’, but we won’t dwell on that.) That Was The Week That Was, The Frost Report and The Nixon Interviews made him a key cultural figure of the 1960s and 1970s. But his true significance struck me only recently. He may have damaged Britain, unintentionally, as much as anyone in living memory. Frost, in my view, was a Pied Piper who helped to lure a generation of the brightest

Kate Chisholm

The ties that bound us

Only Neil MacGregor could do it — take us in a single thread from a blackened copper coin, about the size of a 10p piece, dating from Rome in about 200 AD, to a packed music hall in London during the first world war. In his new 30-part series for Radio 4, Living with the Gods, the former director of the British Museum looks at the ways in which societies come together through shared rituals and beliefs and how these rituals are developed and used to make sense of our place in a universe beyond human comprehension. One side of the coin shows a fire burning within the Temple of