Bbc

Thursday

Toby Young

The BBC is having a laugh

If I were a pensioner, I’d be a bit miffed by the BBC’s decision to end the policy of giving free TV licences to the over-75s. At present, the cost is met by the government, but it was due to be picked up by the BBC from 1 June 2020. At least, that’s what I thought — and I had good reason. According to a report on the BBC News website dated 6 July 2015, the Beeb would ‘cover the cost of providing free television licences for over-75s’ and ‘in return… the licence fee will rise with inflation’. The story referred to this as a ‘deal’ made with the government

Rod Liddle Rod Liddle

The wrong kind of diversity

The BBC has advised its journalists not to use the word ‘terror’ or ‘terrorist’ when some bloke blows himself up screaming ‘Allahu akbar’ in a public place, thus killing as well lots of non-Allahu akbar kind of people. The words ‘terror’ or ‘terrorist’ are, in this context, pejorative and the use of them involves making an assumption, which of course we must never do. It may not have been terror which the chap intended to instil in the local population, but enlightenment, good cheer and a general sense of bonhomie, of course. Given that the BBC no longer uses the word ‘Islamic’ whenever mentioning these sorts of actions,  it is

Tuesday

Toby Young

Has the BBC gone back on its word over free TV licences?

If I were a pensioner, I’d be a bit miffed by the BBC’s decision to end the policy of giving free TV licences to the over-75s. At present, the cost is met by the government, but it was due to be picked up by the BBC from 1 June 2020. At least, that’s what I thought — and I had good reason. According to a report on the BBC News website dated 6 July 2015, the Beeb would ‘cover the cost of providing free television licences for over-75s’ and ‘in return… the licence fee will rise with inflation’. The story referred to this as a ‘deal’ that the BBC had

Monday

Ross Clark

Scrapping free TV licences for the over-75s will cost the BBC dearly

Well, that was surprising. The BBC has announced that from 2020 it will do away with free TV licences for the over-75s. In future, free licences will only be available to households which have at least one member receiving pension credit.   Everyone else will have to pay the full whack of £154.50 a year. In defence of its decision, the BBC cites the results of a consultation, 52 per cent of the 190,000 respondents to which it says were approving of its decision to end blanket TV licences for the over-75s. Let’s skate over other recent democratic exercise where 52 per cent of the population were in favour of something

Thursday

James Walton

Here comes the sun

When you see the opening caption ‘4.6 billion years ago’, it’s a pretty safe bet that you’re watching a programme presented by Professor Brian Cox. And so it proved again this week, as his latest exploration of the solar system began on BBC2, with an episode about Mercury and Venus. Being an officially designated ‘landmark’ series, The Planets (Tuesday) has many of the features you’d expect: lush music, an impressive CGI budget, a ten-minute behind-the-scenes segment at the end. More surprising is Cox’s willingness to anthropomorphise the planets — and to regard the ones that aren’t lucky enough to be Earth with a touching level of sympathy. After all, it’s

Kate Chisholm

Acts of settlement

‘Put yourself in their shoes,’ says Zahra Mackaoui, a British-Lebanese journalist who has been following the stories of refugees from Syria for five years, catching up with them as they move on restlessly, searching for a place to settle. ‘Ask yourself, what would I have done?’ That question echoed through her series of documentaries for the World Service as we heard from those who have been exiled by a war in which they have played no part except as victims. What would I have done? In Beyond Borders (produced by Craig Templeton Smith), the open, frank honesty of Hani, Ayesha, Doaa Al Zamel and Fewaz gave us an opportunity to

Thursday

James Delingpole

Get your kit off

After its new costume drama You Go, Girl! (Sundays) about how amazing, empowered and better-than-men women are, especially if they are lesbians, the BBC ran its first ever Nike ad. At least that’s what I thought initially: rap music, moody shots of athletes, very high production values. Then I saw they were all grim-faced women and the word ‘RISE’ in flames and I thought: ‘Big new drama series? About girls who’ve been sucked into this very strict Christian cult, a bit like the Handmaid’s Tale, maybe?’ Then I noticed they were all wearing football kit and kicking balls around, and went back to my original Nike idea. Finally came the

Monday

Allis Moss

Danny Baker’s tweet was wrong. But in time he should be forgiven

More than two decades have passed since I worked alongside Danny Baker on the original BBC Radio 5 breakfast show. I learned a lot from Baker, a presenter who was able to sound so informal on air and generous in drawing whoever was in the studio into whatever was happening. “Joshing”, he called it. As the newsreader I was there every day. His ‘long-suffering sidekick’, as I was once described. Clearly, I am not wholly objective. Working every morning with Danny Baker for several years has left me with a fondness and appreciation for the chap even though it is a long time since we last spoke. Other commentators, including his

Thursday

Toby Young

This extinction warning just doesn’t add up

Anyone watching the BBC’s News at Ten on Monday would have been surprised to learn that economic growth poses a dire threat to the future of life on this planet. We’re used to hearing this from climate change campaigners, but I’ve always taken such claims with a pinch of salt, suspecting that the anti-capitalist left is distorting the evidence. Apparently not. ‘One million species at risk of imminent extinction according to a major UN report,’ intoned the BBC. ‘It says the Earth’s ecosystems are being destroyed by the relentless pursuit of economic growth.’ So does this mean the Extinction Rebellion protestors are right? I decided to do some digging to

Richard Bratby

Reaching the Tippett point

In Oliver Soden’s new biography of Michael Tippett, he describes how Tippett wanted to open his Fourth Symphony with the sound of breathing: ‘as if the orchestra itself had lungs.’ Tippett had no idea how to achieve this effect, and at the première in 1977 they used an orchestral wind machine — a canvas band rubbing against a wooden drum. It proved about as convincing as it sounds, so at later performances a musician exhaled down a microphone. The effect, writes Soden, was reminiscent of an obscene phone call. And there the matter and (effectively) the symphony rested, until Sound Intermedia — a team of electronic music wizards best known

Rod Liddle Rod Liddle

Are the village idiots right?

The former BBC presenter Gavin Esler has very kindly given us an insight into how BBC people think (had we been in much doubt). Esler, who is now standing for election as a member of the hilarious Change UK party, said the following: ‘TV news must stop giving airtime to the “village idiots” of Brexit — the dubious right-wing supposed “thinktanks” and pseudo-experts among ERG MPs who simply haven’t a clue what the implications of Brexit truly are.’ Remarkable, no? The ‘village idiots’ of Brexit are people who support Brexit. That’s a lot more idiots than there are villages, Gavin. This clown wishes the BBC to discriminate against people who

Sunday

Melanie McDonagh

The BBC’s obsession with diversity has ruined Gardeners’ Question Time

There’s nothing wrong with radio continuity announcers; one is a friend of mine and he’s very sharp. But the doubts about whether reading the news and the jokes between one item and another is a qualification to present programmes that actually require you to know what you’re talking about remain, now that Kathy Clugston has completed her first session as presenter of Gardeners’ Question Time. She’s got nice diction, Kathy, but as a gardener she hasn’t got a clue – and in fairness she did let this be known at the outset. She started off by getting her audience at Tiptree in Essex to shout out – on the basis

Thursday

Kate Chisholm

Up close and personal | 2 May 2019

‘Can you fly down this evening?’ she was asked by her boss in the Delhi office of the BBC. ‘Yes, of course. I have to,’ replied Ayeshea Perera, a Sri Lankan journalist. She was talking from Colombo to David Amanor of the World Service’s The Fifth Floor, which looks at current news stories from the perspective of those intimately involved with them and is always worth catching for its alternative, less formal approach and Amanor’s gentle probing to find the real story. Perera described the chaos on arriving at the airport in the Sri Lankan capital on the evening of Easter Day and the weirdness of going to see the

Thursday

Kate Chisholm

The sense of an ending | 25 April 2019

It was never given the choicest slot in the schedule, airing first thing on Sunday morning with a repeat at the end of the day. But in its 24 years Something Understood, guided and often presented by the esteemed foreign correspondent Mark Tully, has gathered an impressive audience. Its blend of poetry, prose and music from a huge variety of thinkers, theologians, scientists, poets and composers, carefully (but not artificially) edited around a theme, is for many listeners the best of Radio 4, challenging yet always accessible, highly selective but broad in content. I didn’t always manage to hear it but was glad to know it was there. Yet on

James Delingpole James Delingpole

Off the Boyle

‘I spend a lot of time helping teenagers who’ve been sexually abused…’ — beat — ‘…find their way out of my house.’ You’d scarcely imagine, listening to Frankie Boyle now, that this was the kind of joke he was telling on TV as recently as this decade. I wouldn’t believe it myself if I didn’t have written evidence of it, in the form of a 2011 TV review of his now-forgotten shocker of a Channel 4 show, Tramadol Nights. Boyle was great back then because he went to places few other comics dared to tread. He joked about everything from cancer (‘What is it about people with cancer thinking they’re

Saturday

Ross Clark

What David Attenborough’s climate change show didn’t tell you

Given the reception that awaited Richard Madeley when he ventured last week that David Attenborough is “not a saint, just a broadcaster” – something which is evidently true, though I haven’t formally checked with the Vatican – one delves into this subject with some intrepidness. Nevertheless, great documentary-maker though he may be, Attenborough cannot be allowed to get away with the propaganda element of his latest piece, his documentary Climate Change: the Facts which went out on Thursday evening.    Before I get going, don’t even bother thinking of calling me a climate change denier in the pockets of oil companies, or whatever. I am happy to accept the observable facts:

Thursday

Rod Liddle

The transgender agenda is collapsing

It is a great disappointment to me that my phrases don’t get picked up by other writers and then society in general before ending up in the Oxford English Dictionary. Chuck Palahniuk is credited with the use of ‘snowflake’ as a pejorative term, for example, and James Bartholomew claims (despite some evidence to the contrary) to have made up ‘virtue-signalling’. Both are now very familiar and even overused — but mine all get ignored. I came up with what I thought was a decent neologism while being interviewed by Peter Whittle for his programme So What You’re Saying Is… Peter had been lamenting, as we all do, the endless hierarchy

Kate Chisholm

People power | 11 April 2019

He is said to ‘have changed the sound of speech radio’, not just by giving voice to those who until then (the 1960s) had not been given air time, the richness of their county accents too far removed from Broadcasting House’s Received Pronunciation. He won awards for his pioneering use of the new midget tape recorders, taking his microphone out of the studio and down the mines, to the fishing harbours, into the boxing rings and talking to teenagers. He was also a genius at editing, able to cut away an errant ‘s’ or insert a single note into the soundscape with the rudimentary tools then available, a sharp razor

James Delingpole James Delingpole

Planet propaganda

If you liked Triumph of the Will, you’ll love this latest masterpiece of the genre: Our Planet. The Netflix nature series exploits the prestige, popularity and swansinging poignancy of Sir David Attenborough to promote an environmental message so relentlessly dishonest and alarmist it might have been scripted by the WWF. ‘Walruses committing suicide because of global warming.’ That was the nonsense from episode two repeated uncritically by all the newspapers, none of which seems to have been much interested in questioning the veracity of the claim. You’ll never guess what it was that really drove those walruses over the edge of the cliff… Ironically, the likely culprits were polar bears

Thursday

James Walton

The wisdom of the crowd

On Sunday a drama began with ED905 being stolen by an OCG who’d faked an RTC that required IR, little realising that they had a UCO in their midst. So yes, Line of Duty (BBC1) is back in all its jargon-laden glory — and, judging from the first episode, it’s lost none of its ability to grip either. For those a bit rusty on their police abbreviations, that opening scene featured the female member of an organised crime group pretending she’d crashed her car with a baby inside, causing the woman in charge of a passing police convoy to stop and help. The rest of the gang then appeared in