Bbc

Thursday

Charles Moore

Why bother joining the Labour party?

Now that there is yet another chance to vote for a leader of the Labour party, if you are prepared to pay £25 next week, lots of my friends, none of them Labour supporters, are joining up. Their idea is to vote for the Corbyn ‘continuity candidate’, who seems to be Rebecca Long Bailey, thus ensuring, they think, continuous Conservative rule. As someone who is not a member of any political party, and is therefore eligible to join Labour, I am thinking of following suit; but something gives me pause. There is a real question whether the extremists in Labour are any worse than the moderates. The Corbynistas are, for

Thursday

James Delingpole

BBC’s A Christmas Carol was the victim of tub-thumping lefty politics

‘People trust us,’ claimed Lord Hall, recently. But like a lot of what you hear from the BBC these days I’m not sure that that is strictly accurate. The BBC’s shamelessly biased news coverage over Brexit was bad enough but what has really started in sticking in viewers’ craws is the way its relentlessly woke politics have now infected pretty much the entirety of its entertainment output. There is almost no escape from the BBC’s finger-wagging lectures, not even when it’s Christmas and you’re desperately trying to have fun. As exhibit A, allow me to present A Christmas Carol. ‘Charles Dickens, Christmas and the BBC: what could possibly go wrong?’,

Wednesday

Andrew Marr

Andrew Marr: Twitter fooled everyone during this election

It’s an unfashionable thought, but having spent many hours in the university sports hall where constituency votes for Boris Johnson and John McDonnell were counted, I feel freshly in love with democracy. There they all were, local councillors and party workers from across the spectrum; campaigners pursuing personal crusades, from animal rights to the way fathers are treated by the courts; eccentrics dressed as Time Lords. In the hot throng, there were extremists and a few who seemed frankly mad. But most were genial, thoughtful, balanced people giving of their free time to make this a slightly better country. Stuck in Westminster during relentless parliamentary crises, it’s easy to lose

James Delingpole James Delingpole

The only way to survive Christmas TV is to avoid anything seasonal and watch Giri/Haji

The key to surviving the next couple of weeks of TV is to avoid like the plague anything that smacks of seasonal viewing. So, no Christmas specials (such as the semi-celebrity, elderly grown-ups version of University Challenge where the questions are even more laboriously PC than on the student edition), no Harry Potter, no adverts featuring tinsel, dragons and patronisingly diverse families making merry. Basically, you want to steer clear of terrestrial TV altogether — but with one exception. You may use BBC iPlayer to download the only decent drama series that slipped through the net: Giri/Haji. Joe Barton’s blackly comic Anglo-Japanese thriller was by some margin the most original

Kate Chisholm

How podcasts have transformed radio

As if on cue, Lemn Sissay’s new series for Radio 4 tackles all those questions we would rather ignore in this season of good cheer and overindulgence. He starts out with a programme about homelessness, reminding us that the Christmas story begins with a young unmarried couple, ostracised because she’s pregnant and her current partner is not the father, who are desperately in need of a bed for the night. Cut to 2019 years later. ‘How do you decide how much to give?’ he asks a young woman in his audience who, it turns out, works with a charity for homeless people. ‘Do you ever feel you’ve not given enough?’

Thursday

Charles Moore

My run-in with Westminster’s TV news circus

Leaving an evening meeting in Westminster on Monday night, I walked to Charing Cross. Approaching the public path which runs across College Green by Parliament, I found, as so often nowadays, that it was fenced off to allow those pop-up studios which the big television channels erect to create their instant news circus. Fed up that the normal way was yet again blocked by what Psalm 84 calls ‘the tents of wickedness’, I lifted the barrier open and walked through. Two security guards leapt out of the nearest hut and tried to block me. I pressed on, however, and they could only scamper after me calling out ‘Health and safety! Health and safety!’ At

James Walton

Why on earth did Glenda Jackson give up acting? BBC1’s Elizabeth is Missing reviewed

Watching BBC1’s Elizabeth Is Missing made one of the more puzzling decisions of recent decades seem more puzzling still. Entirely her call of course, but why on earth did Glenda Jackson give up acting (something she was better at than pretty much everybody else in the world) to become an unremarkable Labour MP (something that any number of people could surely have done just as well) for more than 20 years? Whatever her thinking, though, Jackson’s first TV role since 1992 was an overwhelmingly powerful and therefore quite sad reminder of what we’ve been missing. In Sunday’s single drama, based on the bestselling novel by Emma Healey, Jackson played Maud,

Monday

Brendan O’Neill

Labour, Question Time and the cult of youth

When’s the Question Time for over-60s, then? Or maybe even over-75s? After all, elderly people face specific social problems: pension issues, care, loneliness. And yet they aren’t getting their very own QT, unlike under-30s, who are. Tonight the BBC is hosting a special youth version of its flagship political show and in the process it is sending out a pretty disturbing message: young people’s views matter more than old people’s. Presented by Emma Barnett and featuring politicians from across the spectrum, tonight’s QT for millennials promises to be an irritating affair. It’s not that I have anything against young people — I was young myself, once. It’s more that self-consciously

Ross Clark Ross Clark

Boris is right: it’s time to scrap the BBC licence fee

Has Boris decided this election is in the bag? I ask because this afternoon he’s made just about the first bold policy announcement of the campaign. After a safety-first manifesto and little other announcements so as not to frighten the horses, he has stuck his neck out and suggested that the TV licence might be on borrowed time. Having said he was under pressure not to make up policy ‘on the hoof’ he went on, well, almost to make a policy on the hoof: ‘You have to ask yourself whether that kind of approach to funding a media organisation still make sense in the long term, given the way other

Friday

Thursday

James Forsyth

Will the BBC hang tough in negotiations over the Boris Johnson interview?

So, will Boris Johnson sit down for an interview with Andrew Neil? Jeremy Corbyn and Nicola Sturgeon have done theirs while Jo Swinson and Nigel Farage are scheduled for next week. The Prime Minister hasn’t yet agreed a time for his. Given how tough an Andrew Neil interview is, just ask Jeremy Corbyn if you doubt that, it is hard not to be cynical about the Tories’ scheduling issues. Boris Johnson is, though, offering to appear on the Andrew Marr show this Sunday. This offers an easy solution to the problem. The Tory leader, who is clearly free on Sunday morning, could simply record his interview with Andrew Neil then

James Walton

Is the patriarchy as all-powerful as it’s cracked up to be? The Baby Has Landed reviewed

Anybody who watched the opening episode of The Baby Has Landed (BBC2, Wednesday) might have found themselves wondering if the patriarchy is quite as all-powerful as it’s cracked up to be. The programme follows ‘six families over six life-changing weeks’ as they welcome a new member — and on the whole features women who radiate authority and men who do what they’re told. The most experienced parents are Nigel and Helen Pierce, first seen embarking on a lengthy quest for shoes as they tried to get their four children under five out of the house so that Helen could go to hospital and have a fifth. As old hands, they

Thursday

James Delingpole

War of the Worlds is as bad as Doctor Who

Edwardian England deserved everything it got from those killer Martian invaders. Or so I learned from the BBC’s latest adaptation of The War of the Worlds (Sundays). Everything about that era, apparently, was hateful, backward and ripe for destruction: regressive attitudes to women and homosexuality; exultant white supremacy (cue, a speech from a government minister on the superiority of the Anglo-Saxon race); a general prevailing bone-headedness and stuck-upness; stiff, stuffy, relentlessly brown clothing with superfluous belts; and as for those ridiculous bristling moustaches… Still, I don’t think H.G. Wells would have been totally appalled by this travesty of his 1898 potboiler. Wells was, after all, a man of the left

Thursday

James Walton

Patronising, clichéd and corny: BBC1’s Gold Digger reviewed

Some last taboos, it seems, can remain last taboos no matter how frequently they’re confronted. Grief, the menopause, masturbation, mental illness are all routinely described that way whenever they get depicted on television — i.e. quite often. But perhaps the sturdiest last taboo of the lot is that older women can have sexual feelings: something that appears to come as a rather patronising surprise to TV folk every time they tackle it — i.e. quite often. The latest example of such bravery is Gold Digger (BBC1, Tuesday), a drama keen for us to understand that a woman of 60 can still be both desirable and a goer — although not

Thursday

Mark Mason

Why I love a bit of death on a Sunday night

There’s nothing like a nice bit of death on a Sunday evening. Radio 4 originally transmit their obituary programme Last Word on Friday afternoons, but I love listening to the repeat. Sunday at 8.30 p.m. is the perfect time — the ending of people’s lives at the ending of the week. The stresses of Monday morning are beginning to appear on your mental horizon, so Last Word is a handy reminder that none of it matters. Triumphs and tragedies come and go, but in the end we all check out. This week provided the usual smorgasbord of mortality. Everyone from Irene Shubik, the TV producer behind Rumpole of the Bailey,

James Delingpole James Delingpole

God awful: BBC1’s His Dark Materials reviewed

‘Here’s your new Sunday night obsession…’ the BBC announcer purred, overintoned and mini-orgasmed, like she was doing an audition for a Cadbury’s Flake commercial, ‘… a dazzling drama with a stellar cast.’ My hackles rose. Did no one ever mention to her the rule about ‘show not tell’? And my hackles were right. His Dark Materials has indeed become my Sunday night obsession: how can the BBC’s most-expensive-ever drama series possibly look, sound and feel so clunkingly, God-awfully, disappointingly flat? Yes, I know Philip Pullman’s trilogy is an extended, bitter rant against Christianity disguised as children’s entertainment. But I loved reading those novels, especially the first two, which may be

Friday

Nick Robinson

I didn’t ‘ambush’ Douglas Murray

Douglas Murray was not ‘ambushed’ by me on the Today programme. Nor was he called out. Nor was he misquoted.  He was asked about something he once said and wrote in a lengthy Today programme discussion – around eight minutes and not the four he suggests – about Barack Obama’s warning about the idea that young people should be “woke” – quick to seize on allegedly offensive remarks.  Douglas had already had two opportunities to spell out his thinking in response to questions which could scarcely be described as aggressive: “Are you surprised to find yourself cheering along with Barack Obama?”  and: “You in your new book talk about people

Thursday

Douglas Murray

How I was ambushed by Nick Robinson

Ah, the BBC. There’s really nothing like it is there? This morning I had the pleasure of appearing on BBC Radio 4’s Today programme. I know what you’re already thinking: ‘You fool, you fool – it’s a trap’. But I was phoned last night and asked if I would come on this morning to discuss Barack Obama’s recent remarks against ‘wokeness’. At some inconvenience to myself I rearranged my schedule, got up early and headed to the BBC. Only to discover that I was today’s BBC effort at replaying the recent Rod Liddle – Emily Maitlis exchange.  I was on with a professor of grievance studies from Birmingham City University

James Walton

BBC wildlife documentaries are just a chance to tell us all off

Older readers may remember a time when landmark BBC wildlife documentary series were joyous celebrations of the miraculous fecundity of the planet we’re lucky enough to find ourselves living on. Well, not any longer. In our more censorious age, they’ve become another chance to essentially tell us all off. So it was that Seven Worlds, One Planet (BBC1, Sunday) began with Sir David Attenborough presenting the usual highlights package of the wonders to come, with each episode focusing on a different continent. But then he put on his special serious voice to add the dark warning that ‘This may be the most critical moment for life on Earth since the

Thursday

James Delingpole

If we do get a good Anglo-American trade deal, we should thank Trump’s mother

In an uncharacteristic fit of almost-robustness, Culture Secretary Nicky Morgan has said she is ‘open-minded’ about scrapping the BBC licence fee and replacing it with a Netflix-style subscription service. Good idea. What would we actually miss if we didn’t subscribe? Not an awful lot in my view. Some people cite David Attenborough’s nature documentaries but I certainly wouldn’t now that they have become so obtrusively propagandistic. The problem with the BBC isn’t — and never has been — lack of talented filmmakers, wildlife camera crews, presenters, actors, writers or production teams. It’s that, from news to drama, the BBC’s woke politics now subsume and corrupt its entire output. Still, the