Bbc

I’ve lost patience with podcasts and their presenters

‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel by the same way, perform actions in the same order. Like all birds, it fears the unpredictable.’ Sitting around in the same old clothes, performing chores in the same order, travelling by no way at all, I’ve found comfort in Baker’s assurance that I may at least prove attractive to birds in my slovenly purdah. Sir David Attenborough read The Peregrine beautifully on Radio 4 just before Christmas, but if you were too busy steaming puddings to listen, you may find this a good time for enjoying the series online.

Why do Radio 3 presenters adopt the tone stupid adults use when addressing children?

Anyone who has listened regularly to Radio 3 over the decades — not to mention the Third Programme, which Radio 3 replaced in 1967, and which provided an incomparable musical education for many of us — can’t have failed to notice the change in style and standard of presentation. Listening to any radio announcer from 50 years ago is bound to cause hilarity: carefully read scripts, un-emotional delivery; all told, quite like the Queen’s Christmas broadcast. It would be ridiculous to expect no change in the way that the music, and the occasional talks, not to mention the regular poetry programme — a northern camp Thursday-night regular — are presented.

Riveting documentary about a remarkable man: Harry Birrell Presents Films of Love and War reviewed

First shown on BBC Scotland, Harry Birrell Presents Films of Love and War (BBC4, Wednesday) was the documentary equivalent of a William Boyd novel, showing us a 20th-century life shaped by 20th-century history. The programme was made by Harry’s granddaughter Carina, who’d been eight when he died, and known him only as ‘a lovable, frail, blind old man’. But then she came across 400 carefully labelled reels of film in the family shed, together with an equally well-organised collection of diaries. Exactly — or even vaguely — when this discovery took place was one of many details that Carina tantalisingly failed to disclose. (Now and again, we did see her

Letters: The BBC licence fee is an anachronism

Coronavirus predictions Sir: While precautionary advice regarding the coronavirus should be followed, Ross Clark is right (‘Feverish imaginations’, 29 February) to urge an open mind on the doomsday predictions which are edging us towards panic. In 1996 the then government’s chief scientific adviser, Professor Kenneth Calman, predicted that 500,000 people could die within a few years from the human form of BSE. Another official adviser, Professor Richard Lacey, described the disease as ‘the time bomb of the 20th century, equivalent to the bubonic plague’. In the event, the reported death toll was 177, while the scare cost the UK an estimated £7 billion. In 2005 the then government’s chief medical

How I fell out of love with the BBC

One of the many technological things I don’t understand is, how come I’m paying to watch television? I know why I used to pay. I used to switch on a box in the corner of the room and marvel at the choice of three quite interesting programmes and something slightly racy on Channel 4. It was all reassuringly underwhelming, with everyone doing as well as could be expected given the circumstances. The cardboard sets on a lot of the shows wobbled and we were happier for it, one could argue. There was an obvious balance of earnestly attempted light entertainment and archly presented informative content and I for one didn’t

Rory Sutherland

Why the BBC licence fee makes sense

A consensus seems to be forming that the BBC licence fee is for the chop. In a digital age, the reasoning goes, we should not be forced to subscribe to huge bundles of content, with no choice over what we pay for and what we don’t. This argument, intriguingly, is both true and false at the same time. It is worth remarking that Netflix and Spotify succeeded by adopting a very similar model to, er, the BBC What’s true is that technology has removed two constraints which made the licence fee necessary in the first place. At the BBC’s outset, the airwaves were limited, creating a monopoly. Moreover it was

Could coronavirus change British politics?

Even if the Covid-19 coronavirus does not become a mass killer on the scale of, say, the Spanish Flu in 1918, the mere possibility of such severity still carries huge weight. Just the potential for a disastrous pandemic demands a response whose seriousness and nature will have political and social implications. Even in this first week of the full UK response, some of those implications are clearly visible. And some of the inferences and lessons that can be drawn from this week are, to my mind, quite positive – small points of light in a dark and threatening sky, if you like. 1. The State matters Small-state libertarians have always

Letters: How to really revitalise the North

Devolved or decentralised? Sir: Paul Collier (‘Northern lights’, 22 February) conflates what devolution has come to mean, in UK terms, with decentralisation of authority. Thus it is adrift to imply that Edinburgh has benefited from a conscious decentralising of powers from central government. It was simply that Scotland as a whole got devolution and Edinburgh is its capital city, whereby it administers the devolved responsibilities. Until such time as commentators and politicians distinguish properly between devolution and decentralisation, they will continue to prompt fears that England could be balkanised rather than treated as a national entity on a par with Scotland. Situate its devolved English parliament and government in a

Why are BBC dramas so obsessed with rewriting history?

If there was a Bafta award for Most Woke Television Drama, a BBC production would win every year hands down. Consider some of 2020’s highlights alone: Noughts and Crosses, set in an alternate world where the ruling class is black and in which white people are the victims of racism; My Name is Leon, about a mixed-race boy growing up in care; and A Suitable Boy, a drama about arranged marriages with an entirely Indian cast. And of course, there’s always the female lead in Doctor Who, a series that now features storylines about civil rights, the environment and even allusions to Brexit. That’s fine really, and nothing new by

How low can the BBC go?

Last weekend’s papers claimed that the government desires a ‘massively pruned back’ BBC. Former Conservative cabinet minister Damian Green and someone called Huw Merriman spoke out against this, which allowed the BBC to put the headline ‘BBC licence fee: Tory MPs warn No. 10 against fight’ atop its characteristically impartial coverage. I suppose there are various reactions one can have to this, ranging from outrage at supposed ‘cultural vandalism’, via a vague shrug, all the way through to the full Charles Moore. In recent years I have moved through all these stages. The discovery that mattered most was the realisation that the less BBC I had in my life, the

Rod Liddle

The blindness of cultural Marxism

Words we are not allowed to use any more now include ‘cultural Marxism’. Suella Braverman, now the Attorney General, used them last year and was immediately upbraided by the organisation Hope Not Hate. Very right-wing people sometimes use it too, you see, so it must never be uttered by anyone else. Banning the use of the phrase ‘cultural Marxism’ is about as culturally Marxist as it is possible to get, but I don’t suppose the cultural Marxists at Hope Not Hate appreciated the irony. Cultural Marxism is a largely 1960s excrescence in which everything must be seen through the prism of unequal power relations, other than which nothing else matters

I’ve seen wars more amusing than BBC comedy

Last weekend’s papers claimed that the government desires a ‘massively pruned back’ BBC. Former Conservative cabinet minister Damian Green and someone called Huw Merriman spoke out against this, which allowed the BBC to put the headline ‘BBC licence fee: Tory MPs warn No. 10 against fight’ atop its characteristically impartial coverage. I suppose there are various reactions one can have to this, ranging from outrage at supposed ‘cultural vandalism’, via a vague shrug, all the way through to the full Charles Moore. In recent years I have moved through all these stages. The discovery that mattered most was the realisation that the less BBC I had in my life, the

No. 10’s latest BBC row is a helpful distraction

How do you move on from a week of torrid headlines over a power struggle between senior No. 10 aides and a recently departed Chancellor? The old Tory playbook – mastered by Boris Johnson’s former election guru Lynton Crosby – would suggest throwing a dead cat. The dead cat strategy used when a party wishes to change the conversation by any means necessary. The idea is that by the time it’s done people will stop talking about the thing you want to move away from and instead become distracted and effectively go: ‘Jeez, mate, there’s a dead cat on the table!’ It’s worth remembering this device when considering that we

The BBC has much to learn from Japan’s national broadcaster

NHK is Japan’s version of the BBC – it was actually modelled after the Beeb way back in the 1920s. It has four terrestrial, two satellite TV stations, and three radio stations. It is advert-free, and funded by a license fee. It could be seen as one of Auntie’s nephews perhaps, with many of the same family traits, but a few important differences that embattled BBC executives might do well to take notice of. Unless you have a weird fondness for the noisy and inane (see the Takashi Fuji episode in ‘Lost in Translation’) NHK is probably the only ‘terebi’ you would want to watch in Japan. It is renowned

In defence of the BBC

I sometimes wonder if I’m the last person left in Britain who loves the BBC and thinks it represents brilliant value for money. Yes, there is much with which to be infuriated – like most Leavers, for example, I find watching Gary Lineker present Match of the Day about as enjoyable as I imagine Remainers would watching Nigel Farage do the same job. And yes, the Today programme segment earlier this week on the latest developments in telephone hold music was idiotic. But does the BBC really deserve, once again, to be threatened with licence fee reform? The argument against the BBC licence fee is that it is effectively a

Ross Clark

Why is the BBC criminalising low income women?

The BBC has a penchant for staging debates on the decriminalisation of drugs. I should know because I am often drafted in as the right-wing loon to provide a bit of balance to the enlightened drugs expert putting the more fashionable view. These debates always go the same way. I argue that if a substance is dangerous enough to be banned then you need to punish the users as well as the suppliers because it is they who are creating the market. Without these consumers, the drug-pushers would have nothing to sell. The enlightened expert is then invited to say how damaging it is to drug-users to be given a

Spare us Nish Kumar and the BBC’s anti-Brexit sneering

Friday was Brexit day. The day that the largest act of democracy in the history of this country was finally enacted. The day when the wishes of 17.4m people finally became a reality. And how did the BBC, the national broadcaster, mark this extraordinary democratic day? With a sneer, of course. A smug, aloof, bitter sneer at the entire country. Not only did BBC reporters huff and moan at the mass pro-Brexit gathering in Parliament Square, coming off like anthropologists who had happened upon some bizarre, exotic tribe. It also chose that day to push out anti-Brexit nonsense via its kids’ wing, CBBC. Yes, even children must now be subjected

Why bother joining the Labour party?

Now that there is yet another chance to vote for a leader of the Labour party, if you are prepared to pay £25 next week, lots of my friends, none of them Labour supporters, are joining up. Their idea is to vote for the Corbyn ‘continuity candidate’, who seems to be Rebecca Long Bailey, thus ensuring, they think, continuous Conservative rule. As someone who is not a member of any political party, and is therefore eligible to join Labour, I am thinking of following suit; but something gives me pause. There is a real question whether the extremists in Labour are any worse than the moderates. The Corbynistas are, for

BBC’s A Christmas Carol was the victim of tub-thumping lefty politics

‘People trust us,’ claimed Lord Hall, recently. But like a lot of what you hear from the BBC these days I’m not sure that that is strictly accurate. The BBC’s shamelessly biased news coverage over Brexit was bad enough but what has really started in sticking in viewers’ craws is the way its relentlessly woke politics have now infected pretty much the entirety of its entertainment output. There is almost no escape from the BBC’s finger-wagging lectures, not even when it’s Christmas and you’re desperately trying to have fun. As exhibit A, allow me to present A Christmas Carol. ‘Charles Dickens, Christmas and the BBC: what could possibly go wrong?’,

Andrew Marr: Twitter fooled everyone during this election

It’s an unfashionable thought, but having spent many hours in the university sports hall where constituency votes for Boris Johnson and John McDonnell were counted, I feel freshly in love with democracy. There they all were, local councillors and party workers from across the spectrum; campaigners pursuing personal crusades, from animal rights to the way fathers are treated by the courts; eccentrics dressed as Time Lords. In the hot throng, there were extremists and a few who seemed frankly mad. But most were genial, thoughtful, balanced people giving of their free time to make this a slightly better country. Stuck in Westminster during relentless parliamentary crises, it’s easy to lose