Bbc

Yesterday

Philip Patrick

The comedy genius of John Shuttleworth

There is a certain comic archetype that is particularly British. The likes of Pooter, Mainwaring, Hancock, Fawlty and Brent are in a tradition – going back to Falstaff, perhaps further – of hopelessly optimistic yet socially oblivious dreamers. One such character is John Shuttleworth, created and played by Graham Fellows. For the uninitiated, John Shuttleworth is a retired security guard and aspiring singer-songwriter from Sheffield who lives with his dinner lady wife and two children, Darren and Karen. He performs mainly at hospices and drop-in centres, often for no more than his travel money. His career is inexpertly managed by his next-door neighbour with whom John enjoys a generally warm,

Thursday

Daisy Dunn

Booze now has its own Rest is History-style podcast

Intoxicating History is the perfect title for drinks expert Henry Jeffreys and food critic Tom Parker Bowles’s new podcast. Its theme is alcohol, but its contents are predominantly historical, which is good news if, like me, you are quick to apply the word ‘bore’ to any man who talks about wine for more than eight minutes. The first episodes came out before Christmas but they have been gathering momentum since Dry January. Today’s drinking culture, which has spawned this bizarre annual group sacrifice, has an interesting pedigree. Europeans have apparently been on their guard against boozing Englishmen for nearly a millennium. The Portuguese were certainly left in no doubt as

Sunday

Michael Henderson

Simon Schama is a bore

When Herbert von Karajan was at his celestial height in the 1960s, juggling conducting duties at the Berlin Philharmonic, the Vienna State Opera and the Salzburg Festival, his musicians liked to tell a joke. ‘Karajan gets in a taxi, and the driver asks, “Where to?” Karajan says, “It doesn’t matter, they want me everywhere.”’ Not bad for a German joke. You want to dump on Trump? Send for Schama! A fresh look at Rembrandt? There’s a professor at Columbia who knows everything! Who is the Karajan of our day, hopping from gig to gig with the assurance of the born maestro? It must be Simon Schama, historian supreme, and transatlantic

Saturday

Christopher Snowdon

How to catch a traitor

A quarter of a century after the first series of Big Brother, there is still some life in reality TV. Most of it is dross, but reality TV at its best tells you something about the human condition. What The Traitors (BBC One) tells us is that people are very good at lying. We over-estimate our ability to read people, and ‘body language’ is as likely to mislead us as it is to provide a ‘tell’. It is because people are good at lying that the faithfuls spend most of their time banishing fellow faithfuls based on nothing but vibes. They are then filled with remorse before picking another target

Lloyd Evans Lloyd Evans

The Traitors finale was a cruel spectacle

Blame Covid. That’s the origin of the BBC’s hit game-show, The Traitors. Workplaces are still deserted as people sit in their kitchens tapping away at their laptops but they crave the drama of office politics. This show lays on conspiracies and intrigues galore. The setting is a quaint old Scottish castle where a random group of players compete to win a pile of cash. Each contestant is ordered to tell the truth but a small number are given permission to cheat. These roles are assigned in secret, which fosters an atmosphere of fraud and mistrust. It’s a paradise for crooks and cut-throats. The castle is sprawling with side-parlours and shadowy

Thursday

Simon Kuper

The secret of Gary Lineker’s success

In his closing pages, Chris Evans delivers his verdict on his subject: That’s what Gary Lineker is: human. As his story shows, it’s possible to accomplish seemingly impossible things while staying grounded and true to your roots. I hate to be cruel about a diligently researched book by a freelance journalist. But unthinking writing cannot capture a man who managed to think himself into two great careers, first as a footballer and then as a TV presenter. Lineker was born in Leicester in 1960. His parents were market traders who worked brutal hours, then relaxed over card games that could run all weekend, with participants (including the local crooner Engelbert

Jenny McCartney Jenny McCartney

It’s moving to think how happy Van Gogh was in Brixton

When a phrase really takes off in the political sphere, you will recognise it by the frequency with which it crops up on the Today programme. Many years ago, I noticed that politicians had begun using the line ‘it’s not rocket science!’ when attacking the alleged inability of their opponents to get even the basics right. It had a muscular, common-sense ring to it, which they clearly relished, and it spread like norovirus through a cruise ship. How times have changed. Where once we had politicians who never stopped talking about rocket science, the ascent of Elon Musk in the US has brought us a rocket scientist who never stops

Tuesday

David Shipley

Prisons must prioritise mental health

What is prison for? I’ve wondered that a lot, these past five years. In February 2020, just a few days after the UK left the European Union, and as scientists worked to agree an official name for the ‘new coronavirus’, I was sentenced to 45 months in prison for a fraud I’d committed in 2014. During my time inside I discovered a system that did almost everything badly and didn’t seem to know its own purpose. Meanwhile our jails remain a mystery to those who haven’t been there. Since my release I’ve written and spoken to help people understand our prison system. I believe there is a better way of

Thursday

Daisy Dunn

Why I’m obsessed with Farming Today

Farming Today airs at an undignified hour each morning on Radio 4. On the few occasions I’ve caught it live I have felt, first of all, relief that I am not a farmer; second, inadequacy; and finally, a surge of evangelism for the farmer’s way of life. I am now reaching the conclusion that getting up early enough to listen to Farming Today is the very least we can all do. Listening to Farming Today helps dispel the romance of living off-grid By no means will everything discussed on the programme hold relevance for your life. One feature last week was dedicated to a project to preserve ten acres of

Friday

Ysenda Maxtone Graham

Where do you stand on ‘I was sat’?

Perhaps because more and more BBC radio programmes are being broadcast from Salford, the whole of Britain is getting used to hearing multiple uses of the expression ‘I was sat’ or ‘I was stood’. Often, those words come at the very beginning of programmes, spoken by the presenter to set the scene. ‘I’m sat in a crowded pub’, ‘I’m sat in the back of a van on a lay-by’, ‘I’m stood in the rain on the outskirts of Oldham, waiting for…’ To those who live south of the Watford Gap services, this simply sounds grammatically wrong. It’s a misuse of the passive voice. It should be ‘I was sitting’ or

Thursday

The Spectator

Letters: In defence of Radio 3

Vote of no confidence Sir: Rod Liddle is too harsh on those calling for another general election (‘I hope you didn’t sign that petition’, 30 November). You do not have to be a Trumpian denialist to believe the result in July raised serious concerns. Labour received just 33.7 per cent of the votes cast, yet won 411 of the 650 seats in the Commons. Labour’s total votes amounted to 23,622 per MP elected. The figure for Reform UK was 823,522. First past the post in individual constituencies works well with two major parties. But when support is significantly more divided, it is not fit for purpose. The petition was surely

Rod Liddle Rod Liddle

The BBC vs Gregg Wallace

The last time I took my wife to watch Millwall play a home game, a gentleman a few rows in front of us took grave exception to the behaviour of an opposing player and identified him, very loudly, as the author of The Critique of Pure Reason – repeatedly and with venom. Having vented his spleen, he turned to sit down and caught sight of my wife. An expression of contrition spread across his face and he said to me in a conciliatory tone: ‘I am very sorry for using such language in front of your lovely lady.’ The apology, you will note, was to me, not to my wife.

Thursday

Jenny McCartney

Avoids the breathless hype of so many podcasts: Finding Mr Fox reviewed

We are all surely familiar with those stories of naive young Brits who travel abroad and are persuaded by a charming new holiday friend to bring back what they’re told is an innocuous package, only to end up on the sharp end of drugs smuggling charges. The latest series of the BBC’s World of Secrets somewhat inverts those expectations: it tracks the fortunes of three innocent young Brazilian sailors and a French captain who were allegedly duped by a Norwich businessman into sailing a rackety yacht across the Atlantic with £100 million worth of cocaine hidden in the body of the ship. ‘One thing you find on breakfast TV is

James Delingpole James Delingpole

How did Wolf Hall escape the attentions of the BBC’s diversity commissars?

Wolf Hall is one of the few remaining jewels in the BBC’s tarnished crown. Presumably that’s why it was allowed to get off relatively lightly from the attentions of the Beeb’s resident diversity commissars. Yes, I recognise that I may be a terrible reactionary, completely out of tune with the times. But I think I speak for quite a few of us when I say that I was grateful in the first episode to notice only two discreet gestures towards anachronistic casting: one lady in waiting and one member of the king’s council. It seemed to strike an acceptable balance between verifiable historical incident and dramatic licence As I keep

Wednesday

Julie Burchill

I listened to a solid week of Woman’s Hour…

I was a weird kid, and though I harboured the usual innocent girlish ambitions of being a drug fiend and having sex with pop stars, I also nursed a desire to appear on Woman’s Hour. As a shy, provincial virgin, the programme opened up a world of women’s troubles from anorexia to zuigerphobia – and I was keen to have A Complicated Life. Here was the wet hand of today’s lily-livered sensibilities I had anticipated From my twenties to my fifties I appeared on it several times; my last outing was in 2016, as – like most other institutions – it was captured by the trans cult, leading to the

Wednesday

Daisy Dunn

Radio 4’s Lord Lucan series is rescued by a brilliant narrator

It was 50 years ago this week, on 7 November 1974, that Lord Lucan fled what was destined to become the most talked about crime scene of the 20th century. A coroner’s inquest jury named him as the killer of Sandra Rivett, his children’s nanny, but his disappearance ensured that he was never convicted of the crime – or of the attempted murder of his wife, Veronica. Stripping away the sensationalism of the story needn’t render it boring Understandably, given the mystery that still envelops his precise actions and whereabouts, Radio 4 has chosen to mark the anniversary with a soft question rather than to provide answers. Soft, but also

Wednesday

Matthew Parris

Do you like the century you’re in?

Years ago Lord Patten of Barnes – Chris – was our guest for my Great Lives programme on BBC Radio 4. He championed the life of Pope John XXIII, a mid-20th-century pope from humble origins who (his admirers would say) did much to bring the Roman Catholic Church into the 20th century. He had his detractors too, Evelyn Waugh for instance: ‘Easter used to mean so much to me before Pope John and his council… I have not yet soaked myself in petrol and gone up in flames, but I now cling to the faith doggedly without joy.’ The muscle memory of today’s pop-musical taste is half a century long

Wednesday

Jonathan Maitland

The mystery of Huw Edwards’s missing phone

The best thing about being a playwright? The satisfaction of creativity. The worst? Press-night parties attended by friends, industry people and celebs. Playwright Terry Johnson says he knows writers who find such occasions so hellish they’ve been put off writing plays altogether. The problem is the corrosive, deeply unsettling belief that everyone is lying to you. Everyone knows the rules: on press night, say something nice, even if it was a giant turkey. No negatives. That’s the critic’s job. But writers know this, so never believe any compliment, ever, even if the person paying it is telling the truth. The only time a writer can be sure of something is

Wednesday

Richard Bratby

The BBC Singers Centenary Concert was toe-curling

When does a new opera enter the repertoire? Judith Weir’s Blond Eckbert has only had a couple of UK productions since its première at English National Opera in 1994, but it’s been doing reasonably good business on the continent, where its source material – a story by German writer Ludwig Tieck – presumably has more cultural currency. In any case, it’s back now, as part of English Touring Opera’s autumn roster, and both the staging (by ETO’s general director Robin Norton-Hale) and the performances deserve to make Weir’s haunted, oddly unsettling opera a lot better known. If my toes had curled any harder I think I’d have dropped a shoe

Thursday

Jenny McCartney

The fascinating mechanics of striking a deal

If you wish to know how to become a master negotiator, a formidable body of books will now offer to train you in that art, but I’m not entirely sure it can be taught. The greatest natural asset, I suppose, is the ability to enjoy the game: the performative mulling, tough-talking, buttering-up, pitching of curve balls and – when absolutely necessary – flamboyant execution of a real or bluff exit. Yet even for those of us who are clumsy and reluctant hagglers, the mechanics of striking a deal can be fascinating. This is the stuff of the Dealcraft podcast, hosted by Jim Sebenius, a professor of the Harvard Business School,