Bbc

Where do you stand on ‘I was sat’?

Perhaps because more and more BBC radio programmes are being broadcast from Salford, the whole of Britain is getting used to hearing multiple uses of the expression ‘I was sat’ or ‘I was stood’. Often, those words come at the very beginning of programmes, spoken by the presenter to set the scene. ‘I’m sat in a crowded pub’, ‘I’m sat in the back of a van on a lay-by’, ‘I’m stood in the rain on the outskirts of Oldham, waiting for…’ To those who live south of the Watford Gap services, this simply sounds grammatically wrong. It’s a misuse of the passive voice. It should be ‘I was sitting’ or

Letters: In defence of Radio 3

Vote of no confidence Sir: Rod Liddle is too harsh on those calling for another general election (‘I hope you didn’t sign that petition’, 30 November). You do not have to be a Trumpian denialist to believe the result in July raised serious concerns. Labour received just 33.7 per cent of the votes cast, yet won 411 of the 650 seats in the Commons. Labour’s total votes amounted to 23,622 per MP elected. The figure for Reform UK was 823,522. First past the post in individual constituencies works well with two major parties. But when support is significantly more divided, it is not fit for purpose. The petition was surely

Rod Liddle

The BBC vs Gregg Wallace

The last time I took my wife to watch Millwall play a home game, a gentleman a few rows in front of us took grave exception to the behaviour of an opposing player and identified him, very loudly, as the author of The Critique of Pure Reason – repeatedly and with venom. Having vented his spleen, he turned to sit down and caught sight of my wife. An expression of contrition spread across his face and he said to me in a conciliatory tone: ‘I am very sorry for using such language in front of your lovely lady.’ The apology, you will note, was to me, not to my wife.

Avoids the breathless hype of so many podcasts: Finding Mr Fox reviewed

We are all surely familiar with those stories of naive young Brits who travel abroad and are persuaded by a charming new holiday friend to bring back what they’re told is an innocuous package, only to end up on the sharp end of drugs smuggling charges. The latest series of the BBC’s World of Secrets somewhat inverts those expectations: it tracks the fortunes of three innocent young Brazilian sailors and a French captain who were allegedly duped by a Norwich businessman into sailing a rackety yacht across the Atlantic with £100 million worth of cocaine hidden in the body of the ship. ‘One thing you find on breakfast TV is

James Delingpole

How did Wolf Hall escape the attentions of the BBC’s diversity commissars?

Wolf Hall is one of the few remaining jewels in the BBC’s tarnished crown. Presumably that’s why it was allowed to get off relatively lightly from the attentions of the Beeb’s resident diversity commissars. Yes, I recognise that I may be a terrible reactionary, completely out of tune with the times. But I think I speak for quite a few of us when I say that I was grateful in the first episode to notice only two discreet gestures towards anachronistic casting: one lady in waiting and one member of the king’s council. It seemed to strike an acceptable balance between verifiable historical incident and dramatic licence As I keep

I listened to a solid week of Woman’s Hour…

I was a weird kid, and though I harboured the usual innocent girlish ambitions of being a drug fiend and having sex with pop stars, I also nursed a desire to appear on Woman’s Hour. As a shy, provincial virgin, the programme opened up a world of women’s troubles from anorexia to zuigerphobia – and I was keen to have A Complicated Life. Here was the wet hand of today’s lily-livered sensibilities I had anticipated From my twenties to my fifties I appeared on it several times; my last outing was in 2016, as – like most other institutions – it was captured by the trans cult, leading to the

Radio 4’s Lord Lucan series is rescued by a brilliant narrator

It was 50 years ago this week, on 7 November 1974, that Lord Lucan fled what was destined to become the most talked about crime scene of the 20th century. A coroner’s inquest jury named him as the killer of Sandra Rivett, his children’s nanny, but his disappearance ensured that he was never convicted of the crime – or of the attempted murder of his wife, Veronica. Stripping away the sensationalism of the story needn’t render it boring Understandably, given the mystery that still envelops his precise actions and whereabouts, Radio 4 has chosen to mark the anniversary with a soft question rather than to provide answers. Soft, but also

Do you like the century you’re in?

Years ago Lord Patten of Barnes – Chris – was our guest for my Great Lives programme on BBC Radio 4. He championed the life of Pope John XXIII, a mid-20th-century pope from humble origins who (his admirers would say) did much to bring the Roman Catholic Church into the 20th century. He had his detractors too, Evelyn Waugh for instance: ‘Easter used to mean so much to me before Pope John and his council… I have not yet soaked myself in petrol and gone up in flames, but I now cling to the faith doggedly without joy.’ The muscle memory of today’s pop-musical taste is half a century long

The mystery of Huw Edwards’s missing phone

The best thing about being a playwright? The satisfaction of creativity. The worst? Press-night parties attended by friends, industry people and celebs. Playwright Terry Johnson says he knows writers who find such occasions so hellish they’ve been put off writing plays altogether. The problem is the corrosive, deeply unsettling belief that everyone is lying to you. Everyone knows the rules: on press night, say something nice, even if it was a giant turkey. No negatives. That’s the critic’s job. But writers know this, so never believe any compliment, ever, even if the person paying it is telling the truth. The only time a writer can be sure of something is

The BBC Singers Centenary Concert was toe-curling

When does a new opera enter the repertoire? Judith Weir’s Blond Eckbert has only had a couple of UK productions since its première at English National Opera in 1994, but it’s been doing reasonably good business on the continent, where its source material – a story by German writer Ludwig Tieck – presumably has more cultural currency. In any case, it’s back now, as part of English Touring Opera’s autumn roster, and both the staging (by ETO’s general director Robin Norton-Hale) and the performances deserve to make Weir’s haunted, oddly unsettling opera a lot better known. If my toes had curled any harder I think I’d have dropped a shoe

The fascinating mechanics of striking a deal

If you wish to know how to become a master negotiator, a formidable body of books will now offer to train you in that art, but I’m not entirely sure it can be taught. The greatest natural asset, I suppose, is the ability to enjoy the game: the performative mulling, tough-talking, buttering-up, pitching of curve balls and – when absolutely necessary – flamboyant execution of a real or bluff exit. Yet even for those of us who are clumsy and reluctant hagglers, the mechanics of striking a deal can be fascinating. This is the stuff of the Dealcraft podcast, hosted by Jim Sebenius, a professor of the Harvard Business School,

More Airplane! than Speed: Nightsleeper reviewed

Earlier this year, ITV brought us Red Eye, a six-part drama set mainly on an overnight plane from London to Beijing. Displaying a heroic indifference to plausibility, the show was an increasingly deranged mash-up of every thriller convention known to man – while still posing (when it remembered to) as a thoughtful exploration of realpolitik. By the end, it was all so daft that the biggest influence no longer seemed to be Speed, but Airplane! Funnily enough, this week’s Nightsleeper was much the same thing – only this time on an overnight train from Glasgow to London. The first sign that the passengers wouldn’t get a restful sleep before Euston

Damian Thompson

Manacorda’s thrills and spills at Prom 72

At a Hollywood party in the 1940s, the garrulous socialite Elsa Maxwell spotted Arnold Schoenberg, then teaching music at UCLA, looking miserable. So she pushed him towards the piano with the words: ‘Come on, Professor, give us a tune!’ I couldn’t help thinking of those words on Friday night, when we heard the first Proms performance of a symphony written in 1847 by a professor at the Paris Conservatoire. The Third Symphony of Louise Farrenc is full of well-crafted melodic lines, neatly configured to fit maddeningly predictable textbook chord progressions. It’s delicately orchestrated, but even the feathery flutes of the Orchestra of the Age of Enlightenment couldn’t disguise the professor’s

Rod Liddle

The tyranny of lawyers

Ihave spent most of the morning trying to convince people online that Huw Edwards’s conviction does not mean that all, or even a majority, of Welsh people are sexually attracted to children. ‘We thought it was just sheep. It isn’t,’ one furious interlocuter named only as ‘Ned’ posted with what I assume he thought was bitter irony. Another mentioned that Edwards’s supposed ‘friend’, from whom he procured the disgusting photographs, was also Welsh and that there had been recent, very serious paedophilia cases in both Swansea and Cardiff crown courts. The big lie is that our courts are above the fray and never beholden to the ephemeral influence of politics

Is it time to cancel Strictly?

The BBC’s Strictly Come Dancing returned this weekend, but rather than being met with the usual fanfare there is a growing feeling that the glitter ball may have been irreparably tarnished. Some former contestants have alleged that they were subject to bullying by their professional partners and – having already used almost 300 contestants in its now 20 year history – many think that the producers have been scraping the bottom of the celebrity barrel in recent years. Such criticisms have led to speculation that it might be time to cancel the show. Cancel culture won’t yet claim Strictly as another victim. There are signs of life, however. This year

How Berlin nearly broke Bowie

This week’s Archive on 4 is a treat for David Bowie fans. Francis Whately, the producer behind several of the BBC’s Bowie films, including The Last Five Years, has patched together old recordings and new interviews with Bowie’s lovers and friends to examine his life in West Berlin between 1976 and 1978. It was a fraught, make-or-break time. Out of pocket, addicted and depressed, Bowie had grown ‘very, very worried’ for his life. It isn’t entirely clear why he chose Berlin as a place for recovery, other than that it was unstarry, cheap and a good distance from LA, where his troubles had spiralled. Unfortunately, it was also ‘the smack

Rod Liddle

The BBC’s strange silence

In the long and illustrious history of race chancing, there must have been many more egregious examples than that of Noel Deans’s recourse to court because a colleague ‘fist-bumped’ him rather than shaking his hand, but I can’t think of any right now. Certainly not over here in the UK, where we still lag a little behind the inventiveness of the top American chancers. It is quite possible that, through the best of intentions, I will appear before a tribunal one of these days The case brought by Mr Deans against RBG Holdings was one of racial discrimination. He alleged that on one occasion the firm’s senior partner, Ian Rosenblatt,

A familiar OE-led balls-up: Rory Stewart’s The Long History of Ignorance reviewed

In my next life I intend to have my brain removed in order to become a telly executive. You know: ‘where ignorance is bliss/ ’Tis folly to be wise’ (Thomas Gray, OE). Such ignorance is a state which, happily enough, Rory Stewart, OE and a fully tooled-up Mob from rent-a-thinker (what one of those executives, without a hint of irony or faint praise, once called ‘television intellectuals’) are just now kicking around in the hope that they may rehabilitate it and release it from its sty of obloquy. Rory is a very keen type – what used to be called an all-rounder – and, despite his protestations otherwise, he is

Charles Moore

Who will stand up for France’s aristocrats?

When it was recently announced that 40,000 people, the great majority civilians, have been killed in the Gaza conflict, I checked the media coverage. Almost all – Sky, CNN, the Guardian etc – correctly reported that the figure came from the Hamas health ministry. All, however, implied acceptance of the figure’s accuracy by the prominence they gave it (except for the Guardian, preposterously plus royaliste que le roi, which said the Hamas figure ‘does not tell the full story of Palestinian losses’). The classic example was the BBC. The story led the six o’clock news on Radio 4, the serious programme with the bongs of Big Ben, always considered the gold

Am I slightly psychopathic to be so obsessed with gangster TV?

Most of my favourite TV shows seem to involve gangsters in one way or another: The Sopranos, Breaking Bad, Top Boy, The Offer (that brilliant series on Paramount+ about the making of The Godfather), series two of The White Lotus, Suburra, Gomorrah; even, you could argue, Game of Thrones (cod-medieval fantasy gangsters with dragons) and Succession (gangsters who don’t need to use guns). It’s the first thing in ages where I’ve been salivating to watch the next episode Perhaps there’s something lightly psychopathic about being so allured by a genre which celebrates relentless, brutal killing, where the forces of law and order and civilisation are the enemy, and where the