Anger

Late last year in Australia’s The Monthly, Tim Winton wrote an essay on the urgent need for writers to look the climate crisis in the eye. Quoting Amitav Ghosh’s observation about the ‘patterns of evasion’ that continue to conceal the scale of the catastrophe, he argued that writers must overcome the habits of mind that treat the natural world as an inert externality. Instead, they must find ways to recognise that we are part of nature, and our fate is inseparable from the world around us. ‘We have difficult work to do,’ he declared. ‘And we’re late to the bushfire.’ Of course, Winton is not someone who could ever be

Reading this third memoir by Graham Caveney, a knot in my chest tightened. It wasn’t only because it’s a cancer memoir; it was because the unfolding of history so often shows that abuse begets self-destructive behaviour. To parody Auden: I and the public knowWhat all healthcare staff learnThose to whom evil is doneDestroy themselves in turn. Caveney’s two previous memoirs, The Boy with the Perpetual Nervousness and Agoraphobia, outlined his working-class childhood in Accrington, Lancashire, and his winning of a place at a Catholic grammar school. But where the school succeeded in helping him achieve his aim of becoming a writer, it also screwed with his head, because he was

This book begins with Sheila Hancock wondering why she is being offered a damehood. I must say I slightly wondered too, but it seems that most actresses become dames if they live long enough: vide Joan Collins, Penelope Keith, Joanna Lumley etc. And Hancock, as well as acting and making brilliant appearances on Radio 4’s Just a Minute, also does lots of charity work. She considers refusing the honour because ‘it’s hardly in keeping with my Quaker belief in equality’, but decides ‘no, it would be dreadfully rude and ungracious’. Anyway, she admires the Queen, and also Prince Charles, who left flowers and a handwritten note on her doorstep when

Mark Twain conquered almost every challenge that came his way except old age. Living well into his seventies, he was a printer, an investigative journalist, a riverboat captain, a government functionary, a bestselling novelist, an imperialism-defying political essayist, a successful playwright and a devoted father and husband. He travelled the world giving lectures that made him many fortunes, which he often used to replenish the fortunes he lost from his madder and most poorly managed investment schemes, such as the Paige Compositor, a self-justifying printing press which worked briefly for a few days in 1894 and then, just as mysteriously, stopped. When Twain’s publishing house subsequently went bankrupt, he refused