Agriculture

Undercover in the Dordogne: Creation Lake, by Rachel Kushner, reviewed

Creation Lake, by the American author Rachel Kushner, is a dazzling, genre-defying novel, satirical yet profound. In her 2018 novel The Mars Room, Kushner took us inside the US prison system and eviscerated it. Here she goes back a decade, as well as 40,000 years, interweaving into the main plot notes on the extinction of the Neanderthals. The book is a spy thriller which also interrogates the human condition, our origins, and the conundrum of mankind’s future.   The year is presumably 2013 (the song ‘Get Lucky’ blasts from every radio) and a 34-year-old American spy named Sadie Smith has landed in France, nursing a bruised ego after a failed FBI

The good old ways: nature’s best chance of recovery

Britain is one of the most nature-depleted places on Earth. The consequences for human wellbeing and resilience, as well as for non-human life, are grave. Conservationists and others say it doesn’t have to be this way. But when it comes to recovery, what should we aim for? How much can we know about what was once present? How much is it practicable or sensible to restore? What does recovery, let alone ‘rewilding’, really mean in a rapidly heating world? Sophie Yeo does not have the answers to all of these questions. Nobody does. What she does offer in Nature’s Ghosts are insights that could help shape a better informed and

Why Ronald Blythe is so revered

Ronald Blythe, the celebrated author of Akenfield, is to turn 100 next month, and to mark his centenary a beguiling calendrical selection has been made of his ruminations for the Church Times, for which as a lay reader he penned a weekly ‘Word from Wormingford’. It is distilled from 25 years of musings that chase the months from first ghostly intimations of snow at New Year to the blaze of the fire at Wood Hall’s mid-winter supper, while outside ‘the trees crack and the moon is made of ice’. Coming full circle and anticipating the ever-repeating rhythms of the year, they glance between past and present, sacred and secular and

In defence of country-pop

I am aware that the music I enjoy is widely considered to be the worst ever produced in human history. Worse than a roomful of children with recorders, cymbals and malice; worse than a poultry abattoir. Every so often, someone will ask me what I listen to, and I’m forced to tell them the truth. ‘These days,’ I’ll say, ‘it’s mostly country.’ Their nose will wrinkle, as if I’ve just let out a stealthy fart in their direction. ‘But old country, right?’ they’ll say, almost pleading. ‘Classic country?’ No, not classic country. I like Johnny Cash fine, I appreciate Merle Haggard and Dolly Parton and Waylon Jennings and all the

My revealing phone call from Ben Wallace

My phone buzzed and rang while I was doing the horses until I thought, fine, I’ll call the Defence Secretary back. I sat down on a picnic chair by the muck heap and dialled. He was extremely courteous. He just wanted to point out that he really didn’t want to be Prime Minister. The profile I had written of him was very good, he said, but the one thing he wanted to put me straight on was, well, the whole premise of the article. He didn’t want the top job, no matter what I had heard. I told him my sources were impeccable. He didn’t need to be so modest.

Rewilding will kill Waitrose

‘Do you care about the woodland? Do you care about the wildlife?’ shouted the bearded Woodland Trust volunteer from his table of tree-hugging paraphernalia set up outside Waitrose. He had pitched his camp – a trestle table covered in leaflets and bedecked with pictures of foxes and badgers – so close to the supermarket entrance on Cobham High Street that it was impossible for customers to get through the doors without running the gauntlet of his leaflets. No doubt these leaflets explained that the Woodland Trust is the largest woodland conservation charity in the United Kingdom and is concerned with the creation, protection and restoration of our native woodland heritage.

Ghosts in a landscape: farming life through the eyes of Thomas Hennell

Thomas Hennell is one of that generation of painters born in 1903 whose collective achievements are such an adornment of modern British art. Among his contemporaries are Edward Bawden, Richard Eurich, John Piper, Eric Ravilious and Graham Sutherland. Some of these have been over-praised (Sutherland’s reputation was unhelpfully inflated for many years, then suffered a crash), others underrated, such as Eurich. In the current mood of reassessment, careers and deeds are being looked at again, and Hennell has benefited accordingly. Jessica Kilburn’s hefty book is very tangible evidence of this. The English countryside was Hennell’s first love, and he came to prominence as an illustrator — and, indeed, writer —

Our Easter lamb reveals the miracle of free trade

Easter is heavily associated with lamb in Britain. The paschal lamb’s sacrifice is a gift to all but that is not the only link, the last few weeks of lent also mark the beginning of the spring lambing season in agricultural communities. This has fed through in recent decades to the consumer. This Sunday, while the churches stand empty and a great many of us are separated from our family, millions of us nonetheless will sit down to a meal of lamb. If you live in Britain though, this is actually quite an odd phenomenon when you think about it. Lamb is not really in season. New season lamb has