Afghanistan

By the age of eight Vaira Vike-Freiberga had learnt that life was both ‘very strange and very unfair’. Her baby sister had died from pneumonia the previous year because of the harsh conditions of life in a refugee camp in Germany (this was late 1944 and her family had fled their native Latvia for fear of the communists). Her mother soon had another child but when Vaira went to see her new brother in hospital she observed the young woman in the next-door bed turning her face to the wall against her wailing baby, product of a gang-rape by Russian soldiers. The nurses had given this unwanted baby girl the

One of the advantages that podcasts have over the scheduled array of programmes is the space that can be given to a subject, turning what would have been a one-off into a whole series sometimes three or four hours long. This can be offputting. Who has the time to give so much to one programme? Even more so now when there’s so much else on offer to distract and entertain. But in the case of the new podcast ‘dropped’ this week by the Beyond Today team those three hours (in six half-hour episodes) have been used to best effect, allowing the story to build, the voices to become clearer, the

The cheering fans, the dramatic Hollywood-style drum rolls, the excitable host all sound just like The X Factor or The Voice. It’s hard to believe that beyond the lights and cameras there’s a huge security operation keeping the singers, TV staff and audience safe. But the Afghan version of the talent show is still under attack from the Taleban. In The Art of Now: Afghan Stars on Radio 4 (produced by Roger Short) we heard from Massood Sanjar, who set up the TV company that produces the programme, and Zahra Elham, this year’s winner, voted to the top spot by the audience, the first woman to win the show in

If you were to ask me by the end of the week what I had written about in this column at the beginning I would probably look blank, fumble desperately through a foggy recollection of plays, news items, snatches of interviews and then reply, ‘I’ve no idea.’ This business of forgetting so soon what was once so clear in the mind is, says Francis O’Gorman in this week’s The Essay on Radio 3 (produced by Lisa Needham), very much part of our modern world. Too much information to take in, too little time to process it. The result, too much forgetting. It’s virtually impossible to remember what you once put

Anybody who wants to maintain a strong and untroubled stance against mass migration to Europe should probably avoid BBC2’s Exodus: Our Journey Continues. In theory, the case for limiting the numbers may be more or less unanswerable — but this is a joltingly uncomfortable reminder of what it can mean in practice. Any viewers suspicious of the BBC’s pinko tendencies will presumably have noticed that all the refugees we’ve met so far are completely lovely. Yet, faced with Thursday’s episode, even they might have found it tricky to preserve a steely primacy of head over heart. Or not to notice that these are people very much like us — only