Television

Not much cop | 7 May 2015

With Clocking Off, Shameless and State of Play among his credits, Paul Abbott is undoubtedly one of the most respected TV writers in Britain. Not even his biggest fans, though, could argue that he’s one of the subtlest. On the whole, whatever his characters are thinking, they’ll also be saying — and generally in a

Aussie rules | 30 April 2015

Some years ago I paid a visit to the site of the Gallipoli landings because I was mildly obsessed with the Peter Weir movie and wanted to gauge for myself how horrible it must have been. En route I met up with a young Australian who was training to be an actor (in my false

Target practice

Ever since the days of Tony Hancock, many of the best British sitcoms — from Dad’s Army to Fawlty Towers, Rising Damp to The Royle Family — have featured a middle-aged man convinced that he’s the only sane person left in an increasingly mad world. The frankly subversive twist in W1A (BBC2, Thursday) is that

Deadly, not dull

Blimey, there has been so much good stuff to watch on telly of late: the Grand National, the Boat Race and the Masters; The Island with Bear Grylls; the final of University Challenge (bravura performance from Caius’s Loveday, though how the winning Cambridge team’s hearts must have sunk when they realised that the public intellectual

Comics’ trip

Who says British television lacks imagination? You might have thought, for example, that every possible combination of comedian and travel programme had been exhausted long ago. After all, it’s now 26 years since Michael Palin set the trend by following in Phileas Fogg’s footsteps (sort of). In more recent times, we’ve had Stephen Fry going

Why James Delingpole is addicted to Pointless

Ever since Boy got back from school my work schedule has fallen to pieces. Every few minutes, just when I’ve got my concentration back after the last interruption, Boy will burst into the office and say, ‘Dad, Dad. How good are you on obscure New Zealanders?’ Or, ‘Quick, Dad, it’s your subject: reptiles!’ Or, ‘Dad,

Poldark review: drama by committee

By my calculations, the remake of Poldark (BBC1, Sunday) is the first time BBC drama has returned to Cornwall since that famously mumbling Jamaica Inn — which may explain why even the lowliest yokel here tends to project from the diaphragm. Leading both the cast and the diaphragm-projection is Aidan Turner as Ross Poldark, initially

Could it be that Wolf Hall is actually the teeniest bit dull?

In January 1958, the British government began working on the significantly titled Operation Hope Not: its plans for what to do when Winston Churchill died. The plans, it turned out, wouldn’t be needed until January 1965 — but the intervening seven years were obviously well spent, because, as Churchill: A Nation’s Farewell (BBC1, Wednesday) made

Broadchurch, review: ‘unwatchable’

Probably the two greatest advances in western culture in my lifetime have been the Sopranos-style epic serial drama and the advent of TV on demand and/or the DVD box set. I don’t think I’m saying anything weird or contentious — or indeed original — here. For example, I’m writing these words at the end of