Shortly before her husband’s funeral, the undertaker told the eponymous main character in Mrs Wilson (BBC1, Tuesday) that, ‘We’re here to make this tragic time as straightforward as possible.’ By then, though, we already knew this remark was the kind that, in a school set book, would soon be underlined with the words ‘Dramatic irony!!’
Narcos is back on Netflix, set in Mexico this time, with a cool, world-weary, manly voiceover swearily lecturing us at the beginning that if we smoked sensemilla in the 1970s, then we were partly responsible for the bloody, endless drug wars that went on to kill more than half a million people. Oh really? Sensemilla
The opening episode of BBC1’s Dynasties — the new Attenborough-fronted series from the Natural History Unit — introduced us to ‘a territory ruled by a strong and determined leader: an alpha male known as David’. Despite what you might think, though, this wasn’t a reference to the Natural History Unit itself, but to a troop
I wonder if Wisconsin has any idea what an international embarrassment it has become? By rights it ought to be an unexceptionable place, little more than the quirky answer to the occasional trivia question: ‘Where is the Badger State?’; ‘Whose state governor shares a name with the singer of “The Sun Ain’t Gonna Shine (Anymore)?”’;
The Little Drummer Girl (BBC1, Sunday) is the new John le Carré adaptation from the production company that brought us The Night Manager. It’s also directed by Park Chan-wook from South Korea, a man generally referred to by film buffs as an ‘auteur’. All of which may be just as well, because with a less
‘How did this mild-mannered eye doctor end up killing hundreds of thousands of people?’ someone wondered about Bashar al-Assad in BBC2’s extraordinary three-part documentary A Dangerous Dynasty: House of Assad (BBC2, Saturday). It’s a question we’ve all occasionally pondered as the Syrian body count rose — 500,000 thus far — and as six million refugees
At the beginning of Barneys, Books and Bust Ups: 50 Years of the Booker Prize (BBC4), Kirsty Wark’s voiceover promised us ‘a tale of fierce rivalries, bruised egos and, most importantly of all, countless brilliant books’. In the event, though — as the title perhaps suggested — those countless brilliant books proved rather less important
You won’t be aware of this because the BBC has been keeping it very quiet. But the new Doctor Who is — wait for it — a woman! Let me say straight away that Jodie Whittaker is a delight. Opening as the new Doctor is never easy — all that tiresome establishing rigmarole you have
It’s a radical thought I know, but I sometimes wonder what it would be like if a new TV thriller began by carefully introducing the characters and basic situation, before proceeding chronologically from there. In the meantime, though, there’s BBC1’s The Cry, which didn’t just start with the traditional blizzard of time-shifts, but continued like
What a load of utter tripe Bodyguard (BBC1, Sundays) was. Admittedly, I came to it late having missed all the sex scenes with Keeley Hawes and Robb Stark, which may have dazzled me in the way they seem to have dazzled many impressionable viewers. Sex scenes in TV drama are a bit like the chaff
After the all-conquering success of Fleabag — her brilliant dark comedy about a smart but rudderless young woman in London — Phoebe Waller-Bridge could presumably have done whatever she wanted for her next TV project. And what she wanted to do next, it now turns out, is very odd indeed. Killing Eve (BBC1, Saturday) —
This week’s guilty pleasure is Tom Clancy’s Jack Ryan (Amazon Prime). It’s trash, of course, but very well done, high-octane, watchable trash. And if you want to feel better about your lowbrow tastes, make sure you read the finger-wagging critique by one Sonia Saraiya in Vanity Fair first. ‘Jack Ryan feels like a machine designed
This week was bad news for fans of good television drama series — mainly because there’s now three more of the things to keep up with if you don’t want to feel left out of office conversations. The one that stirred up the most advance media excitement was Wanderlust (BBC1, Tuesday), on the traditional grounds
All the good non-fiction things that were ever on TV — from Kenneth Clark’s Civilisation to David Attenborough’s Planet Earth (the bits where he’s not proselytising about climate doom, I mean), from Andrew Graham-Dixon’s arty jaunts to Italy to Jonathan Meades’s bizarro forays into architecture, from The World at War to all those more recent
Not the most beguiling of titles, I admit, but The Secret Life of Landfill: A Rubbish History (BBC4, Thursday) was a genuine eye-opener. The programme began with Dr George McGavin proudly announcing that ‘What we’re about to do has never been attempted on television before’: a claim that it’s usually best to treat with some
Apparently there’s a new ‘character’ on University Challenge. I wouldn’t know. Last year, I vowed never again to raise my blood pressure by exposing myself to its new, gender-balanced questions: ‘Your starter for ten: which composer of Serenade for My Cat, rated by her father as the equal of Bach’s Goldberg Variations…’ Don’t know. Don’t
Surprising I know, but judging from The Foreign Doctors Are Coming (Channel 4, Tuesday), Britain mightn’t be such a bad place after all. The programme followed a group of medics from non-EU countries whose dream is to work for the NHS, but who first had to pass a practical exam in Manchester known, for reasons
The thing I most regret having failed ever to ask brave, haunted, wise Sean O’Callaghan when I last saw him at a friend’s book launch was ‘So tell me about Shergar.’ It has long been known, of course, that the legendary racehorse — one of the five greatest in the last century, according to Lester
After just one episode, The Bletchley Circle: San Francisco (ITV, Wednesday) seems certain to stand out from the crowd. In an age when most television dramas range from the perfectly fine to the extremely good, it already looks like a proper old-fashioned stinker. Admittedly, one of its more obvious problems is bang up-to-date: by adhering
When President Trump refused to take a question from a CNN reporter at the Chequers press conference last week, I imagine a lot of British viewers thought —as Theresa May clearly did — that he was being graceless, capricious and anti-freedom of speech. But I think we’re in danger of underestimating the extent to which
