‘Unfunny, boring and utterly unrelenting,’ says the Guardian’s one-star review of Chris Lilley’s new sketch series Lunatics (Netflix). And if that’s not incentive enough, our woke critical chum goes on to declare the series ‘problematic’. That’s a weaselly way of saying ‘this triggered all my snowflake sensitivities’ but in such a way as to make
Channel 4’s When I Grow Up had an important lesson for middle-class white males everywhere: you’re never too young to be held up as a git. The series, billed as ‘a radical experiment in social mobility’, gets a group of seven- and eight-year-old children from different backgrounds to work together in a real-life office setting
‘I spend a lot of time helping teenagers who’ve been sexually abused…’ — beat — ‘…find their way out of my house.’ You’d scarcely imagine, listening to Frankie Boyle now, that this was the kind of joke he was telling on TV as recently as this decade. I wouldn’t believe it myself if I didn’t
If you’ve ever faced the social embarrassment of having to admit that you’ve never seen Game of Thrones (Sky Atlantic, Monday), then imagine what it’s like when you’re a TV reviewer. The customary excuse of ‘There really isn’t time to keep up with everything on telly’ might work for most series. But now that GoT
If you liked Triumph of the Will, you’ll love this latest masterpiece of the genre: Our Planet. The Netflix nature series exploits the prestige, popularity and swansinging poignancy of Sir David Attenborough to promote an environmental message so relentlessly dishonest and alarmist it might have been scripted by the WWF. ‘Walruses committing suicide because of
On Sunday a drama began with ED905 being stolen by an OCG who’d faked an RTC that required IR, little realising that they had a UCO in their midst. So yes, Line of Duty (BBC1) is back in all its jargon-laden glory — and, judging from the first episode, it’s lost none of its ability
Which of the Beatles would you most like to have been? Not either of the dead ones, presumably. Nor the one continually derided for his alleged lack of talent. Definitely not the embarrassing, gurning, two-thumbs-up uncool one… Anyway, it’s a trick question. The correct answer, at least it is for me after watching The Beatles:
What can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question was the starting point for a documentary series that began on Wednesday — and the answer proved unexpected. Having gathered five mothers together and shown them a hair-raising selection of online filth, the programme blithely
Halfway through the first part of Channel 4’s extraordinary documentary Leaving Neverland (Thursdays), I flicked through the comments on social media in order to gauge the global reaction. Surely, I thought, Michael Jackson’s reputation will never recover from these bombshell revelations. If you sat, squirming, though Dan Reed’s excruciatingly prurient documentary you’ll know what I
BBC2’s MotherFatherSon announced its status as a classy thriller in the traditional way: by ensuring that for quite a long time we had no idea what was going on. At first it looked as if the focus would be on a missing teenager whose phone we saw abandoned in the woods. But then we cut
Steve Coogan is back as Alan Partridge but frankly who cares? Like Ali G, I’ve long thought, he’s one of those ‘classic’ 1990s comedy characters funnier in recollection than ever he was in reality. He should have been confined to brief sketches — like Paul Whitehouse and Harry Enfield mostly did with their cheesy has-been
What’s the best way to start a six-part thriller? The answer, it seems, is to have a bloke of a certain age pottering about at home when he’s suddenly and shockingly murdered by asphyxiation. You then roll the opening credits, forget about the dead guy and introduce the main character, who’s asked to take part
‘I know, let’s repaint the Sistine Chapel. But this time we’ll get it done by Banksy.’ Perhaps this wasn’t the exact phrase used in the early production meetings for the Sky Atlantic reboot (ho ho) of Das Boot (Wednesdays). It does describe pretty well the net result, though. Yes, I know James Walton covered it
You might well expect a royal documentary on Channel 5 to be unashamedly gossipy. You might also expect it to go for the simultaneous possession and eating of cake — lamenting the endless scrutiny the poor Windsors are subject to, while adding a fair amount of its own. What you mightn’t expect, however, is for
Boy often likes to rebuke me for having impossibly high standards when it comes to TV. ‘Why can’t you just enjoy it?’ he says. This is disappointing. One reason I ruined myself to give him an expensive education is so I wouldn’t have to share my viewing couch with a drooling moron happy to gawp
Last year on Who Do You Think You Are?, Danny Dyer — EastEnders actor and very possibly Britain’s most cockney man — discovered that he was a direct descendant of Edward III. Luckily, nobody had the heart to tell him that for somebody of English stock the chances of not being are estimated at 0.0000000000000000000000000001
As the Allies advanced towards Germany in September 1944, their supplies were brought all the way from western Normandy in a constant shuttle convoy known as the Red Ball Express. If you were making a realistic movie about this, three quarters of the truck drivers would be played by black actors, because that’s how it
Here’s a tricky quiz question for you. What word completes this sentence from a BBC4 documentary on Friday: ‘The world as we know it was created by the…’? The answer, bizarrely enough, is ‘backbeat’ — because the documentary in question was On Drums… Stewart Copeland!, in which the former Police percussionist took a fiercely drum-centric
Jimmy McGovern’s one-off drama Care (BBC1, Sunday 9 December) began with a loving grandmother called Mary having a lovely time with her loving grandchildren. During a laughter-filled visit to the chip shop, she also tested their maths by asking how much their order would cost, and they answered with impressive aplomb. So could it be
Don’t watch The Sinner (originally on Netflix; now on BBC4) because, despite your better judgment, you’ll only get addicted after its irresistibly grabby opening. A pretty if slightly distraite mother called Cora Tannetti — Jessica Biel — is on a lakeside beach with her bearded beta cuck husband and their little boy, surrounded by other