Television

Of all the times and places to have been on the wrong side of history, I can’t imagine many worse than to have been a Roman legionnaire in the Battle of the Teutoburg Forest in the year 9 AD. It was the Romans’ Isandlwana — a devastating defeat inflicted by native forces on what was

Congratulations, everyone! It turns out we’re much better than those bigoted old Brits of the 1950s. After all, they were ‘class-obsessed, overwhelmingly white and Christian, and deeply conservative about the role of women’ — whereas we ‘accept difference and diversity in a way that would have been almost unthinkable in 1953’. This was the reassuring

Unlike with every other BBC period drama series these days, I didn’t have to sit through Small Axe: Mangrove grumbling about the implausible and anachronistic diversity casting. Mangrove was the West Indian-owned restaurant in Notting Hill which, in 1970, became the subject for a landmark Old Bailey trial involving nine of its habitués on trumped-up

Ronnie’s: Ronnie Scott and His World-Famous Jazz Club was like the TV equivalent of an authorised biography: impressively thorough, often illuminating, certainly long — and perhaps a bit too reverent for its own good. The programme began with some of today’s jazz musicians testifying to just how great the club is. From there, we cut

‘We have to stop it now!’ says Princess Margaret (Helena Bonham Carter), smoking another cigarette, obviously. She’s talking about the impending royal wedding between her nephew Charles and a pretty but gauche young thing called Lady Diana Spencer. Spoiler alert: none of the family will listen. Yes, The Crown is back on Netflix for its

There must be some people somewhere who vaguely know their own spouses — but if so, they don’t tend to appear in domestic-based thrillers. Last week when Sky Atlantic’s The Undoing began, Jonathan and Grace Fraser (Hugh Grant and Nicole Kidman) seemed to have the happiest of middle-aged marriages. They still laughed at each other’s

Thank you, Spitting Image, for the nostalgia trip! Your new series on BritBox has rekindled with almost Proustian fidelity those feelings I used to get every single time I watched the show back in my lost 1980s youth: the bathos; the disappointment; the frustration; the despair; the perpetual astonishment that puppet caricatures full of such

Like many a political thriller before it, BBC1’s Roadkill began with a politician emerging into the daylight to face a bank of clicking cameras and bellowing journalists. In this case, the politician was Peter Laurence (Hugh Laurie), the Tory minister for transport, who’d just won a libel case against a newspaper that had accused him

If you love Fauda — and of course you do — you’re in for a long wait for season four, which isn’t due to arrive on Netflix till 2022. That’s why I had such high hopes for Tehran, which is written by one of Fauda’s co-authors Moshe Zonder. What, after all, could there possibly be

A woman is eating a pie in her car as it gets an automatic wash. Careful to keep the pie out of shot, she then films herself on her phone pretending to have an orgasm, posts the clip online and drives to work. Once there, she’s constantly distracted by thoughts of domestic chores (‘Whites tonight,

There’s a delicious scene in the new season of Amazon’s superheroes-gone-bad series The Boys. The chief superhero Homelander (Antony Starr) is introduced by a minion to a potential new member of his elite superhero group, the Seven. Homelander watches this bright new talent performing wonders in a gym-style training zone: the young man is agile,

Collectors of TV titles that sound as if they were thought of by Alan Partridge will presumably have spotted Danny Dyer on Harold Pinter. As Dyer himself understatedly put it: ‘This might seem an unlikely pairing: the likely lad and the Nobel Prize winner.’ Yet, what made the programme such an intriguing if undeniably peculiar watch

‘Art is dead,’ declared Mark Steyn recently. He was referring to the new rules — copied from the Baftas — whereby to qualify for the Oscars your movie must have the correct quota of gay/ethnic minority/transgender/etc people. This, he argued, will lead to the kind of leaden, politicised, phoney art we associate with communist regimes

‘You may think our modern world was born yesterday,’ said Simon Schama at the beginning of The Romantics and Us. If you do, though, I can only imagine that you’ve never seen any history documentaries on television — where, as a rule, the modern world is born in whatever period the documentary happens to be

Few things better capture the crazed cognitive dissonance of our age than this: that while we cower behind masks for fear of a virus so harmless in most cases that you don’t even know you’ve got it, we watch shows like World’s Toughest Race: Eco-Challenge Fiji and think: ‘That looks fun. Wouldn’t mind having a

Fifteen minutes into the first episode of I Hate Suzie, main character Suzie Pickles was doing a photoshoot in her country cottage for Esquire magazine. ‘We don’t know what we’re looking for right now,’ the photographer told her. ‘We’re just going to cycle through some feelings and see where we are.’ What he didn’t know,

‘By the way, my name is Max. I take care of them, which ain’t easy, because their hobby is murder.’ Back in the early 1980s, when everything was lovelier, we were all so innocent that our idea of a brilliant and original new detective formula went like this: they’re sleuths — but they’re also rich

If it’s a test of a good documentary series that it takes us deep into an unknown, even unimaginable world, then Inside Missguided: Made in Manchester passes with flying colours — especially for the more middle-aged viewer. Missguided, it turns out, is a fast-fashion company, which means that it spots what celebrities are wearing online

Soon, very soon now — even sooner than I imagined, if A Suitable Boy turns out to be as lacklustre as some critics are saying — the only things left worth watching on the BBC will be old repeats and foreign buy-ins like The Last Wave. A bit like The Returned (Les Revenants), The Last

Nobody could argue that Andrew Davies isn’t up for a challenge. He’d also surely be a shoo-in for Monty Python’s Summarise Proust competition. After turning both War and Peace and Les Misérables into satisfying, unhurried six-part drama series, he’s now taken on Vikram Seth’s 1,300-page novel A Suitable Boy. The first episode started with a