Radio

It’s well known that you should never meet your heroes because they will only disappoint you. Less commonly said, but equally true, is that you should never google your favourite podcast hosts, because their face will not match their voice. I have just finished looking at photos of Dan Carlin, the host and sole narrator

I’m Sorry I Haven’t a Clue has just been voted the greatest radio comedy of all time by Radio Times, ahead of Hancock’s Half Hour and the brilliant Round the Horne. The first two episodes of series 73 (can you believe it?) are also the last Tim Brooke-Taylor recorded before losing his life to coronavirus

The White Pube started life as an influential art blog, written by Zarina Muhammad and Gabrielle de la Puente. The name announced iconoclastic intent, playing on the White Cube gallery — which certainly deserves mockery (like a city law firm, it has outposts in Hong Kong and Manhattan). But The White Pube podcast is as

‘I used to be Mr Nasty! That was good! Mr Nasty was easy!’ Jeremy Paxman bellows at Michael Palin on his new podcast. Now Paxman wants to know: ‘Have you got any recommendations as to how you become the nicest man in Britain?’ ‘I’m a very angry, cross person half the time!’ Michael Palin protests,

Since technology is developing at such light-speed pace, why does it feel so strangely slow? There is a sense that driverless cars, green energy and of course certain vaccines are, for all their breakneck pace, still taking for ever to arrive. Watching the future emerge is like watching slow-motion footage of a high-speed train. We

The Slightly Foxed podcast, like the quarterly and old bookshop of the same name, is almost muskily lovely. It’s the sort of thing you can imagine listening to with a dog at your feet and whisky by your side in a draughty Mitfordesque folly. Ordinarily, you might attribute its homeliness to the fact that it

Italy has long captivated romantics from rainy, dreary, orderly northern Europe. Goethe, Stendhal, Keats and Shelley all flocked to Italy in search of the ideal society. There they found what they thought was a utopia. ‘There is,’ Byron marvelled in a letter home from Ravenna, ‘no law or government at all, and it is wonderful

Nineteen fifty-six: the Suez crisis, the first Tesco, Jim Laker takes 19 wickets in a match. But also: Trinidadian pianist Winifred Atwell becomes the first black woman to have a UK number one with ‘The Poor People of Paris’; Kenneth Tynan announces a playwriting competition in the Observer, which is won by the Trinidadian dramatist

In the week Jenni Murray left Woman’s Hour, I was listening to Alan Partridge on his new podcast, From the Oasthouse, and imagining what he might have been like as her successor. As I chuckled through half a dozen episodes of awkward Norfolk frippery, it occurred to me that, short of taking him on, the

Listening to the tacky and incomprehensible audio-adaptation of Neil Gaiman’s graphic novel series Sandman, I couldn’t stop thinking about the 19th-century Swiss artist Rodolphe Töppfer. Did Mr Töppfer realise what he was doing when he one day decided to draw a narrative in sequential panels with captions underneath? His satirical novel in pictures, Histoire de

If you’ve been listening to The Archers lately, you’ll know how tedious monologues can be. The BBC has received so many complaints about the stream of soliloquys that has dominated the episodes since lockdown, that Mohit Bakaya, controller of Radio 4, has been compelled to issue an apology. The new format — introduced so that

While most of life’s pleasures can be shared, reading is lonely. It’s more than possible for six friends to enjoy an exquisite meal, a bottle of wine and then settle down for a four- or five-hour orgy. Food, drink, sex: these things are better shared. But if, as dawn approached, someone cracked open Chaucer’s ‘Parliament

Back in March, I made a long-odds bet that Michelle Obama would be the Democratic party’s vice-presidential nominee. I knew that in her memoir, Becoming, she had said that she wasn’t interested in high office. But political candidates always claim they aren’t running — until suddenly they are. Joe Biden, the presumptive Democratic nominee, had

I spent half an hour this week listening to a woman make a plaster cast of her vulva. Kat Harbourne, co-host of The Naked Podcast on BBC Sounds, opened a recent episode by buzzing her bikini trimmer over the microphone before squatting over a British Airways peanut dish. Jenny Eells, her partner in crime, stood

Everyone knows a Lord Emsworth. Mine lives south of the river and wears caterpillars in his hair and wine on his shirt and has just occasionally written for this magazine. That doesn’t much narrow it down. When you look at him, you understand a little better why P. G. Wodehouse is topping the lists of

‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel by the same way, perform actions in the same order. Like all birds, it fears the unpredictable.’ Sitting around in the same old clothes, performing chores in the same order, travelling by no way at

Anyone who has listened regularly to Radio 3 over the decades — not to mention the Third Programme, which Radio 3 replaced in 1967, and which provided an incomparable musical education for many of us — can’t have failed to notice the change in style and standard of presentation. Listening to any radio announcer from

With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White and guests. In the episode of 23 March, the presenter hoped the superbug would cure our mania for business trips to ‘Philadelphia for a meeting about key performance indicators… Don’t fly to see people you

Writers like walking. When people ask us why, we say it’s what writers do. ‘Just popping out to buy a pencil,’ we cry, before tootling along the tarmac à la Virginia Woolf, Walter Benjamin or George Sand. BBC Radio likes walking, too, to judge by the number of programmes dedicated to the pursuit this fortnight.

So, you’ve fallen in love with a piece of classical music and you want to buy a recording. The problems begin when you hit Amazon. Any reasonably established classic will have been recorded numerous times: do you go for the performer you’ve already heard of? The crackly vintage recording with the gushing five-star reviews? Or