Radio

The prestige podcasting era began in 2014, when the true-crime Serial gripped us with the ‘did-he-dunnit’ mystery of whether Adnan Syed had really murdered his high school girlfriend, Hae Min Lee. With the exception of Marvel’s Avengers Assemble, it remains the decade’s most influential piece of narrative storytelling. Without Serial there is no The Jinx,

This week marks the beginning of modernism season on BBC Radio 3 and 4, which means it’s time for some pundit or other to own up to abandoning Ulysses at page seven, or to finding T.S. Eliot a bore, or to infinitely preferring the landscapes of J.M.W. Turner to the repetitive squares of Kazimir Malevich.

If there’s any form of entertainment that I will reliably find time for, no matter how big the to-read pile or how long the to-do list, it is the dying-on-an-adventure true story. I have yet to watch about half the films being called the best of the year, but I am devouring documentaries about hikers

It’s a sweet, green, glowing dawn in north-west Scotland. All around us are empty hillsides of rock and heather. The cold air smells of moss. To the south, far mountain peaks resolve into high banks of mist and cloud, while up ahead stands the crumpled rock face of Ben Nevis, its broad shoulders beginning to

Moomins do not like winter. In one of Tove Jansson’s stories, Moomin’s Winter Follies, young Moomintroll bumps his head when the sea ‘goes hard’, prompting Moominmamma and Moominpappa to hurry the family into hibernation. They attempt to follow the tradition of their ancestors by scoffing pine needles and covering the furniture in dust sheets before

Eleven years ago, Kirat Assi received a message on Facebook from a man named Bobby. There was a family connection — he was the elder brother of her second cousin’s boyfriend, who had recently passed away. Bobby wanted a shoulder to cry on, someone to speak to as he processed the grief of losing a

We’ve been living through a nostalgia for the 1990s that has lasted longer than the decade itself. That was back when music was cool, the only Batman movie wasn’t a fascistic fantasy of surveillance and control, and dresses over jeans looked good. Podcasts and documentary series have really dug into the decade to reinvestigate and

The Paul people are out in force these days. A New Yorker profile, a book and a new documentary have put the Beatles, and particularly Paul, back in the papers. Not that they, or he, ever left. I should admit a bias. I have the same first name as John, and being a man of

Martin McNamara, the writer of Mosley Must Fall, a play on Radio 4 this week, must have had a jolt when he opened the papers to find old Oswald back in the news. Oxford University is said to have accepted £6 million from a trust set up by the fascist leader’s son, the racing driver

Stories about money are never about money. They are about pain, about family, about atrocity, about luck, about health, about politics. And while we get a kind of vicarious thrill from listening to other people’s financial tales of woe, whether we are morally condemning a millennial for buying a daily flat white when she could

It is incredibly hard to convey the fleeting invincibility and passionate self-significance that we feel on the cusp of adulthood. Youth goes: the skin fades, the face slackens, the lower back begins to groan in protest. The world dims and we dim with it. Yet generally speaking, we’re as personally winded by that realisation as

There’s a great documentary film on Netflix at the moment about the late artist Bob Ross, he of the happy little trees and friendly perm, and the battles fought over his estate. It coincides with the revival on BBC4 of his Joy of Painting TV programmes, which originally aired in the US between 1983 and

‘I’ve actually seen ghosts.’ This statement comes less than ten minutes into the first episode of Dark House, a limited-series podcast about ghosts, houses and interior decoration from House Beautiful magazine. And this is the moment, I assume, a certain number of people roll their eyes and switch over to the next podcast in their

The story is likely apocryphal — and so disgraceful I almost hesitate to tell it — but it goes like this. On the night of 14 November 1940, as more than 500 Luftwaffe rained bombs on the people of Coventry, the newly appointed city architect Donald Gibson was watching the fires. Gibson had been appointed

Given my affection for M*A*S*H, I can’t think why I haven’t listened to Alan Alda’s podcasts before now, besides the fact that they look quite uninviting. There is Clear+Vivid, on the power of communication, and Science: Clear+Vivid, on the power of scientific research. As someone who used to fall asleep listening to cassettes for A-Level

How do we have difficult conversations? Especially in an age of polarisation, where everything is immediately politicised? But also where calls for ‘nuance’ and ‘complication’ are sometimes used to justify what is really just bigotry. Is it possible to be both protective of the vulnerable and to allow for a larger pursuit of justice and

Let me give you a free piece of relationship advice: just break up. If it’s more work than pleasure, if your heart sinks when they call, if you catch yourself writing ‘have sex’ on your to-do list, break up. Life is short, death is certain, relationships are for loving in, and if you can’t be

When it comes to history programming, television’s loss is increasingly audio’s gain. People moan to me most weeks over the lack of really good, rigorous, eye-opening documentaries on the screen, and I can only nod along in agreement. Oh for a Kenneth Clark-style lecture! More Michael Wood! There’s an especially strong appetite for the adventurous

The interview podcast is a genre immoderately drawn to gimmicks, as the logical space of possible formats is gradually exhausted. The interviewee, quite often themselves a podcaster, might be, for example, invited to noisily eat lunch while nominating their top-five deceased childhood pets. The theory is that fanciful formats encourage the interviewee to open up.