Radio

One of the most shocking items of recent news has been the bald statistic that the number of people shot by law enforcement officers in the United States last year was 1,136. Not died by gangland shooting, domestic violence or terrorist attack. But killed by those who are meant to be preventing such deaths. Many

My resolution this New Year is to get to grips with podcasts, to brace up and embrace this new aural wonderland stuffed full of sound stories, experiments, features, adventures. They’ve been around for a decade, and there’s now hundreds of thousands of them, lurking in the web, hoping for someone to stream or download them.

Who would have thought in this visually obsessed age of YouTube, selfies and Instagram that radio, pure audio, no images attached, nothing to hold on to but a voice, a tune, a blast of birdsong, could not only survive the arrival of the new image-making and digital technologies but experience an extraordinary flowering of talent

It was a stroke of genius to invite Glenda Jackson to make her return to acting as the star of Radio 4’s massive new series of dramas, Blood, Sex and Money, based on the novels of Émile Zola. Jackson plays Dide, the matriarch of the Rougon-Macquart families from Plassans in the depths of southern France.

It lasted for just a few seconds but was such a graphic illustration of the statistics behind the bombing campaign in Syria — and not a word was spoken. Martha Kearney called it an ‘audio graphic’ on the World at One on Monday and explained how Neal Razzell and James Beard for the World Service

It was as if Andrew Marr and his guests on Start the Week on Monday morning were standing on the edge of a precipice with no idea how far they would fall if they strayed too near the edge. Their conversation this week, Marr told us, would not, as usual, be a live discussion but

It’s just not what you expect to hear on Radio 3 but I happened upon Music Matters on Saturday morning and after playing us a clip from the opening chorus of St Matthew Passion Tom Service pronounced, ‘Bach is a tasteless and chaotic composer.’ I felt as if my ears had been syringed. Service was

There’s been a lot of fanfare and trailers about BBC Radio’s new ‘online first’ facility. We can now get hold of programmes and listen to them before they go out on air, or download the series and listen to the whole lot in one go. Nothing so strange about that, given the powers of digital,

Can anyone explain this sudden enthusiasm for Agincourt, that unexpected victory over the French, now being celebrated, or rather commemorated, on radio, on digital, online? It was so weird to switch on Radio 4 on Sunday morning (which just happened to be St Crispin’s Day, the day on which the battle was fought) to discover

‘I’ve never met a human being who doesn’t appreciate being listened to, being taken seriously,’ said Asbjorn Rachlew, the Norwegian homicide detective who one afternoon in the summer of 2011 found himself listening to Anders Breivik, who had just killed 77 people in a shoot-out on an island near Oslo. His job, Rachlew explained, was

Imagine what Brennig Davies must have felt like just before 11 o’clock last Tuesday evening. The 15-year-old was about to hear Ian McKellen reading his prizewinning short story nationwide on Radio 1. The voice of Gandalf broadcasting words that have emerged from your own head must have been a spooky moment for Davies, whose story

It’s probably blasphemous to admit that I’ve never thought very much of John Lennon’s music. Common sense tells me it must be good but it’s never made much of an impact on me no matter how hard I’ve tried to appreciate it. If I like a Beatles song, I usually discover it’s by George. But

Two significant anniversaries, each very different but both reflecting the BBC’s mission and the reasons for its continued success. From Our Own Correspondent has been on air for 60 years, reporting on events across the world not just as news but to fill in the back story to the headlines. Instead of bombs and bullets,

On Private Passions this week the writer Amitav Ghosh gave us a refreshingly different version of what has become a Radio 3 staple. No Mozart, Mendelssohn or Monteverdi for Ghosh, who speaks five languages including Arabic and Bengali, was born in Calcutta and has lived in Delhi, Oxford, Alexandria, Brooklyn and Goa. Instead, his musical

Late Night Woman’s Hour has created a Twitter storm with its twice-weekly (Thursdays and Fridays) doses of ‘mischievous and unbridled conversation’. The 11 p.m.–midnight slot is an ideal opportunity for cardigans to be unbuttoned and tongues unloosed, a chance to show that Radio 4’s venerable magazine programme for women can still shake up the station.

To Radio 2 to meet Bob Shennan, controller of the BBC’s most popular radio station (the station attracts one third of all listening hours) and now also head of the newish monolith that is BBC Music. Why corral all of the Corporation’s music output on radio and TV into one enormous sub-division (on a par

Just back from a few nights in Sweden to find the perfect programme on Radio 3. It was one of those interval shorts that are always such a nightly bonus during the Proms season. That 20-minute space between concert halves is the perfect length for listening. On Sunday night it was Kate Clanchy’s turn to

It’s really hard to imagine now a world before 24-hour news, continually and constantly accessible in a never-ending stream of on-the-spot, up-to-the-minute reports. What, then, would it be like to have no news summaries on the quarter-hour, no ‘live’ bulletins, no way of knowing what’s going on at this very moment in Kathmandu, Kabul or

It’s 70 years since the bombs were dropped on Hiroshima and Nagasaki and yet there has been no rush to commemorate this anniversary. It’s perhaps not surprising. Who would choose to recall the events of 6 August 1945 when the world first witnessed the effects of nuclear warfare? Yet the absence of date-setting, the annual