Pop

We’ll get on to the brilliance of Regina Spektor in a moment. But first a question: why are pop music fans treated so abysmally? The afternoon of Spektor’s second sold-out show at the Royal Festival Hall, the venue tweeted that she would be on stage at 7.30 p.m. She actually took to the stage a

Bands that have hung around, or gone away and come back again, occupy an increasingly sizeable percentage of pop’s bandwidth. When it comes to making new music, many are happy not to rock the boat, scraping by on the goodwill accumulated from past endeavours. Others strive to present a moving target, enjoying a more evolved,

Seven years ago, I asked Bruce Springsteen what he meant when he talked of the covenant between himself and his audience. It was a long, thoughtful and thorough answer, and when I transcribed it, I realised he would have won Just a Minute, so clear was his reply. Part of what he said was this:

Most artists begin an arena show with a bang: emerging from the floor, the gods, on a hoist, everything short of being sprung headfirst from a cannon. Touring for the first time in seven years, Peter Gabriel shrugged off such rote conventions. At 8 p.m. on the dot, he shuffled on alone in a flat

Here’s a mystery for you. Why were Spoon, one of the most dynamic, sharpest rock bands in the world, playing a single night in a north London town hall (capacity 890) while Arctic Monkeys were playing three nights at Arsenal’s ground (capacity 59,000) as part of a UK tour that encompassed eight other stadiums in

There are artists you go to see expecting to be challenged, surprised, even let down. And there are artists you can rely on to deliver more or less the same experience every time. Each approach has its merits. Richard Thompson is a ‘death and taxes’ kind of guy. The fact that his excellence feels inevitable

Some artists need flash bombs to make an impression on stage. Some need giant screens. Some need to run around like hyperactive toddlers. All Grace Jones needed was a hula hoop – not the delicious potato snack, but the plastic ring. For the ten minutes or so of ‘Slave to the Rhythm’ that ended her

Rob Grant releases his debut album, Lost at Sea, this week. A 69-year-old millionaire and former ad man, furniture exec and domain developer, Grant has made a record of ambient, ocean-themed piano doodles glorying in titles such as ‘In the Dying Light of Day: Requiem for Mother Earth’, ‘A Delicate Mist Surrounds Me’ and ‘The

I’m not sure I’ve ever seen anything worse than Mötley Crüe in Sheffield. Nothing more tuneless, empty, vapid and dismaying. The Los Angeles glam-metal band became superstars in the 1980s, largely by wearing lots of make-up and doing terrible things, but I’ve never understood why. Even those who weren’t repulsed by the band members’ behaviour

Scheduling open-air concerts in mid-May in northern Europe is a triumph of hope over experience. I last spent time with Beyoncé – I’m sure she remembers it fondly and well – in 2016, in a football stadium in Sunderland on a damp, drizzly, early-summer English evening of the type that even strutting soul divas struggle

I was listening the other week to a solo album by an ageing rock guitarist, once terrifically famous. It was really very good, but I couldn’t bring myself to care about it because it clearly didn’t matter: this man’s career is static and it is likely to remain so. The album will make no impact

Whether by accident or design, the mathematical theme of Ed Sheeran’s previous album titles (+, ×, ÷ and = respectively) resolves rather neatly with – (Subtract). I interviewed Sheeran around the time of × and found him likeable enough but a bit out of reach. Multiplication did indeed seem to be foremost on his mind.

A user’s guide to how pop music works in the 21st century. Step one: you see a great new band. Step two: you tweet about them being very good. Step three: you get told by people that they are clearly nepo babies, denying crucial exposure to other bands. Step four: you discover that newspaper articles

Once upon a time, rock bands wished for nothing more than to look as though they posed a clear and present danger to your children. Though a few true believers still hold to this honourable creed, nowadays most groups are comprised of the kind of people one might expect to be grading your offspring’s dissertation

Elton John has now been retiring for nearly five years. The Farewell Yellow Brick Road tour began in Allentown, Pennsylvania, in September 2018. Why there? Because it’s a hop and a skip from the small town of Lititz in Amish country, where scores of the big arena shows are built – it’s the real rock’n’roll

I’m not a natural lender. I’m a reasonably soft touch when it comes to money, but regarding the important things in life – books, music, pens – I loan with a gently thrumming underscore of anxiety. While I’ve weaned myself off my mother’s habit of writing her name in every book she buys, I still

Recently in these pages, ruminating on the ghastly Rock and Roll Hall of Fame, I wrote that music does not conform to any equation. I should have added: except, of course, for the occasions when it does. One tried-and-true formulation is that ‘super-groups’, those bespoke vehicles bringing together artists best known either for working alone

Think of pop music as being like the parable of the sower. These days the seed falling on stony ground comes from the young rock bands, while the stuff that’s finding fertile earth is on the edges of R&B where it shades into other styles, especially psychedelia. It works from both ends: the Australian group

There are several reasons why Young Fathers currently feel like the most exciting live band in Britain, but for now let’s concentrate on effect rather than cause. The Edinburgh trio have somehow managed to dispense with all the froth and blather of concert-making – gratuitous chat; choreographed audience interaction; the fat and gristle – to