Pop

In defence of Prince’s late style

In 1992 Prince released a single called ‘My Name Is Prince’. On first hearing it seemed appropriately regal. Cocky, even. Only in hindsight did it appear somewhat needy, a litany not of what Prince was going to do, but of the things he had already done. On it, he pulled rank on his status —

Joyous and very, very funny: Beastie Boys Story reviewed

The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on to record everything that amused them. And early on, in their teens-get-drunk debut album, Licensed To Ill, that resulted in obnoxiousness. But mostly they were kinetic and colourful, which is why the new Apple TV+

The magic of Bryan Ferry

The accepted line about Bryan Ferry is that his is one of the greatest reinventions in English pop culture: Peter York said, in 1976, that his life was ‘the best possible example of the ultimate art-directed existence’. But watching him at the Albert Hall, I couldn’t help thinking of my father. That’s not to diminish

You have to be a terrific snob not to see the appeal of Slipknot

Every development in heavy music is derided by mainstream critics. When Black Sabbath and Led Zeppelin emerged in the late 1960s, they were sneered at for their lumpen, troglodyte stupidity. A decade on, AC/DC were reviled for precisely the same reasons. When Metallica and Slayer helped lead the thrash metal movement in the mid-1980s, it