The gnostic Gospel of Mary has long been the subject of controversy, even as to which of the several Marys who feature in Jesus’s life was its author. It is generally assumed to have been Mary Magdalene, not least because it depicts her regular adversary, St Peter, refusing to credit a woman’s testimony. In Names
Sylvie Bermann was the French ambassador in London between 2014 and 2017. Her stint here was a notable success. She is a highly intelligent, articulate woman, excellent company, an astute observer of the British scene and a notable anglophile, who generated much goodwill for herself and her country. She has taken the opportunity of her
‘What job do you want here?’ asked the editor of Vogue, interviewing a young hopeful. From behind her black sunglasses the 24-year-old replied coolly:‘Yours.’ It took time, but she got it. The girl was, of course, Anna Wintour. Now she is the global Vogue supremo and queen of fashion, before whose lightest frown the whole
On a shard of paper, some time in the bleak mid-1930s, F. Scott Fitzgerald incorporated a favourite line from one of his favourite poets, John Keats, in a short verse of his own: Don’t you worry I surrenderDays are long and life’s a benderStill I know thatTender is the Night Keats was a Romantic, perhaps
When we think of those lurching moments last spring when it became clear that much of the world, not just one or two regions, would grind to a halt, for most of us it is anything but a fond memory. But the traders of Glencore probably remember the time differently: they saw it as an
A father and his estranged 20-year-old daughter set off across France, sharing the driver’s cabin of a long-haul truck. This is a road trip like no other: Paddy, deracinated, footloose, divorced, taking on a temporary job for reasons that become clear later; and daughter Kitty, spiky, provocative, shaved head, grubby jeans and sweater, wrapped in
Edward St Aubyn’s ‘Patrick Melrose’ novels were loosely autobiographical renderings of the author’s harrowing, rarefied, drug-sozzled existence. Despite their subject matter, they managed to be uplifting through the beauty in which they expressed their melancholy sentiments. After At Last, the final novel of the pentalogy, St Aubyn published Lost for Words, a prickly satire on
A truth that ought to be universally acknowledged is that Chinese food, while much loved, is underappreciated. China certainly has one of the world’s most sophisticated cuisines, yet while there’s a Chinese restaurant in almost every town, there’s little dependable information about it in English aimed at the general reader. Jonathan Clements addresses this in
For a novel set partly in a Soho brothel, Hot Stew is an oddly bloodless affair. Tawdry characters drift in and out of each other’s lives but rarely seem to capture the author’s full imagination. Fiona Mozley’s first novel, Elmet, concerned a self-sufficient family living in Yorkshire and occupying ‘a strange, sylvan otherworld’, and was
As the planet gets more and more ravaged, the mind can begin to glaze over at the cumulative general statistics — so much rainforest lost, so many glaciers melted, so much less oil left. Joseph Zárate’s masterly new book reminds us that when it comes to fighting on the front line of the environmental wars,
Bird migration was once one of those unassailable mysteries that had baffled humankind since Aristotle. A strange hypothesis, genuinely advanced in the early modern period, was that birds flew to the Moon for winter, and barely more credible was a notion, which haunted the patron saint of British naturalists Gilbert White, that swallows buried themselves
In her 2017 travelogue Border: A Journey to the Edge of Europe, the writer and poet Kapka Kassabova meets Emel, a loquacious Turkish civil servant who tells her that ‘the only good thing about a border is that you can cross it’. These words speak to an inherent contradiction. Borders stand as overt manifestations of
It has been described as Britain’s Dreyfus Affair — the wrongful imprisonment in 1903 of a half-Indian solicitor George Edalji in the Midlands and the refusal of the authorities to pay him compensation, even though he was later pardoned. In a case tainted by racism, class prejudice and plain stupidity, Edalji was accused of mutilating
Footling around on the internet recently, I stumbled on a clip of a young woman singing Leonard Cohen’s ‘Hallelujah’ to a full-grown cow. As she sat cross-legged, strumming away not very well on a guitar, the cow lay down beside her and gently nudged her with its huge head as adoringly as any puppy. The
Thomas Hennell is one of that generation of painters born in 1903 whose collective achievements are such an adornment of modern British art. Among his contemporaries are Edward Bawden, Richard Eurich, John Piper, Eric Ravilious and Graham Sutherland. Some of these have been over-praised (Sutherland’s reputation was unhelpfully inflated for many years, then suffered a
In a career stretching back to the mid-1980s, Robert Edric has so far managed a grand total of 28 novels, plus a couple of early efforts under his birth name, G.E. Armitage. I must have read two thirds of this shelf-distending oeuvre, but in none of them have I ever detected the faintest whiff of
The world of Kazuo Ishiguro’s new novel — let’s call it Ishville — is instantly recognisable. Our narrator, Klara, is arranging traumatic memories into comprehensible order. She is a robot, an Artificial Friend or AF, purchased as a companion for an ill teenager named Josie. Klara’s speaking voice, in a C3PO-ish way, is endearingly off-kilter:
Churchill was wrong: Russia is neither a riddle nor an enigma. Russians themselves concoct endless stories to glorify their country’s achievements and minimise its disasters and crimes. But the rest of us do much the same, as we try to explain Britain’s imperial history or the impact slavery still has on America’s revolutionary ideals. Russia
Most collections of journalism are bad. There are two reasons for this: one is that they are usually incoherent and the other is that they are, perversely, far too coherent. The pieces are pulled from their original contexts — newspapers, magazines — and thrown together with others they have no relation to beyond a common
A while ago, Samantha Markle declared that her forthcoming book would be about ‘the beautiful nuances of our lives’. Was it a misprint for beautiful nuisances? Or did she have a change of heart? Either way, there isn’t a beautiful nuance in sight. Instead, it is like a blunt object found at the scene of