One of the great works of journalism to have come out of the Jamaican-British encounter is Journey to an Illusion by the late Donald Hinds. Published in London in 1966, the book is made up of a series of interviews with Commonwealth citizens who had settled hopefully on these shores after the war. Hinds, who
In the 18th century, the cash-strapped British crown imposed customs duties on tea imports that rose as high as 119 per cent. Unsurprisingly, such huge tariffs sparked a smuggling boom in coastal towns such as Deal, in Kent, where the cliffs were pockmarked with secret tunnels and half the inhabitants lived off profits from such
Joad Raymond Wren’s ambitious history of early modern European news, capacious in structure, monumental in volume, is named for a witticism by John Earle (c.1601-65). The author of Microcosmography, a compilation of satirical ‘characters’ whose obvious modern heir is Victoria Mather’s ‘Social Stereotypes’, was arguably the funniest member of mid-17th century England’s most likeable clique,
How do you dispose of 48 uniform volumes of the collected works of Lenin and Stalin? Pirkko Saisio and her mother hatch a plan. The books are ‘dumped into the trash bin’ by their apartment block, then coated with ‘a week’s worth of eggshells and fish guts and newspapers’. No one will find them, Mother
This blistering debut novel from the acclaimed short-story writer Wendy Erskine circles around a case of sexual assault, expanding into a polyphonic story that is at once an evocative fictional oral history of contemporary Belfast, a powerful depiction of trauma and a provocative exploration of social power dynamics. Erskine teases out narrative strands through a
In Whiskerology, Sarah Gold McBride combs through a bristling, tangled mess of data, facts and theories about gender, race, national identity and their relationship to – yep, you guessed – hair. Do not buy this book if you are looking for a fun read about vintage updos, goatees and ponytails; Ye Olde Horrible Haircuts it
There are 32 years between the publication of Irvine Welsh’s Trainspotting and his Men in Love – a gap roughly equivalent to that between Sgt. Pepper and ‘Windowlicker’ by Aphex Twin. Perhaps three cultural generations. It is disturbing, therefore, to find Welsh still pumping out further sequels to his spectacular literary debut. But whereas that
After her America is Not the Heart was published in 2018, Elaine Castillo was named by the Financial Times one of ‘the planet’s 30 most exciting young people’, alongside Billie Eilish and Alexandria Ocasio-Cortez. That debut novel told the story of three generations of women torn between the Philippines and the United States. In Moderation,
Was it more profitable for an early-20th-century seaside railway poster to promise the undeliverable or to be slightly less enticing but at least tell the truth? In his charming and unashamedly train-spotterish book about how the British travelled to the seaside in the great days of rail, Andrew Martin quotes slogans from posters. The Great
Time was when historical fiction conjured images of ruff collars and doublets, with characters saying ‘Prithee Sir’ a lot. Nowadays, the range of featured period settings has expanded unrecognisably, though a new favourite has emerged – the second world war, where Nazis stand in for nefarious noblemen. The Darkest Winter by Carlo Lucarelli, translated by
It’s 1796, and an idealistic young English doctor, Duval Harlington, just released from La Force prison in revolutionary Paris, learns that his father is dead. He is now Lord Harlington, heir to a fortune and the idyllic estate of Muchmore. But in order to gain possession of his heritage – and, as importantly, foil the
In the autumn of 1938, within nine weeks of each other, two boys arrived in New York, fleeing the gathering storm: a 15-year-old Jewish German and a ten-year-old Catholic from Poland. Both would repay the mortal debt they owed by dedicating their lives to the Land of the Free. The older boy was, of course,
‘Paris, like many old cities, is saturated with blood.’ The food writer Chris Newens certainly knows how to draw the reader in. A Londoner who has lived in Paris for the past ten years, he sets out to eat his way through all the arrondissements, starting with the 20th and spiralling backwards through the coil
We think of PTSD as something that happens to war veterans, but the Conservative politician Theo Clarke’s harrowing account of birth trauma proves otherwise. Her perspective is unique. When the former MP for Stafford was in the last weeks of her pregnancy, the government was in shambles. Boris Johnson was about to resign, to be
Old Kiln is a novel spoken by the muse of memory but carved into shape by the fear of forgetting. Jia Pingwa (b.1952) wrote the first draft in 2009 after visiting his home village. Remembering a prolonged bloody conflict that tore the village apart during the Cultural Revolution, he was disturbed to find all traces
How to describe the Israeli writer Etgar Keret’s stories? Sci-fi scenarios, vignettes, thought experiments, fables, parables? They do not have plots so much as premises from which consequences, extrapolations and ironic complications stem. Unfortunately, the joy of these pieces makes them resistant to reviewing. You have to tell not show their ingenuity. For example, the
Lord Hawke, the grand old man of Yorkshire cricket and stalwart of the MCC, was not one to mince words. A century ago, the administrator rejected calls for the national XI to be led by Jack Hobbs. ‘Pray God no professional shall ever captain England,’ Hawke said. ‘We have always had an amateur skipper and
Elizabeth Harrower (1928-2020) became an Australian literary classic before she had fully established herself as an Australian writer. She had a rough childhood in Newcastle, New South Wales, and once contemplated lying on the road in the dead of night waiting to be run over. She described herself as a ‘divorced child’, saw her father
As bombs rain down on Nazi-occupied Prague, Georg Wilhelm Pabst shoots a film – a romantic courtroom drama adapted from a pulp novel by a creepy Third Reich hack, Alfred Karrasch. Although the leading man finds it strange to make any movie ‘in the middle of the apocalypse’, his director insists that ‘art is always
Alexander Starritt has form with satire. His 2017 debut The Beast skewered the modern tabloid press, drawing comparisons with Evelyn Waugh’s Scoop. For his third novel, Drayton and Mackenzie, he is back at it, mercilessly mocking everything from Oxbridge and management consultants to tech bros and new parents in a story that hinges on whether