No wonder Josiah Wedgwood, the 18th-century master potter, was a darling of the Victorians. From W.E. Gladstone to Samuel Smiles of Self-Help fame, they admired this industrious, inventive, uxorious and religious man as a harbinger of their own age. It surely helped that his story, if not exactly one of rags to riches, was certainly
Astonishing where an idea can lead you. You start with something that 800 years hence will sound like it’s being taught at kindergarten: fathers are fathers, not because they are filled with some ‘essence of fatherhood’, but because they have children. Fast-forward a few years, and the Pope is trying to have you killed. Not
Colin Jones’s hour-by-hour reconstruction of the fall of Maximilien Robespierre, the French revolutionary most associated with the Terror, is inspired by Louis-Sébastien Mercier, who believed that only by getting ‘up close’ to the ‘infinitely small’ details would it be possible to understand the truth about a Revolution that was stranger than fiction. Mercier (1740-1815) was
One of the most depressing vignettes in Michael Vatikiotis’s agreeably meandering account of his cosmopolitan family’s experiences in the Near East is when he, a former journalist with a sharp eye for detail, visits El Wedy, close to the Nile south of Cairo, where just over a century ago his great-uncle Samuele Sornaga built a
Ursula Le Guin once described speculative fiction as ‘a great heavy sack of stuff, a carrier bag full of wimps and klutzes’. By this definition, Elizabeth Knox’s genre-hopping fantasy The Absolute Book must count as oversized baggage; but it trundles along winningly, even if it’s a trifle stout at 640 pages. Taryn Cornick is our
‘Newly discovered novel’ can be a discouraging phrase. Sure, some writers leave works of extraordinary calibre lurking among their effects — Flann O’Brien’s The Third Policeman, say. Other books, though, would have done as well to stay lost. Did the world really need to set eyes on Harper Lee’s first draft of To Kill a
When the internationally acclaimed abstract painter John Hoyland died in 2011 at the age of 76, a large chunk of light, laughter and danger went out of the British art world. Hoyland, who was born in Sheffield and trained at the local art college before coming to London and the Royal Academy Schools, was a
In a 1923 book called Echo de Paris, the writer Laurence Houseman attempted to conjure up in a very slim, elegant volume the atmosphere and especially the conversation of an afternoon a quarter century earlier that he had spent in the company of the exiled Oscar Wilde. It was a conscious act of imaginative recreation,
Twenty-five years ago, my cousin Jock, a Scottish priest, rang in shock. Two priest friends, David and Norman, had been walking in the Cuillin in Skye. As Norman rounded a boulder, it dislodged and rolled him off the mountain. He screamed: ‘David, save me!’ They were his last words. The Cuillin — or Black Ridge
The Sins of G.K. Chesterton demands our attention because, as Richard Ingrams notes in his introduction, the literature on this author is (with a few notable exceptions) horribly flawed — littered with misconstruction, omissions of fact and interpretive errors designed to present him as ‘an innocent, uncomplicated man, blessed with almost permanent happiness and having
Diplomatic negotiations are rarely fully described by their participants in books, for two reasons. They are usually secret until much later, and their intricacies can be boring. Politicians often include brief accounts in their memoirs, but these seldom reveal much about the process as a whole because, as I discovered by interviewing scores of them
The word ‘hoax’ did not catch on till the early 19th century. Before that one spoke of a hum, a frump, a prat or a bilk. But 18th-century Britain, even if not rife with talk of ‘hoaxes’, was full of incautious souls at risk of being bilked. James Graham, a Scottish quack, was able to
In 1928, a modest young lecturer from Wilwaukee, Mildred Harnack, née Fish, arrived in Berlin to begin her PhD in American Literature. In the febrile, polyglot atmosphere in the city at the ‘crossroads of Europe’, the media was still mocking Adolf Hitler and few took him seriously. Mildred saw, close up, the brokenness of American
On watching transplant surgery, I can give prosaic but essential advice: have a good breakfast. Each operation can last 12 hours, and you’re unlikely to get a seat. Relocating a liver that was recently inside someone else is a feat of preparation, choreography and collaboration (with the patient too, who must agree to alcoholic abstinence).
Sports history, writes Wray Vamplew, is sometimes ‘sentimental, reactionary and built on the implicit assumption that the sporting past was a better place in which to play games. It wasn’t.’ His own account — the fruit ofa career’s work — is so shapeless that it often reads like the encyclopaedia that he claims he didn’t
If this is a cautious and circumspect novel, it’s because it involves a cautious and circumspect job: that of interpreter. The young woman at the centre of the story speaks fluent English, Japanese and French, with some German and Spanish. She grew up in Paris, then lived in New York, but death and disruption in
Like a basking shark, Val McDermid once remarked, a crime series needs to keep moving or die. The same could be said of crime writers themselves, who work in a genre that has an inbuilt tendency to encourage repetition, often with dreary results in the long term. McDermid herself, however, has a refreshing habit of
In Traitor King, Andrew Lownie shows how the Duke of Windsor — the former Edward VIII, who abdicated in 1936 — gave aid and comfort to his country’s enemies before and during the second world war. Reading this meticulously researched book, it seems extraordinary that he remained at liberty. A less deferential society would have
The Island of Missing Trees feels like a strange title until you realise how hard Elif Shafak makes trees work in her latest novel, an epic tale about love, grief and memory set in Cyprus and London between 1974 and the ‘late 2010s’. One tree, a fig or ficus carica, narrates half the story, tipping
Near to the heart of this wild and labyrinthine novel — on page 516 of 808 — a character in a letter addressed to his future self within the reminiscence of a disfigured and imprisoned second world war sailor who will subsequently be transformed via sorcery, surgery and sex into a medium and prophet, eventually