What is it like to go mad? Not so much developing depression or having a panic attack — which is wearyingly familiar to many of us — but to go properly mad, the sort of madness that involves delusions and police officers and locked psychiatric wards? Horatio Clare didn’t have to imagine what that was
It’s one of the most tantalising travel images in the world — a felucca floating along the Nile at sunset, its lateen sail spread aslant to catch the wind. It takes us back to the beginnings of ancient Egypt, when the need to manage Nilotic flooding and the imperative to trade along the river’s course
Mountains are humanity’s most comforting topographical feature. Wherever you find them you will also find those who have flocked to them for refuge. The Kurds, the world’s largest stateless people, span the most mountainous areas of their host states, while ‘Lebanon’ referred originally to the mountains in the eastern Mediterranean that for centuries served as
In 2002 I was living in Berlin. One day my upstairs neighbour Peter told me he had just returned from outside the Hotel Adlon, having seen the self-proclaimed ‘King of Pop’ casually dangling a baby from a third-floor window. Peter was not there among the onlookers as a Michael Jackson fan but rather as a
It was once a favourite theory of optimistic drunkards that a suitably ‘moderate’ level of alcohol consumption provided covert health benefits. The mechanism was always a little obscure. But it was a fairly sure thing that reds — or was it all booze? — by virtue of some enzyme or vitamin or whatever, and judiciously
Sunjeev Sahota’s novels present an unvarnished image of British Asian lives. Ours Are the Streets chronicles a suicide bomber’s radicalisation, and its Booker-shortlisted successor, The Year of the Runaways, follows illegal immigrants in Sheffield — where Sahota now lives, having been raised in Derby by Punjabi-born parents. China Room, his most autobiographical work to date,
For eight years I rented a small house in Oxford overlooking the canal. The landlord, a poet and novelist younger than myself, had moved with his family to New Mexico. At his desk I managed to write three books, beneath shelves containing editions of his work. I can’t explain why it took me so long
What makes a city? The collective labour of millions packed into its history; the constant forgetting of incomers who arrive to create their own version of a place, their own versions of themselves; the desires of great men, whose improvements are partly intended to secure a better life for their less fortunate fellows, and partly
What’s so serious about a red nose? How should we analyse the ‘specific socio-historical relations’ and ‘aesthetic trends particular to geographic context’ of the circus? How can we ‘codify’ equestrian performance in the ring? With the publication of The Cambridge Companion to the Circus, this artform has tumbled out of the Big Top and into
Rumours reach me that the libel report for Stephen Bayley’s forthcoming biography of Terence Conran was longer than the book itself, so I’m hazarding a guess that Bayley has siphoned off contentious material into this purported fiction. For as he says here, kidding on the level, ‘all novels are memoirs, all memoirs are novels’, and
Adam Nicolson is one of our finest writers of non-fiction. He has range — from place and history to literature and ecology, from the friendship of Wordsworth and Coleridge to the poetics of Homer, from the archaeo-ethnography of his own Hebridean island to the hardy and threatened lives of seabirds. To each he brings a
When Caroline Sheridan married George Chapple Norton in 1827 she ceased to exist. According to the legal status quo, as a wife she no longer had any rights separate to her husband. He could abuse her, claim her work as his own, spend her earnings and prevent her from seeing their children — and still
Leave or remain? That’s the question hanging like a cartoon sledgehammer over Lionel Shriver’s 17th novel. Although she makes merry with the parallels, her subject isn’t Brexit. It’s how long a person should choose to live. Should we allow ourselves to shamble, with gentle optimism, into decades when mental and physical decay are statistical probabilities?
No one ever raised a statue to a translator, disgruntled adepts of that art sometimes complain. I beg to differ, since I’ve seen one: the handsome monument to the 12th-century scholar-physician Judah ibn Tibbon, ‘patriarch of translators’, beneath the Alhambra in Granada. But if the brokers between languages and cultures still lack many bronze or
Manchester, in the words of the artist Linder Sterling, is a ‘tiny little world’. Nearly three million people live in its sprawl, but its centre is compact. Like-minded Mancunians have always found one another easily. Cultural life is febrile, which partly explains how, in the pre-digital late-20th century, England’s third city produced such startling bands:
Lord Macaulay wrote that ‘during the century and a half which followed the Conquest there is, to speak strictly, no English history’, because everything in England was decided by an elite who spoke French. This, of course, makes it one of the most fascinating and overlooked parts of our national story.By a similar token, the
The late Derek Ratcliffe, arguably Britain’s greatest naturalist since Charles Darwin, once explained how he cultivated a technique for finding golden plovers’ nests. As he walked across the featureless moor, ‘the gaze’, he wrote, had to be ‘concentrated as far ahead as possible, not in one place, but scanning continuously over a wide arc from
When I interviewed Paul Theroux 21 years ago at his home in Hawaii, there were already rumours that his ex-wife Anne had written a book about him. In fact their son Marcel said in an interview that she had sent Paul the manuscript. Theroux denied it to me, and said breezily that he wished Anne
I have the habit, when reading a collection of essays, of not reading them in order. I’m pretty sure I’m not alone in this. So, as it happened, I had read nearly all of Languages of Truth before I arrived at the second piece in the book, ‘Proteus’, and came across the Salman Rushdie I
For almost as long as there have been books, there have been books about books — writers just love to go meta. As well as all that midrash, those Biblical commentaries, the SparkNotes, the interpretations, retellings and the endless online fan fic, there are also of course plenty of guides, manuals and handbooks designed to