More from Books

Folk music is still very much alive and kicking

As a writer who obsesses over the right title to grab a target audience, seeing a book subtitled ‘Song Collectors and the Life and Death of Folk Tradition’ I say, count me in. It’s a challenging subject, not often trodden with aplomb. I wasn’t even dissuaded when the first line on the inner jacket —

The delicate business of monitoring the monarchy

This very readable account of relations between the British intelligence services and the Crown does more than it says on the tin. Although subtitled ‘Spying and the Crown, from Victoria to Diana’, it quite properly begins with Queen Elizabeth I and the intelligence network masterminded by Francis Walsingham, whom MI6 regard as their historical progenitor.

Only time will tell if there’ll be a Great Pandemic Novel

We had been dreading it like (forgive me) the plague: the inevitable onslaught of corona-lit. Fortunately, the first few titles out of the gate have been in capable hands. Zadie Smith reflected on lockdown in Intimations, a slim volume of personal essays; the virus featured in Ali Smith’s Orwell Prize-winning Summer; and Sarah Moss imagines

The country house is dead: that’s why we love it so

The true English disease is Downton Syndrome. Symptoms include a yearning for a past of chivalry, grandeur and unambiguously stratified social order, where Johnny Foreigner had no place unless perhaps as butler in the pantry or mistress in the bedroom. And the focus of the disease is the country house, Britain’s best contribution to the

Mind games: the blurred line between fact and fiction

Readers of Case Study unfamiliar with its author’s previous work might believe they have stumbled on a great psychotherapy scandal. We’ve all heard of past psychiatric controversies — forced lobotomies, the incarceration of single mothers, false memory syndrome — and of R.D. Laing, whose unconventional techniques were not always beneficial to the patient. Well, here

How 19th-century gold rushes led to a distrust of China

For a brief moment three summers ago it seemed that the clear Idaho air wafting through the Sun Valley Literary Festival had become tainted with the smoke and soot of Nuremberg. Here was Thomas Friedman, bloviator-in-chief to America’s chattering classes, standing before a rally of thousands, delivering a powerful philippic about the ascent of the

Unkindly light: The Morning Star, by Karl Ove Knausgaard, reviewed

Karl Ove Knausgaard’s My Struggle sequence is one of this century’s great projects: an intimate epic in which the overriding obsessions of our times — identity, gender, the meaning of truth — play out through six maddeningly detailed, curiously compelling autofictions. It’s the kind of work that casts a long shadow; any fiction that follows,

How does David Sedaris get away with saying the unsayable?

These aren’t diaries in the sense that Chips Channon kept diaries, or Samuel Pepys. They aren’t diaries at all, beyond the fact that each entry records an event and has a date and place attached. If a diary is a conversation with yourself, A Carnival of Snackery is a conversation with a crowd, because the

Flight into danger: Freight Dogs, by Giles Foden, reviewed

Flying has always attracted chancers and characters to Africa. Wilbur Smith’s father so loved aviation he named his son to honour the Wright Brothers. ‘I am forever grateful he didn’t go for Orville,’ the Zambian-born author once confided. Smith father and son may well have approved of Giles Foden’s romping novel, which has African bush

T.S. Eliot’s preoccupations in wartime Britain

In her essay ‘A House of One’s Own’, about Vanessa Bell, Janet Malcolm says memorably that Bloomsbury is a fiction, and that compared with letters and first-hand material, biography is like canned vegetables compared with fresh fruit. We read the letters of writers because they are informal, unguarded, unbuttoned, intimate and candid, revealing not only