Once, when we shared the same history teacher in our teens, my older brother Dominic handed in an essay about the Dark Ages that deliberately parodied a sub-Tolkien mysticism of tone. ‘Little is known,’ his opening sentence ran, ‘about those shadowy twilit years twixt 400 and 600 AD.’ Our teacher was particularly enraged by the
In the garden of my house in Cornwall there is a smooth granite stone about the size and shape of a goodly pumpkin. In the middle, where the stalk would be, there is a hole filled with rusting iron. The day I moved in, a neighbour told me that the hole was drilled and filled
Since announcing his retirement in 2013, Jim Crace has had more comebacks than Kanye West, something for which we should all be thankful. Craceland is a compelling place to visit, full of hazy yet broadly recognisable locations (Tudoresque England in the IMPAC award winning Harvest; a vaguely Mediterranean town in Melody) and spanning indeterminate times
This book is about two people who reinvented themselves in 1920s Paris. Mark Braude focuses on Kiki de Montparnasse and Man Ray, the decade of their creative collaboration and the cafés and nightclubs of Montparnasse, immersing the reader in a world where everyone was pushing their creativity in unimaginable directions. Emmanuel Radnitzky, the Jewish tailor’s
I used to envy Catholic novelists – Graham Greene, Muriel Spark, François Mauriac – as having that extra point of view, namely eternity. The Irish-Canadian novelist Emma Donoghue doesn’t entirely qualify as a Catholic writer, even though she’s on record as saying she’s currently obsessed with Catholic theology, specifically Purgatory, but there’s a thread of
Slavoj Zizek is a Slovenian graphomaniac who infuriates some of the world’s most annoying people, and might for this reason alone be cherished. He once enjoyed a high degree of pop-philosophical notoriety, being blamed by pundits who had clearly never read his books for the scourge of pomo relativism that threatened to undermine the ‘moral
In 1993 William Waldegrave, the science minister, was looking into a project being planned on the continent. Cern, the European research body, was upgrading its particle collider to create what it called the Large Hadron Collider. This underground apparatus ran beneath the French-Swiss border and it was so vast that its diameter equalled that of
Early on in Enter the Dragon our hero, the acrobatic Kung Fu fighter Bruce Lee, tells a young pupil to kick him. Needless to say, the kid’s kick comes a cropper. ‘What was that?’, Lee sneers, clipping the lad’s ear. ‘An exhibition? We need emotional content, not anger.’ Even at 12, when I first read
Here’s a thing. A disturbing book about disturbing cities. And it’s full of loaded questions. Like Hezbollah, the publisher uses the silhouette of an automatic weapon as its logo. This is a trigger warning. Jonathan Swift wrote: All poets and philosphers who find Some favourite system to their minds In every way to make it
Vladimir Sorokin, old enough to have been banned in the Soviet Union, flourished in the post-Gorbachev spring, and he fled to Berlin several days before Russia attacked Ukraine. He writes phantasmagorias, as so many Russians do, because Russia is a nation that has never allowed its writers to examine society directly. Solzhenitsyn said: ‘Russian literature
In 1968, the US anthropologist Oscar Lewis arrived in Cuba with a tape recorder and a mission to capture the revolutionary zeal of everyday Cubans. Eighteen months later, he was sent packing. ‘We have nothing to hide,’ Fidel Castro, the leader of the country’s 1959 revolution, had supposedly told him. That wasn’t quite true: production
Ned Beauman’s novels are like strange attractors for words with the letter ‘Z’. They zip, zing, fizz, dazzle and sizzle. They are a bizarre bazaar of pizzazz. Some readers no doubt might find his form of literary hyperactivity exhausting. Personally, I find it exhilarating. In part this is because the novels do not just have
How are non-conformists assimilated within the cloistered walls of tradition? Richard Wagner supplied the best answer to the age-old question in Die Meistersinger von Nürnberg, when Hans Sachs, the cobbler-poet, reconciles youthful ardour with the wisdom bestowed by experience. Learn from the masters, he tells the townsfolk, if you want to start afresh. It was
Seán Hewitt, born in 1990, realised that he was gay at a very early age. ‘A kind, large woman’ who was babysitting him told him that it was wrong. ‘I was perhaps only six or seven at the time, but she knew. I knew it too. It was as if she had peered into the
Mohsin Hamid’s fifth novel opens with a Kafkaesque twist: Anders, a white man, wakes to find that he has turned ‘a deep and undeniable brown’. Unrecognisable to his entourage, he first confesses his predicament to Oona, an old friend and new lover. Similar metamorphoses begin to be reported throughout the country and violence ensues as
Towards the end of a long relationship – ‘resolved to have a conversation about the Future, which meant Separating’ – Nancy Campbell’s partner suffered a stroke. Campbell’s life then became a hell of hospital visits, supporting and fearing for the brilliant Anna, an intellectual who worked with virus analysts in Moscow, reduced by brain insult
Given the ingenuity of machine-makers, said Descartes in the 17th century, machines might well be constructed that exactly resemble humans. There would always, however, be ‘a reliable test’ to distinguish them. ‘Even the stupidest man’ is equipped by reason to adapt to ‘all the contingencies of life’, while no machine could ever be made with
It is good for historians to take the plunge into political writing, using their knowledge where they can to illuminate our present predicament. I declare an interest: I have tried it myself, on the other side of the debate. One has to be open with the reader as to one’s intentions and willing to expose
In February 1941 four US officers were landed from a British warship at Sheerness, bundled into vehicles and driven to Bletchley Park, Buckinghamshire, a large redbrick house amid wartime huts. They were greeted at midnight by the head of Bletchley with sherry, whisky being in short supply. They carried with them a secret device called
Summer is a time for blockbusters and Anthony Marra has delivered the goods with Mercury Pictures Presents, a sweeping book about 1940s Hollywood, Mussolini’s Italy and America’s entry into the second world war. The action opens in the executive offices of Mercury Pictures International, a struggling film studio run by Artie and Ned Feldman, two