Love him or loathe him, Lucian Freud was a maverick genius whose life from the off was as singular as his paintings were celebrated. He never really knew his famous grandfather, who left Vienna in 1938 only a year before his death, and one can only speculate what Sigmund would have made of his wayward
As introductions go, ‘My name is Agnès, but that is not important’ does not have quite the same confidence as ‘Call me Ishmael’. But there’s a reason for this. Agnès Moreau, the narrator of Yiyun Li’s disconcerting, mesmerising fifth novel The Book of Goose, only became a storyteller by accident. Writing from Pennsylvania, where the
On Sunday 17 September 1820, John Keats and his travelling companion, the young painter Joseph Severn, set sail for Italy, where it was hoped that the warmer climate would benefit the poet’s failing health. It didn’t. He died of tuberculosis in Rome the following February at the age of only 25. The last five months
When I think of Kamila Shamsie’s Home Fire, I picture a pot boiling on a hob, the water level rising until it spills over the lip and onto the stove. In Best of Friends, the author’s seventh novel, the tension is still there, but the bubbles are contained. It’s more of a simmer, gentle but
Welcome to Mingheria, ‘pearl of the Levant’. On a spring day, as the 20th century dawns, you disembark at this ‘calm and charming island’ south of Rhodes from a comfortable steamer after sailing from Smyrna, Piraeus or Alexandria. A crew of Greek or Muslim boatmen will row you to the picturesque harbour of Arkaz, flanked
This is an important and topical book. Mary Sarotte traces the difficult course of Russia’s relations with Europe and the United States during the decade which followed the fall of the Berlin wall in 1989, a period which saw Russia’s brief dalliance with democracy and Nato’s advance to the frontiers of the old Soviet Union.
When asked what it is we do, translators often resort to metaphors. We liken the act of translation to performing a piece of music, taking on a role in a play, kissing a bride through a veil or building bridges between cultures. But as the peerless Norwegian translator Damion Searls has said, when we sit
Lord help me I love a hatchet job, and you’ll have to too if you want to make it through Giuliani before donating it to Oxfam. This is not just any old biography – it’s a 480-page character assassination. Born in 1944 to an ex-con who broke kneecaps for a living and a mother who
In a classic paradox of bureaucracy, the Index of Forbidden Books only really hit its stride when its original task became impossible. By the 17th century, Robin Vose relates in his new history of the Index Librorum Prohibitorum – established 1559, venerated and cursed for four centuries as ‘the Index’ – it was broadly accepted
Like Dostoevsky’s Underground Man, Perhat Tursun’s unnamed protagonist is an outcast. A young Uighur in an increasingly Han city (Urumchi, the capital of Xinjiang), he is alone, angry, unstable and homeless. The events of The Backstreets take place over one long night, as he looks for somewhere to stay (‘I just wanted a small space
Fifteen years ago, A.M. Homes published The Mistress’s Daughter, an explosive, painful account of how she met her birth mother, Ellen, who had placed her for adoption as a baby when, as a very young woman, she became pregnant in the course of an affair with an older, married man. Perhaps the most memorable scene
Get ready for more of Less: Andrew Sean Greer’s hapless novelist is back on the road. First things first: you need to have read Less, Greer’s Pulitzer-winning first outing for his creation, to appreciate this slighter but equally charming sequel. That’s no hardship. Less was hilarious and humane: a hymn to second acts. In it,
‘Better use your sense,’ advised Bob Dylan: ‘take what you have gathered from coincidence.’ John Higgs is a master of taking what he can gather from coincidence – or, as he would insist, synchronicity. From the filigree of connections and echoes in the KLF (Discordianism through the lens of 1990s pop provocateurs) to the psychogeography
When Charles II became king of England in 1660, he pardoned most of those who’d committed crimes during the civil war and Commonwealth. The Act of Indemnity and Oblivion, from which Robert Harris’s propulsive new novel takes its title, promised to wipe the slate clean and ‘bury all seeds of future discords’. But the monarch,
‘What exactly is it you do?’ asked a bamboozled King Alfonso XIII of Spain upon meeting Sergei Diaghilev at a reception in Madrid, while the Great War raged on in Europe. ‘Your Majesty, I am like you,’ came the impresario’s quick-witted reply. ‘I don’t work, I do nothing. But I am indispensable.’ At first glance,
John Keay has for many years been a key historian and prolific contributor to the romance attaching to the highest mountains on Earth. His latest book is described as a summation of that lifetime’s contribution, offering an overview of the Himālaya – the Sanskrit version (‘Abode of Snow’) that Keay bids us use – both
Farmer, restaurateur, critic, foodie activist, traveller (he’s worked in Zimbabwe as well as South Africa), cookery book writer, longtime TV presenter of New Scandinavian Cooking, food columnist for a couple of Norwegian papers as well as formerly for the Washington Post, Andreas Viestad’s belt has many notches. He lives between Oslo and Cape Town and
Ten years ago Shehan Karunatilaka’s first novel, Chinaman, was published and I raved about it, as did many others. Set in the 1980s, it intertwined the stories of a vanished, forgotten cricketer who was able to bowl unplayable deliveries and the particularly brutal war that was ravaging Sri Lanka. My review ended with the words:
Tolstoy or Dostoevsky? Picasso or Matisse? Lennon or McCartney? Impossible to call? No such quandary with Rodgers and Hart and Rodgers and Hammerstein. There are those that laugh at the city smarts of the words Larry Hart wrote with Richard Rodgers. And there are those that weep at Oscar Hammerstein’s home-on-the-range cornpone lyrics. But there
Philippe Sands’s compelling new book opens in 2018 at the International Court of Justice in The Hague, where Liseby Elysé – ‘a distinctive lady dressed in black’, who can neither read nor write – is making a video statement before 14 judges. In Creole, she describes how, in 1973, she and the last of her