One test of how famous a writer has become, I’d suggest, is what jeux d’esprit they’re allowed to publish. By this criterion, Nick Hornby still has some distance to go before he matches Haruki Murakami, who in 2020 gave us Murakami T – a fully illustrated guide to his own T-shirts. Even so, Dickens and
Paul Newman explains at the beginning how this book came about: ‘I want to leave some kind of record that sets things straight and pokes holes in the mythology that’s sprung up around me… Because what exists on the record has no bearing at all on the truth.’ Fair enough – but how come the
People no longer moan about most of the things that bothered them during my childhood. You don’t hear old folk at bus stops ridiculing the ‘new pence’ of decimal currency. Students no longer care about Vietnam. Retired wing commanders have finally stopped writing to the newspapers about the misuse of that fine old English word
‘To my mind,’ Renoir once wrote, ‘a picture should be something pleasant, cheerful and pretty. There are too many unpleasant things in life as it is.’ What would he have made of Edward Brooke-Hitching’s The Madman’s Gallery? Of the 100-plus artworks it examines, few are cheerful and fewer pretty. Often you turn the pages of
During the years between school and my first job on a newspaper I worked briefly in Paris in an antique shop in the septième, owned by an ancient White Russian who had fled Petrograd at the end of 1917. She was a charming old woman, impeccably turned out and with beautiful manners. She was prone
In Folk Music, Greil Marcus has captured an entire world of the creative and cultural development of the artist known as Bob Dylan in a single book. He not only tells a Dylan biography in seven songs but creates an autobiography of his own long career as a writer on music and America, as well
Since 2011, black Africans have been the dominant black group in the UK. Many of them are the descendants of those travellers who came to London in the 1950s from Nigeria, Ghana and Somalia and other African countries, seeking education and prosperity, and found a new home. They now not only hold prominent positions in
Raynor Winn’s first book, The Salt Path, was a genuine phenomenon. Having been evicted from their farm after 20 years, she and her husband Moth, who suffers from a degenerative disease, set off on a courageous walk around the south-west of England in the hope of restoring his health and finding a new life. It
British novelists love to diagnose the state of the nation. Few do it better than Jonathan Coe, who writes with warmth and subversive glee about social change and the comforting mundanities it imperils. Bournville, his 14th novel, lacks the caustic verve of What a Carve Up! (1994) or the wistful charm of The Rotters’ Club
‘We look at the world once, in childhood. The rest is memory,’ is how Louise Glück closes her poem ‘Nostos’. The same sentiment guides Marigold and Rose, the latest book by the 2020 Nobel Prize winner and the poet’s first to be deemed ‘a fiction’. Marigold and Rose are babies – infant twin girls in
George Saunders’s handbook published last year, A Swim in a Pond in the Rain, gave masterclasses on seven short stories by four Russian masters of the form: Tolstoy, Turgenev, Chekhov and Gogol. His critical observations can be taken as the manifesto for his own work. (The winner of the 2017 Man Booker prize with his
Here’s a treat for Christmas: a bona fide literary treasure for under a tenner. And a handsome little hardback, too, which you could certainly squeeze into a stocking. On Travel and the Journey Through Life is an anthology of one-liners and observations on travel, from the high-spirited and romantic to the moody and downright cynical.
Percival Everett’s 22nd novel The Trees was that rare thing on this year’s Booker shortlist: a genre novel. Only which genre? Crime is its first claimant – the bickering Bryants of Money, Mississippi having stumbled straight off an Elmore Leonard page. Then it’s horror – the obscenity of the first Bryant death rivalling the grisliest
Volodymyr Zelensky is one of the few leaders of modern times whose charisma, determination and sheer cojones can be said, without exaggeration, to have changed the course of history. In the first hours of the Russian invasion the US famously offered to evacuate him from Kyiv to a safer location, to which his response was
It seems something of a disservice to a work of this seriousness to say how beautiful it is, but that is what will first strike the reader. Open this book and if you can prise yourself away from its wonderful marbled end papers, with their swirls and drifts of deepest blue, brilliant flashes of rusty
‘Astonish me!’ was the celebrated demand that the impresario Sergei Diaghilev made of Jean Cocteau when he was devising Erik Satie’s ballet Parade. Dominic Dromgoole has taken it as the title for a collection of essays on a series of seismic first nights, ranging across different public art forms. It is a celebration of the
Some time ago I was a guest at a book festival in France where we were invited to dinner in the town hall with local dignitaries. I was asked if I liked asparagus. I do, I said, thinking of delicious green spears. Good, said the woman in charge, as it was the asparagus season. I
In 1930, when she was 19 years old, Edda Mussolini married Galeazzo Ciano. His father was a loyal minister in her father’s government: it was a suitable match. Five hundred wedding invitations went out to the Roman nobility, to diplomats from more than 30 countries and to all the senior fascists, the gerarchi. After the
It takes chutzpah to tackle a national treasure as jealously loved and gatekept as Nancy Mitford’s The Pursuit of Love. Purists greeted last year’s television adaptation much as cat-owners might welcome a partially eviscerated mouse. I avoided watching, because the Wes Andersonification of my greatest literary succour seemed likely to burst every vein in my
Ronald Blythe, the celebrated author of Akenfield, is to turn 100 next month, and to mark his centenary a beguiling calendrical selection has been made of his ruminations for the Church Times, for which as a lay reader he penned a weekly ‘Word from Wormingford’. It is distilled from 25 years of musings that chase