In that dark world the air pulsed with the melancholy clangour of bells. If, as legend has it, the chimes of St Mary-le-Bow told Dick Whittington to turn again, then what were they saying to all the other medieval Londoners, dwelling in houses so crowded on fouled streets that the sun could not break through?
Towards the end of Dandelions, Thea Lenarduzzi’s imaginative and deeply affecting memoir, the author quotes her grandmother’s remark that there are tante Italie – many Italys. ‘Mine is different to hers, which is different to my mother’s, which is different to my father’s, and so on down the queue,’ she writes. These Italys – of
On the face of it, a book about a woman stalking one red deer might not sound that exciting. Just one? It’s estimated that there are nearly a million in the Scottish hills and around 60,000 are culled every year. So why write about a single kill? But in Hindsight Jenna Watt goes far deeper
This book covers the period 1878-2000, offering thought provoking commentary on some 120 years of experiments in being modern, and begins with the famous court case after John Ruskin accused James Whistler of ‘flinging a pot of paint in the public’s face’. But Michael Bird does not limit his perspective to a single artist or
‘Why was he born so beautiful, why was he born at all?’ When ‘Chips’ Channon strolled into the House of Commons tea room in 1951, this was the chant with which encircling drunken Labour MPs mocked him. Politically, he was inessential they thought, and epicene. He admitted to being the best-dressed of MPs, but reckoned
Every country has an origin story but none has ‘changed it so often’ as Russia, according to Orlando Figes. The subject is inseparable from myth. In this impressive and deeply immersive book, the author sets out to reveal Russia’s history, its people’s perception of their past and the manifold ways in which those in power
‘I don’t trust fiction,’ the famous author told me, both of us several glasses to the good. ‘It contains too much truth.’ I nodded and she laughed and we drank more wine, but that sentence stayed with me in all its aphoristic glory. When she died, this was the first thing I remembered: our conspiratorial
During my gap year in 1981, I worked on the 24th floor of Birmingham’s Alpha Tower for the Regional Manpower Intelligence Unit. The city below, with its express ways racing past the Venetian Gothic of Joseph Chamberlain’s house and the Roman Revival of the town hall, were the realisation of the city planner Herbert Manzoni’s
There can be no clearer illustration of the central role that great cathedrals continue to play in a nation’s life than the outpouring of grief that greeted the catastrophic blaze in Notre-Dame in 2019. President Macron described the building as ‘our history, our literature, our imagination, the place where we experienced all our greatest moments’.
‘Our generation owes an apology to the shades of Harold Wilson,’ the polling guru Peter Kellner once told me. Had Wilson not firmly resisted pressure from President Lyndon Johnson to send troops to Vietnam, Kellner and I were both old enough to have fought there. But in 1968 we loftily despised Wilson for twisting and
It sounds disingenuous, not to say dis-respectful, but as a writer of 40 books, give or take, I never read blurbs. I can’t bear to. I love stories and am terrified of them being spoiled. There is no obvious twist or murderer so clearly signposted that I will ever try to guess them as I
Million-selling rock bands are rarely happy families. They are an uneasy combination of a creative alliance and a business partnership, which is frequently thrown together on an ad hoc basis by people barely out of their teens. They are tested to destruction by long hours, minimal sleep, deafening noise, international travel, a bedroom schedule that
Grief leads us down some strange roads. Few, though, can be as peculiar as those charted by Paul Stanbridge in his auto-fictional My Mind to Me a Kingdom Is. This singular and striking book follows a narrator (the extent to which this figure overlaps with Stanbridge is kept teasingly obscure) mourning the suicide of his
There’s a moment near the end of Robert Browning’s dramatic monologue ‘My Last Duchess’ when it becomes clear that the duke, whatever he might claim, did kill his wife: ‘I gave commands;/ Then all smiles stopped’, he lets slip. In The Marriage Portrait, Maggie O’Farrell’s sombre, haunting novel based on the historical couple described in
Facing up to the prospect of one’s own mortality is always jarring; but when you’ve spent your life trying, and sometimes failing, to save others from a terrible death, it carries the knowledge that the journey may be more traumatic than the fear or grief of the end. These are the concerns with which Henry
Shelley, walking as a boy through his ‘starlight wood’, looking for ghosts and filled with ‘hopes of high talk with the departed dead’, found nothing in reply. Nothing reverberated. The ghosts were silent. But he felt something else non-human: the springtime breezes bringing a sense of the marvellousness of life itself. And so in that
Who would have thought that someone would write a novel about Josef Mengele, the Auschwitz doctor and infamous experimenter on live human bodies? Other characters in the French writer Olivier Guez’s story are also from the Nazi gang of debased criminals: Adolf Eichmann, Franz Stangl, the concentration camp commandant, and Klaus Barbie, the Butcher of
The Shetland Islands and the Faroes may seem to be somewhere out there in distant waters, marginal and in the greater scheme of things not very important in the history of the world. But from a maritime perspective it is precisely the fact that they are suspended in mid-ocean, surrounded by water that teems with
Sometimes the struggle for a single small strongpoint can tip the whole balance of a greater battle. One thinks of the closing of the gates of Hougoumont farm at Waterloo, or the bloodless German seizure of Fort Douaumont at Verdun – an error it took an estimated 100,000 French lives to reverse. According to Iain
The Scottish writer David Keenan has published five novels in five years: This is Memorial Device (2017), For the Good Times (2019), Xstabeth (2020), last year’s magnum opus Monument Maker and now Industry of Magic & Light. At a comparatively modest 250 pages (Monument Maker weighed in at more than 800), it is practically a
