More from Books

Foreign Policy Begins at Home, by Richard N. Haass – review

A year or so after the ‘liberation’ of Iraq, an unnamed senior Bush administration official (later revealed to be Karl Rove) boasted: ‘We are an empire now, and when we act, we create our own reality.’ Yet a decade later, America’s power and influence has diminished considerably and the American people are suffering from foreign

Horace and Me, by Harry Eyres – review

After Zorba the Greek, here comes Horace the Roman. The peasant Zorba, you’ll remember from the film, releases uptight, genteel Alan Bates from his cage of repressed Englishness. Now it’s Horace, the Augustan lyric poet, releasing another repressed Englishman: Harry Eyres, Old Etonian scholar, Cambridge graduate, poet and author of the ‘Slow Lane’ column in

Dark Actors, by Robert Lewis – review

No book about Dr David Kelly could start anywhere other than at the end. Kelly is found, dead, in a wood near his Oxfordshire home. A public inquiry, headed by Lord Hutton, concludes that Britain’s leading germ warfare expert has committed suicide. Those who question the procedure or the verdict are scorned as conspiracy theorists.

Against Their Will, by Allen M. Hornblum – review

After the Morecambe Bay Hospital scandal a new era opens of compassion, -whistle-blowing, naming names and possible prosecutions. But what about 70-odd years of harming children in ‘care’ homes, and prisoners, with toxin injections, -radioactive blasts, electro-shocks to the brain and frontal lobotomies — all done in the interests of medical advance by leading American

Laidlaw by William McIlvanney – review

Laidlaw was first published in 1977, 36 years back from now, 38 on from The Big Sleep. Like Chandler’s classic it has survived the passage of time. William McIlvanney did for Glasgow what Chandler had done for Los Angeles, giving the city its fictional identity. Hemingway used to say that all American literature came out

The Professor of Poetry, by Grace McCleen – review

Elizabeth Stone, English professor at UCL,  has long lived on ‘paper and words and thin air’. Single, friendless, dessicated, respected, she passes out during a faculty meeting and wakes to find herself ‘attached by a chain of spit to her own cardigan’. A brain tumour is diagnosed, and removed. Expecting death, Elizabeth receives the news

An Englishman in Madrid, by Eduardo Mendoza – review

To Spaniards, the English must appear a highly contradictory people. The stereotype of the restrained, well-dressed gentleman (Spain’s largest department store is El Corte Inglés, ‘the English cut’) must contend with the binge-drinking phalanxes of tourists occupying Spain’s beaches every summer. Though generally thought to be fairly law-abiding, the English are still, mostly affectionately, referred

Hotel Pool

Twelve? Thirteen? She arrives in advance of her parents, fat as I was thin, wrapped in a towel, pattering to safety — a bench where she sits obscured before abandoning herself to the indecency of a walk towards water, (though who’s to see? To care? The retirees? Me with my puckered stomach?) My eyes meet

Boliver, by Marie Arana – review

So here we go again into a heart of darkness:  the humbug and horror which is the history of Spanish South America ever since Columbus landed on the island of Hispaniola. Now modern Haiti and the Dominican Republic, the island’s population had within a few decades of Columbus’ arrival, through genocide and disease, been reduced

The Girl from Station X, by Elisa Segrave – review

On her seventh birthday, Elisa Segrave’s five-year-old brother Raymond drowned in their grandmother’s swimming pool. From that day onwards, her mother Anne was emotionally detached and alcoholic. ‘My mother was only 42 when I, my father and my two remaining brothers lost her — to grief.’ Rebuffed by her mother in the days after Raymond’s

The Flamethrowers, by Rachel Kushner – review

This bright, burning flame of a novel takes place in the art world of 1970s New York. Our guide to this scene of glittering parties and eccentric characters — such as the White Lady, who wears white and goes to a grocery store to buy ‘milk, white bread, a can of hominy, and two jars

The Spinning Heart, by Donal Ryan – review

Despite being so short, The Spinning Heart certainly can’t be accused of lacking ambition. Over the course of its 150-odd pages, Donal Ryan’s first novel introduces us to no fewer than 21 narrators living in or around the same small town in the west of Ireland. One by one, they reflect on their lives, past

Edwardian Requiem, by Michael Waterhouse – review

The photograph on the jacket, reproduced above, says it all — or at least all of what most of us think we know about Sir Edward Grey. Patrician, reflective, dignified, he stares into the future with the uncompromising honesty of one who has never even contemplated straying from the paths of rectitude. In fact, he

Constance, by Patrick McGrath – review

Patrimony and infidelity are defining themes of the Anglo-American relationship, as they are of Constance, a novel with alternating narrators: Sidney Klein is English, in his forties, and an authority on Romantic literature. Constance Schuyler is American, 22, and believes her father hates her. Their new marriage enters crisis when Constance’s family reveals her origins

Song Without Words, by Gerald Shea – review

At the age of six, Gerald Shea had scarlet fever. The sounds of birds passed into memory to be replaced by the sound of locusts. Not only had Shea developed tinnitus, he had lost the ability to hear high frequencies.   Broadly speaking, he could only hear vowels, not consonants. If you can hear vowels, you

What Fresh Lunacy is This?, by Robert Sellers – review

Midway through this startling book, Robert Sellers asks himself a question with such apparent seriousness I barked with laughter: ‘Was Oliver Reed an alcoholic?’ A more pertinent enquiry would be: ‘Was the man ever capable of drawing a sober breath?’ What Fresh Lunacy is This? is the monotonous chronicle of a nasty drunk whose ‘explosions

Paul Nash, by Andrew Causey – review

Andrew Causey opens his book on a slightly defensive note: Paul Nash, he says is often identified as Britain’s outstanding 20th-century landscape painter, as if painting the natural scene was the only thing he did, or landscape art as a genre is entirely separable from others, such as portraiture or history painting. It is unexpected