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A thriller that breaks down the publishing office door

Like teenage children and their parents, authors and publishers have a symbiotic relationship characterised by well-justified irritation on both sides. Judith Flanders’s career bridges this divide. She is now best known as an author of innovatory and formidably detailed books on Britain’s social history in the 19th century. But she also has worked as a

Wonders written on the wall

‘Take away, utterly extinct and destroy all shrines … pictures, paintings and all other monuments of feigned miracles, pilgrimages, idolatry and superstition so that there remain no memory of the same in walls, glass windows…’. These were the instructions handed down to churches in the reign of Edward VI, the death-knell for medieval church wall

Why don’t we have statues of Michael Oakeshott?

Who or what was Michael Oakeshott? How many of our fellow citizens — how many even of the readers of this journal — could confidently answer the question? I guess, not many. One of the paradoxes of Britain’s intellectual history is that a country which, alongside the Greeks and the Germans, has contributed more than

There was good art under Franco

Everyone knows about the Spanish civil war, first battlefield in the struggle that broke out in 1936 and ended nine years later in the ruins of Berlin. It has been immortalised in the work of Hemingway, Orwell and Koestler and commemorated in the heroic deeds of the International Brigades. This is how it is remembered

Pompeii’s greatest gifts are not all archeological

The first visitor to take a break on the Bay of Naples was Hercules. He had just defeated some rebellious giants and buried them beneath Mount Vesuvius. To celebrate, he staged a procession across the mountain’s slope — in Greek, a ‘pompe’. He also founded two cities: one named after the procession, the other after

Charlie Chaplin, monster

No actual birth certificate for Charles Spencer Chaplin has ever been found. The actor himself drew a blank when he went on a rummage in Somerset House. The latest research suggests that he was born ‘in a gypsy caravan in Smethwick, near Birmingham’. But surely the truth has been staring people in the face ever

Susan Hill

Don’t let creative writing students read this book

One of these is by Lydia Davis, acclaimed American writer. One is not. They are whole pieces, by the way, not extracts. This morning I went into the park I often pass on my journeys to somewhere else. I can now say that I have been into this park and not always passed it by.

A Beckett fagend rescued from a bin

Spectator readers of my vintage will remember their first encounter with Beckett as vividly as their first lover’s kiss. For me they happened around the same time, aged 18. The dramatic initiation was a Colchester rep performance of Waiting for Godot, in 1956. Twenty-five years after his first mature work was written Beckett had hit

In Winwick Churchyard

The gravestones are laughing. They tilt at each other’s shoulders, droll tears of lichen blotching their honourable faces. Seated in uneven rows in their auditorium they note church-goers squinch the gravel path to the embossed door. Some lean backwards in mock amazement, others forward, study the half-mown grass or slap their thighs, whisper behind their

Julie Burchill

Arianna Huffington meets Madame de Menopause

A-Huff’s career has been remarkable for the contrast between hard-headed social advancement (‘the most upwardly mobile Greek since Icarus’) and addle-pated spiritual questing. In this she resembles an older, colder Gwyneth Paltrow, who coincidentally came out with her ‘consciously uncoupling’ corker as I was ploughing my way through Thrive — such a G.P. cookbook title!

Jacqueline Wilson: ‘The first book that made me cry’

I’m not sure if Rumer Godden wrote An Episode of Sparrows for children or adults. It was originally published on an adult list but I read it when I was about ten, Lovejoy’s age. She’s the heroine of this book, a small, strong-willed girl with the tenacity and determination of 20 adults. She’s got a feckless mother,

April

Spring again   But from where no telling     Sweet as the spring       That went before         Same old story     But still compelling   Blossom reminding What blossom is for   Question the trees   But they’re not telling     How they obey    

The one-man spy factory who changed history

With two new biographies of Kim Philby out, an espionage drama by Sir David Hare on BBC2, and the recent revelation that the aristocrat superspy John Bingham was the model for George Smiley, there is little doubt that Britain is currently going through one of its fitful bouts of spy fever, and this book can