Whatever happened to the likely lads and lasses of the East London art scene at the high noon of Cool Britannia? Hari Kunzru’s seventh novel, Blue Ruin, loads much else on to its ideas-rich plate – not least a pandemic yarn set in the panic-stricken spring of 2020. At its core, however, his plot traces
The Tory era is not (quite) over yet, but already the obituaries are in. In particular, two new books from Torsten Bell and Paul Collier seek to bury not just Rishi Sunak and his cabinet but the whole economic approach that the Conservatives have taken since 2010, or perhaps even 1979. Let’s start with Bell
Were trains to blame for the travel writing boom of the 1980s? When Paul Theroux’s The Great Railway Bazaar was published in 1975, it sold 1.5 million copies and launched a publishing phenomenon. At first, long-distance train journeys conjured all the romance of the golden age of travel: leather luggage, first-class compartments and the billowing
Contemporary Irish writers have a knack of making their recent past feel very foreign. Clare Keegan’s Small Things Like These is set in 1985, but the horrors she reveals about one of Ireland’s Magdalene laundries seem more like ancient history. Alan Murrin pulls off something similar in The Coast Road, where in late 1994 divorce
‘If a horse is born in a stable, does it bark like a dog?’ By the time the Duke of Wellington’s famous question (‘If a man is born in a stable, does that make him a horse?’) made its way down to the young Michael Volpe, growing up in a fractured Italian family on the
‘Let me tell you about Jan Smuts,’ my grandfather, a doctor born not far from Johannesburg, would begin. And we, as children, would mutter and glance sideways and sink into our chairs. The story would go something like this: ‘Smuts was a Boer War leader, later feted by the English political establishment and central to
Watching Kevin Barry’s progress over the years has been a pleasure. His first novel, City of Bohane, flamboyant with tribal vernacular and savagery, was followed by Beatlebone, a beguiling surreal odyssey, and then Night Boat to Tangier, where two tired old crims wait and talk their way through the dark hours. Escaping Beckett’s long shadow,
The Historic Houses Association can congratulate itself. This pressure group for country houses, founded in 1973, has proved to be one of the most effective lobbying organisations of our time. When it came into being, the future, according to the architectural historian John Cornforth, was ‘full of gloom’ for the country house. The Destruction of
Sir Thomas Malory is not much of a knight. He lies; he is lecherous; he is bested in tourneys; he misses battles due to a dicky stomach; he inadvertently causes the deaths of his friends. He is no Sir Lancelot. But he has his talents, chief among them being his ability to spin a yarn,
Asked about the greatest challenges he faced as prime minister, Harold Macmillan is said to have replied: ‘Events, dear boy, events.’ The first quarter of this century has seen no shortage of events that have blown prime ministers off course. There was Tony Blair by 9/11 and the resulting war in Iraq; Gordon Brown by
Elaine Herzberg was pushing a bicycle laden with shopping across a busy road in Tempe, Arizona in 2018 when she was struck by a hybrid electric Volvo SUV at 40mph. At the time of the accident, the woman in the driver’s seat was watching a talent show on her phone. The SUV had been fitted
The CIA, this fascinating new history notes, is ‘possibly the most infamous organisation on the planet’. Its hidden hand is often presumed to be everywhere, pulling the strings. That’s pretty impressive, given that it only has, by most estimates, around 20,000 employees. (The exact number is, naturally, classified.) At the same time, it’s routinely portrayed
A London-based foreign correspondent is probably not the target audience of Michael Peel’s latest book. Indeed, what Peel (himself a former Financial Times correspondent in Lagos, Abu Dhabi, Bangkok and Brussels) discusses in eight lively, well-researched chapters won’t come as a surprise to any of his UK-based foreign colleagues: how Britain is perceived abroad; and
Amor Towles was a Wall Street banker before he published his first novel, Rules of Civility, in 2011, at the age of 46. Since then, his books have sold six million copies, and the second, A Gentleman in Moscow (2016), has been made into a Paramount + series starring Ewan McGregor. Towles’s success in banking
The idea of the kitchen as a space for transformation and transportation is not a new one. Many writers have explored the room’s ability to offer both domesticity and alchemy at the same time – how it allows cooks to travel vicariously through the food they make. This is the subject of Cold Kitchen, Caroline
Laughs are in short supply in the academic world unless that world is serving as the victim of satire. So full marks to the Swedish philosopher Nick Bostrom for loading Deep Utopia – his reflections on life in a ‘solved world’, perfected by technology and science – with self-mockery and slapstick. Bostrom isn’t the first
In recent years, sensitive music critics have attempted to replace krautrock with kosmiche as the consensus term for the wild and wonderful music that exploded out of West Germany during the 1970s: Can, Neu!, Cluster, Faust. A word that literally translates as herb-rock, cooked up by glib Brits who had read too many war comics,
The medieval trope that Jews are inherently bloodthirsty has echoed down the ages. Forms of the blood libel have been disseminated ever since the myth emerged in England in the 12th century with claims that Christian children were being ritually murdered by Jews in re-enactments of the crucifixion of Jesus. In the aftermath of 7
Has a book ever been more bizarrely mis-titled than this one? The First Cold War: Anglo-Russian Relations in the 19th Century has nothing whatever to do with the actual Cold War, nor is it for the most part concerned with the 19th century. Rather, Barbara Emerson has written a thorough and often diverting diplomatic history
Any personal history is hard to fictionalise, not least because the story needs to be both universal and unique. Claire Messud manages to find the right balance in her latest novel, reconstructing her family’s past in vivid episodes that open a multitude of windows on to the world. Continents and decades chase one another as