Roger Scruton is that rarest of things: a first-rate philosopher who actually has a philosophy. Unfortunately at times for him, that philosophy is a conservative one. But his personal loss has been our great collective gain. As his new book again demonstrates, over the years his has been one of the few intellectually authoritative voices
At the age of 75, the theatre director Michael Rudman has got around to his memoirs, their title taken from the mouth of Willy Loman in Death of a Salesman, the play in which Rudman once directed Dustin Hoffman to great acclaim. The author is also Felicity Kendal’s other half, making him a figure of
It used to seem rather obvious that the world was full of evidence for God. These days, theologians no longer beat this drum — but some of them still give it soft little taps from time to time. Such tapping is what Rowan Williams is drawn to, now that he’s free of the obligation to
The problem with a futuristic thesis — particularly when summarised by a futuristic title — is that it is likely to be thrown back at you in the future. This is the problem that Francis Fukuyama has faced ever since he published his daring and now much derided book, The End of History and the
Alan Johnson’s first volume of memoirs, This Boy, is still in the bestsellers’ list, but the Stakhanovite postman has made a second delivery, timed impeccably for the party conference season. It charts his escape from the urban jungle of Notting Hill to Britwell council estate in Slough, via a succession of GPO sorting offices and
It would be a mistake to treat Plenty More, the new cookbook by Yotam Ottolenghi, merely as a collection of recipes. It is a collection of recipes, as it happens, and very good ones, but it’s more the epitome of a world view, a way of life, a vision of contemporary Britain. This is a
Has there ever been a nun or a priest who wasn’t a bent sadist? Because here we go again. At school Paul Merton was terrorised by a nun who, in her black outfit with a white band, ‘looked like an angry pint of Guinness’. She walloped the future comedian if ever she detected an imaginative
The final way we’re held to account is the standing order we never chose. To whatever our lives might amount, our contracts state death will foreclose. Eventually our assets will diminish sans heart and eyes, brain and breath. There falls a repayment of the spirit, the sum we bequeath, pounds of flesh. When we are
Surely only a double-act of the stature of Philippe de Montebello, the director of the Metropolitan Museum of Art from 1977 to 2008 but also a colossus of the art world more generally, and Martin Gayford, the eminent critic who has doubled as the recording angel of the pensées of Lucian Freud and David Hockney,
From the long ride, fresh trees licked by enough blue light to cross-patch antique trousers, we come at last past casks head-dressed with tulips to this puzzling concourse where white signs agree to open a house decked by strangers with an attentive love. ‘Mynheer, do you remember? Yes, twenty-five years.’ Our polls are whiter than
The first volume of Christopher Simon Sykes’s biography of David Hockney ended in the summer of 1975. The 38-year-old painter had just returned to Paris, where he was then living, ‘energised’ by the widespread acclaim that greeted his designs for the Glyndebourne production of Stravinsky’s The Rake’s Progress. Energy was something Hockney would need in
It’s September 2017, and our still apparently United Kingdom is in the throes of a referendum campaign. The wise, charming, beloved Prime Minister, successor to ‘the shortlived Johnson administration’, wants to keep us in the EU. Olivia Kite, a spike-heeled mixture of Elizabeth I (Horrible Histories version) and Rebekah Brooks, heads the ‘No to Europe’
Beaton was the great inventor. Apart from inventing not only himself but his look, his voice, his persona and a glamorous family, he invented the a in photography, the Edwardian period for the stage and films, the most outré of costumes, the elaborate for his rooms, a cartoon-like simplicity for his drawings, and the dream
9-12-12 — See the spacer died. —Wha’ spacer? —The Sky at Night fella. —Bobby Moore. —Patrick Moore. —That’s him, yeah. Did he die? —Yeah. —That’s a bit sad. He was good, wasn’t he? —Brilliant. Very English as well. —How d’yeh mean? —Well, like — he’d look into his telescope an’ his eyebrows would go mad
The rise of the ‘misery memoir’ describing abusive childhoods, followed by the I-was-a-teenage-druggie-alkie-gangbanger-tick-as-appropriate memoir, pushed into the shadows an older tradition, the memoir of childhood pleasure, of charm and humour. Some of the greats — Gwen Raverat’s Period Piece, Diana Holman-Hunt’s My Grandmothers and I — continue to be enjoyed; others every bit as good
At the time it was all too easy to get sucked in by the hype. In 2013, Grayson Perry was the first visual artist ever to give the Reith Lectures and — unlike so many of his dry, earnest predecessors — here was a speaker ready to fulfil all three Reithian aims: to inform, educate
Shortly after the war began in September 1939, the branch of the intelligence services called MI8, or the Radio Security Service, recruited H.R. Trevor-Roper (as his name would appear the following year on the title page of his first book, his acerbic and somewhat anti-clerical life of Archbishop Laud). He was a young Oxford don,
This book charts the rise and fall of one of the strangest power couples of modern times. The senior partner was initially Pam Johnson, a rising literary star, 28 years old and happily married with five novels under her belt and a fiction column on the Liverpool Post, when she singled out a novel by
Nothing illustrates the transformation in the working lives of professional footballers since the end of the maximum wage better than the story of how Bobby Moore only just made it to the West Ham ground for his first team debut against Manchester United. Today the players arrive from their luxury mansions insulated from the world
Around 1960, I went to work with the literary staff of The Spectator, where I was followed, in a later world, by the poet and diarist Hugo Williams. At this early stage it was possible to feel close to the family that could be inferred from his poems: a mother and a film-star father injured