There are two sorts of people: those who can’t wait to grow up, and those who wish they never had to. It’s fair to say that women figure predominantly in the first group and men in the second, hence the preponderance of male fans of science fiction and fantasy — and dewy-eyed reminiscence about children’s
In 1999, Patrick Hemingway published True at First Light, a new novel by his father Ernest. In his role as literary executor of the late writer’s estate, Patrick edited an unfinished manuscript of some 200,000 words down to a more marketable ‘fictional memoir’ of less than half that length. The book hit the bestseller lists
In 2008, the Scottish poet Kathleen Jamie characterised the typical exponent of modern nature writing as ‘the lone enraptured male’. This was a more solemn, grown-up Basil Fotherington-Thomas, the effete schoolboy of the Molesworth books who prances about in puerile pantheistic ecstasy, saying, ‘hullo clouds, hullo sky’. Ten years on, there is barely a British
‘Nine hours,’ boasted my friend the curator about his trip to the Prado. Nine! Two hours is my upper limit in a gallery. After that I’m gasping for the tea room and gift shop. Knowing my lack of stamina, my own trip to the Prado was focused: just Velázquez and Goya. Then lunch. And a
On 23 May 1618, Bohemian Protestants pushed two Catholic governors and their secretary through the windows of Prague Castle, in protest at the anti-Protestantism of Bohemia’s King Ferdinand, soon to be elected Emperor Ferdinand II. The defenestration was only injurious to dignity, and had farcical aspects, a rebel shouting: ‘We shall see if your Mary
Look Back in Anger, John Osborne’s 1956 play, was a fertile cultural seedbed: out of it sprouted the Angry Young Men and kitchen-sink drama. What was less clear at the time was the extent to which it was autobiographical, based on Osborne’s failed first marriage to the actress Pamela Lane. In the play, Jimmy, the
Industrial factories huddle at the very edge of our world view. Most of us have never visited one, but we know what to expect. The ugly buildings. The dull work of the shop floor. The worker reduced to a mere fleshy extension of a machine, his existence condensed into a series of jerks, twists and
Carmen Maria Machado’s debut collection Her Body & Other Parties (Serpent’s Tail, £12.99) takes a confident straddle across speculative fiction, erotica, fable and horror. In these electric stories, the author explores the challenges and promises of women’s bodies with forceful verve. In ‘Real Women Have Bodies’, a mysterious illness makes women gradually fade away; many
Reading The Mind is Flat is like watching The Truman Show and realising, while you’re watching it, that you are Truman. For anyone who hasn’t seen the movie, this is Peter Weir’s 1998 fable in which Jim Carrey discovers he is unwittingly the star of the most successful reality-TV show on the planet. His world
Everyone in Iceland has heard of Gudmunder and Geirfinnur. They were two (unrelated) men who disappeared in 1974, albeit ten months and several miles apart. Gudmunder Einarsson was a teenage labourer who loved to arm-wrestle; Geirfinnur Einarsson a construction worker and family man. Other than shared national hysteria in a country where people rarely go
You know you’re in good hands when the dedication reads: ‘To the writers, drinkers and freethinkers of the Arab and Islamic worlds, long may they live.’ Abu Nuwas was all three, and a complete hoot. Why he is so little known in Britain should be a mystery. But outward-looking as we are as a nation,
This book reminded me of Kurt Andersen’s Fantasyland — but where Andersen thinks only Americans have lost their minds, David Andress thinks everyone has. I can’t say I disagree, being a subscriber to the Hourly Outrage, also known as Twitter. Andress refers to Brexit, Donald Trump’s election and Marine Le Pen’s rise in French politics
Cockney feet mark the beat of history, sang Noël Coward, as if he had ever been east of Holborn. Yet the sugary wartime sentiment finds a moving and resonant echo in Melanie McGrath’s new work of social excavation. The past casts an unusually deep shadow over Bow. And, cleverly, she has found a fresh means
Donal Ryan is one of the most notable Irish writers to emerge this decade. So far he has produced five volumes of fiction set in post-millennial Ireland. What sets him apart is a striking facility for narrative voice as well as a startling diversity of protagonists. His first novel, The Spinning Heart — about a
This true-crime narrative ought, by rights, to be broken backed, in two tragic ways. One is that the serial attacker it concerns, a sneaking California rapist who graduated to multiple murder, was never caught. The other is that its author died aged 46 before the book could be completed. That it is nevertheless so gripping
Samantha Harvey is much rated by critics and those readers who have discovered her books, but deserving of a far wider audience than she has hitherto gained — so much so that just before Gaby Wood’s appointment as literary director of the Booker Prize Foundation, the critic wrote a lengthy exploration of Harvey’s prodigious qualities,
With bird books the more personal the better. Joe Shute was once a crime correspondent and is today a Telegraph senior staff feature writer. It is his investigative journalism, a series of meetings with people who deal with ravens first-hand, which provides novelty. Historical, mythological and other diversions add ballast. In the prologue he writes:
Publishing loves a brand. Few authors of fiction create characters who reach this semi-divine status, but when they do, even death cannot part them from their fortunate publishers. Sherlock Holmes, Hercule Poirot, Bertie Wooster and James Bond are among those who have survived their creators’ deaths, thanks to the assistance of living authors. Now Roderick
Saint Paul is unique among those who have changed the course of history — responsible not just for one but two critical historical developments 15 centuries apart. First, he persuaded the early followers of Jesus of Nazareth that gentiles as well as Jews could belong to their nascent church. This enabled its spread throughout the
‘The Victoria Cross,’ gushed a mid-19th-century contributor to the Art Journal, ‘is thoroughly English in every particular. Given alike to the highest and the lowest in rank, but given always with a cautious and discriminating hand… the Victoria Cross is an epic poem’. Like all epic poems, the VC has its tragedies. For some that