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Picturing paradise: the healing power of art

Some 35 years ago I visited the National Gallery of Sicily in Palermo on the hunt for the ‘Virgin Annunciate’ by Antonello da Messina, the painter of the beautiful ‘St Jerome in his Study’ in the National Gallery in London. It was hard enough to persuade anyone that the gallery was meant to be open,

Vladimir Nabokov confesses to butterflies in the stomach

Not every novelist has opinions. Some of the greatest have a touch of the idiot savant, such as Adalbert Stifter, Ronald Firbank and Henry Green. And those novelists who do have opinions aren’t always worth listening to. But Vladimir Nabokov’s views are of compelling interest — paradoxically, because he regularly insisted that his novels sent

Spooky stories for Halloween

It is surely significant that Ed Parnell’s first novel The Listeners was an updated examination of themes latent in Walter de la Mare’s famously spooky poem of that title. The author credits this predilection for the macabre to an aunt’s VHS recordings of the Quatermass stories in the 1970s, when he was just a small

Our appetite for ‘folk horror’ appears to be insatiable

This eerie, shortish book apparently had an earlier outing this year, when it purported to be a reissue of a 1972 ‘folk horror’ novel by Jonathan Buckley. Now John Murray reveal it as the third novel by Andrew Michael Hurley, whose gothic debut, The Loney, received widespread plaudits. Folk horror, a term popularised by the

Whatever happened to glasnost and perestroika?

This is a timely book. It addresses the challenges of a fractious and fractured Europe. The first word of the title means ‘truth’ in Russian, and the author’s point is that we have collectively lost sight of that essential commodity. Rory MacLean, whose previous books include Stalin’s Nose, Under the Dragon and Falling for Icarus,