Some of my happiest fiction-reading hours have been spent in the company of Kevin Barry: two short-story collections, both prize-winners, and three captivating novels. First, the baroque mayhem of City of Bohane, characters exploding on the page flashing knives and fancy footwear, its vernacular veering from Clockwork Orange argot to Joycean dazzle. A world away
Even if you didn’t have an Auntie Dot in Cockermouth (the one who ate a raffia drinks coaster, mistaking it for a high-fibre biscuit), it was impossible not to feel Victoria Wood got you, somehow. Her death in 2016 triggered an outpouring of grief commensurate to her talent, but it also revealed how intimately, how
What Are You Going Through is both brilliant and mercifully brief. Weighing in at 200-odd pages, it can be read in five hours flat and will leave you staring into endless night. ‘Make the audience suffer as much as possible,’ advised Alfred Hitchcock, and Sigrid Nunez, whose subject is emotional extremity, follows suit. The suffering
When Helen Macdonald was a child, she had a way of calming herself during moments of stress: closing her eyes, she would imagine and count through the layers of the earth that lay beneath her, and then the layers of atmosphere above her. ‘It had something of the power of incantation,’ she writes in Vesper
After Stalingrad, Hitler desperately needed an encouraging novelty. Wernher von Braun, Germany’s leading rocketeer in the second world war, expertly and persuasively briefed him on the latest secret weapon, a powerful ballistic missile, with a film to demonstrate its capabilities. Hitler was enchanted. He said: ‘Gentlemen, I thank you. If we had had these rockets
‘I was what they call an “independent scholar”’, confides the narrator of Hari Kunzru’s Red Pill, a middle-aged writer from New York of modest reputation who secures a three-month residency at the prestigious Deuter Centre in Berlin. While there, he hopes to write something about ‘the construction of the self in lyric poetry’ and escape
In June 793, a raiding force arrived by boat at the island monastery of Lindisfarne, on the Northumbrian coast. The attack that followed was shockingly brutal. The English cleric Alcuin wrote: ‘Never before has such terror appeared in Britain… Behold, the church of St Cuthbert spattered with the blood of the priests of God, despoiled
Für dich, Tommy, ist der Krieg vorbei. However, many British servicemen, officers especially, didn’t want their war to be over. Or, at least, didn’t want to spend it in a PoW camp. One of the enduring myths of the second world war is that officers had a statutory obligation to escape, but nothing in King’s
Talbot Kydd, film producer; Anny Viklund, American actress; Elfrida Wing, novelist; these make the trio of the title. Private lives are the issue. Wing’s long-suffering agent tells her if you want to know what’s going on in people’s heads, ‘behind those masks we all wear — then read a novel’. The main setting of Trio
Holiday islands, desert islands, love islands, islands of eternal youth, siren islands, islands filled with screaming demons. Of all the earth’s topographic features, islands are the most elastic, the most adept at accommodating the wilder projections of our imagination. Why it should be so is a question that has exercised writers from D.H. Lawrence to
Jeoffry is, by now, one of the best-known cats in literary history. And unlike the Cheshire Cat, Mr Mistoffelees, Orlando, The Cat That Walked By Himself, Gobbolino or Behemoth in The Master and Margarita, he really existed. Protagonist of the most anthologised section of the mad poet Christopher Smart’s Jubilate Agno, the eccentrically spelled ginger
There are fashions in the paranormal as in everything else. Since the famous Enfield hauntings of the late 1970s, poltergeists seem to have gone quiet, or at least unreported; but before then they were everywhere. In 1938, poltergeists kicked off in Thornton Heath, Surrey, and a Jewish-Hungarian journalist and psychic investigator, Nandor Fodor, was alerted
In October 2011 Daniel Lee was at a dinner party at which a Dutch woman told a disturbing story. It concerned an armchair that her mother had recently taken for re-upholstering. The chair was something of a family treasure. As a child growing up in Amsterdam, the woman herself had always sat on it as
‘That was how that part of the world was at the time. Every bit of it belonged to Europeans, at least on a map.’ That part of the world is East Africa, particularly what is now Tanzania, whose early-20th-century history is the backdrop to Abdulrazak Gurnah’s Afterlives. The novel spans the years preceding and during
The scrawny little girl with ‘pipe-cleaner legs’ wants to feel at home with her parents. But father and mother live mostly apart —the former in Sweden, the latter in Norway or New York — and the trio fails to bond: ‘It was never us three.’ Her famous father is a migratory sage with ‘a unique
When Romeo and Juliet first meet at a party, their words to one another fall into the form of a sonnet: an exchange of 14 lines, expressing mutual love and ending with a neat rhyming couplet and a kiss. It is a touching, haunting moment, and like so much in Shakespeare, it also has an
We can probably blame George and Ira Gershwin. It was that brilliant duo who, in 1937, penned the memorable lyric ‘They all laughed at Christopher Columbus when he said the world was round’. The song has been recorded by at least 15 artists over the years, from Fred Astaire to Lady Gaga, and is embedded
Babysitters are having a literary moment. Following Kiley Reid’s debut Such a Fun Age, Nick Hornby is the latest author to mine the potential for blurred lines and crossed boundaries bred by the employer-childminder dynamic. Throw race, class, sex and Brexit in the mix, and you have a juicy plot that’s both vintage Hornby and
It’s not as if Julius Caesar wasn’t warned about the Ides of March. Somebody thrust a written prediction of the assassination at him as he marched to the Senate on the fateful day. Alas for Julius, as Peter Stothard notes in this gripping, gorgeously written new account of the killing and its consequences, the dictator
You can’t say he didn’t warn us. In the final sentence of his previous book, Heat, a joyously gluttonous exploration of Italian gastronomy, Bill Buford announced that he would be crossing the Alps: ‘I have to go to France.’ And here he is, in Dirt, another rollicking, food-stuffed entertainment, determined to unearth, as it were,
