Book Parts — hardback, 352 pages, with colour plate section and in-text black and white illustrations, 234x156mm, ISBN 9780198812463, published 2019 by Oxford University Press, ‘a department of the University of Oxford’ which ‘furthers the University’s objective of excellence in research, scholarship and education by publishing worldwide’, according to the copyright page — has at
The story of Robert the Bruce runs from the death of Alexander III of Scotland in 1286 to Robert’s own death in 1329, aged 54. His extraordinary achievement was to fend off both rivals at home and formidable English enemies to firmly establish his country’s independence. In 1292, John Balliol had been proclaimed King of
Psychogeography takes many forms: Sebaldian gravitas, Will Self’s provocative flash and dazzle and Iain Sinclair’s jeremiads for lost innocence. Gareth Rees explored east London’s edgelands in his hallucinatory Marshlands. Now, with Car Park Life, he reveals an urban wilderness hiding in plain sight: ‘It is Morrisons in Hastings that lights the fire of my obsession.
Why would you need the scripts for Fleabag? It’s hardly a lost classic. It’s always popping up on BBC iPlayer. So it was with a touch of scepticism that I picked up this volume, subtitled not ‘The Scripts’ but ‘The Scriptures’, in reference to Fleabag’s long, pitiless pursuit of a hot priest in Series 2,
The Hungarian writer László Krasznahorkai, who sounds like a sneeze and reads like a fever, is on a mission to build our collective stamina. His novels have always resisted easy interpretation, with their page-long sentences and catastrophic air, and in his ‘most popular’ book, Satantango, the clanging language and doomy setting worked to great effect.
Bettany Hughes has spent a decade, she tells us, exploring the origins of the goddess Aphrodite, first for a BBC documentary aired in 2017 and now for this book. I think it’s fair to say that if you saw the documentary, the book won’t have much more to offer you. If not it’s an intriguing
A family memoir is a dangerous thing to write: one has to balance between keeping one’s subjects happy and the reader engaged. The Bosnian–American author Aleksandar Hemon, now in his mid-fifties, takes the risk the better to recollect his past. While no two generations can completely avoid the proverbial gap, he ‘never (until fairly recently)
It’s easy to forget that until the late 1980s the notion of an autistic person being able to write a compelling autobiography was dismissed by the psychiatric establishment as highly unlikely. Though the term ‘autism’ was originally derived from the Greek word for self, autos, people with ‘self-ism’ — who were routinely described by non-autistic
It’s a slippery word, ‘other’. Taken in one light, it throws up barriers and insists on divisions. It is fearful and finger-pointing: them, not us. But looked at in another way, it is rangy, open and expansive. It suggests horizons, not walls. That first meaning has done much heavy lifting in discussions of Bernardine Evaristo’s
There may never have been a murder on the real Orient Express, but otherwise Agatha Christie’s depiction of luxury train travel was pretty accurate. Cordon Bleu cooking, accompanied by fine vintage wines and served by immaculately turned out waiters, was offered to the first class passengers, who often included members of the aristocracy and senior
In the spring of 2008 I spent a fine day in the company of Samantha Power. She had come to the Hay Festival to talk about Chasing the Flame, her book about Sergio Vieira de Mello, the UN Special Representative to Iraq who was murdered in the August 2003 bombing of UN offices in Baghdad,
Have you heard the story about the time that Andrew Ridgeley, the 1980s heart-throb, refused to answer the door to Andy Warhol after John Lennon hissed at him: ‘Do you want him coming in here taking photos when you’ve got icicles of coke hanging out of your nose?’? How about Ridgeley’s fondness for orgies, during
Trained from a young age to be self-effacing, never liking to be the centre of attention, having been traumatised for life by being made to wear a bright green dress sewn from old parachute material at her own coming out dance in 1950, Anne Glenconner must be wincing at being thrust into the limelight by
There was a dinner in Soho to celebrate the publication of John Humphrys’s book, A Day Like Today. John was asked by his publishers to select guests — an interesting mix from the left and right — and organise the seating, a small piece of administration that made him fretful and therefore resentful. The room
My own love for this memoir may be all to do with snobbery and self-identification. Moreover, I’ve always thought a life downstairs is an underrated career opportunity, offering access to all the aesthetic pleasures of the big house while bypassing the nuisance of admin and the financial burdens of its upkeep. On another level, here
Janis Joplin hated the word ‘star’, but she loved the trappings. As soon as she made serious money she bought a Porsche convertible and had it painted with psychedelic images to make it the most recognisable car in San Francisco. She also rejoiced in her lynx fur coat, courtesy of Southern Comfort. She sent them
You may not know the name of Reynolds Stone, but it is almost impossible that you haven’t come across his designs. If you’re familiar with the masthead of the Economist or remember the clock on the top of the front page of the Times; if you’ve seen the colophon on a book published by the
General Jim Mattis ended his remarkable career as a four-star US marine general, and finally as US secretary of defense. His book Call Sign Chaos is co-authored with Bing West, also an ex-marine and one-time assistant secretary of defense. It is partly an autobiography and partly a treatise on leadership. The autobiography relates his career