History used to be so much easier. There were the Wars of the Roses, then the Reformation, the Civil War, the Enlightenment and finally the Victorians. Each one had its own century and its distinctive tag. Throw in Henry VIII and Elizabeth I, garnish with a few zealots and adventurers, some glorious triumphs and some
This is an Exquisite Corpse of a novel — or if you prefer another name for that particular game, Heads, Bodies and Legs, or Combination Man, or perhaps most appositely Consequences. The parlour game involves creating something and then passing along the hidden creation to which another then adds, and The Arrest reads like Jonathan
Ever since my early youth I have loved, followed and respected a certain music genre that some people consider strange, even dangerous: heavy metal. The journey started in Istanbul, at a small, stuffy music store on a side street in Taksim, nestled between an Ottoman mosque and a fish market, where I would buy cassettes
Cary Grant was a hoax so sublime his creator struggled to escape him. He was a metaphor, too, for the transformative magic of cinema, for its lies; and for the artifice and social mobility of the 20th century itself. His real name was Archie Leach, and he could, the critic David Thomson wrote, ‘be attractive
Two things it may be wise to know before picking up this relatively short and surprisingly cheerful brand spanking NEW biography of the Antichrist: (1) the meaning of the word ‘eschatological’ (it’s fairly critical); (2) the fact that the Antichrist is not the devil (a common misapprehension). The Antichrist is actually the son/spawn of the
Harold McGee’s Nose Dive: A Field Guide to the World’s Smells is an ambitious and enormous work. Indeed it’s so large, at 654 pages and weighing nearly a kilo, that I could only manage to read it at the kitchen table — which made me appreciate its wipe-clean binding. Its distinctive new-book smell (there is
One of the running jokes about ‘serious’ graphic novels is that so many seem to consist, one way and another, of comics about how lonely, miserable and socially inept comic book creators are. Adrian Tomine leans into the trend, but with great charm, in The Loneliness of the Long-Distance Cartoonist (Faber, £16.99). Here is an
A common but flawed assumption about Joseph Ratzinger is that he is simply an ardent conservative. That’s the figure we see in Netflix’s The Two Popes. Anthony Hopkins’s performance may be a visual feast, but the script leaves no cliché unaired. Better informed observers note that the Vatican’s former doctrinal guardian is a poacher turned
If 2020 has given us something to talk about other than Covid, it’s been history — and, more precisely, to whom history belongs and how we’ve chosen to define it. Well into the modern era, the philosopher Thomas Carlyle’s definition of the subject as ‘the biography of great men’, seems to endure. Most remember their
‘It was a gray mass of people in rags, lying motionless with bloodless, pale faces, cropped hair, with a shifty, gloomy look.’ Julius Margolin’s first encounter with Soviet prisoners takes place in August 1940 on the way to a labour camp in the north of Russia. Four years later, waiting at another transit point, he
This meaty but easily digested biography pivots around the events either side of that fateful evening of 4 August 1914 when Britain’s ultimatum to Germany over Belgium ran out and Sir Edward Grey memorably remarked that the lamps were going out over Europe. As foreign secretary for almost a decade before that, Grey had deftly
James Kelman doubtless remains best known for his 1994 Booker prize win for How Late It Was, How Late and the subsequent furore. The brouhaha looks painfully absurd 25 years later with the plaudits Kelman has received (when not being dismissed as akin to an ‘illiterate savage’) perhaps the greatest in post-war English literature. Here
Wrestling with the history of the British Empire is the unfinished and unfinishable project of our history. Time’s Monster takes a meta-approach to this. Its author Priya Satia has read widely, and has written essentially a cultural history of the Empire from the early modern period to today, of the way Britain’s colonial expansion has
The problem with telling stories about Harvard is that Harvard, if it teaches anything these days, teaches distrust of stories. So, for example, two thirds of the way through Becky Cooper’s long, ambitious book about the murder of a Harvard graduate student, the author explains that ‘we’ — those attempting to fashion a narrative about
‘We should be living in a brave country and on a brave planet that bravely distributes its occupants,’ thinks Rose Goyenetche, a middle-class, middle-aged Parisian child psychologist and the heroine of Marie Darrieussecq’s Crossed Lines. As their hands touch, Rose feels a familiar electric ping, and their futures become linked The story unfolds on a
When he was a student, the celebrated American modernist master Robert Rauschenberg once told me that his ‘greatest teacher’ — Josef Albers — would proclaim ‘art is svindle’ in heavily accented English at least ten times a day. By that provocative remark Albers probably meant not so much that art was a cheat but that
What caught my eye towards the end of Look Again was this conversation between David Bailey and the shoe designer Manolo Blahnik. They are talking about a brief golden age, a perfect moment in their lives: Blahnik: So sometimes I just have to sit down and say: ‘God, did all this happen?’ All the excitement,
Here are a couple of books that seek to tackle the difficult issue of comedy on the front line. One deals with an increasingly toxic global cultural war; the other plunges into the battle to take on jihadists by laughing at them. In their different ways both ask the same questions: what’s funny and what’s
‘A matter that hurts me is that I have made many hundreds of people laugh, in various cities, during the last year or so, but not you — and your father is thought to be a wit.’ This was the poet John Berryman to his nearly-estranged son Paul in 1964. The hurt, off-kilter tone and
J.K. Rowling has written a book for children — and you know what? It’s a charmer. The Ickabod (Hachette, £20) was created for her own children between the Harry Potter books (how does she do it?) and was stashed away until the arrival of Covid, when she found that children were stuck indoors without much