On the morning of 7 May 1821 an urgent task was performed at Longwood House on St Helena. A day and a half previously, the celebrated prisoner for whom this dwelling had been built had died. Obviously it was necessary to make his death mask, and fortunately a British military doctor, expert in such matters,
Fifty years ago, the blasted bodies of three unmarried siblings, members of the Luxton family, were discovered at a Devon dairy farm, set in a lush stretch between the ‘lavender haze’ of Exmoor and Dartmoor. The youngest member of the family, Alan, was 55. He lay in his pyjamas and work boots on the cobbles
David Keenan acquired his craft as a music writer, he says, from reading the crème de la crème of critics who milked rock music for all it was worth during the 1970s – Lester Bangs, Griel Marcus, Paul Morley, Biba Kopf – before deciding that rock criticism was not his bag. In the preface to
Borders have always played an important part in Mexican literature. Not only geographical/political frontiers but the more porous boundaries between past and present, the living and the dead. Between what is real and what is not. Carlos Fuentes, Octavio Paz and Juan Rulfo were all drawn to this shifting, unreliable territory. Time moves on and
In April 1636, two aspiring lawyers, eager to make their way in the world, corresponded about the state of affairs in London. ‘Our best news,’ wrote Edward Hyde, the future Earl of Clarendon, ‘is that we have good wine… the worse is that the Plague is in town and no Judges dye.’ The recipient of
Not long into this essay I found myself wondering if it would have been published if the author were not Julian Barnes. I also wondered: would I have guessed the author’s identity if it had been withheld from me? Actually, it’s really five little essays, whose subjects are ‘Memories’, ‘Words’, ‘Politics’, ‘Books’, and ‘Age and
Throughout her quietly compelling second novel, Elegy, Southwest, Madeleine Watts conjures a sense of trundling steadily towards disaster. The narrator, a young Australian woman called Eloise, is recounting a road trip that she and her husband Lewis took through the American Southwest in 2018 – while a deadly fire was sweeping through northern California. The
Have you ever suffered from museum blindness? A complete overwhelm at the sheer amount of stuff – often quite similar stuff – that prevents you from focusing on any one item? I know I have. Two-thirds of the way around a museum, even one I have true enthusiasm for, I find my eyes sliding off
I’m not altogether a fan of what the writer Sara Wheeler has called the Big Willie school of expeditions. ‘To me,’ I once intoned loftily, ‘exploration is not about conquering nature or planting flags or going where no one’s gone before in order to make a mark. Rather the opposite.’ It’s more about a spirit
Not far into The Life, Old Age, and Death of a Working-Class Woman, Didier Eribon quotes from this balladesque 1980 track by the French singer-songwriter Jean Ferrat: We have to be reasonable You can’t go on living like this Alone if you fell sick We would be so worried You’ll see, you’ll be happy there
‘Allies,’ declared Stalin on 8 February 1945, the fifth day of the Yalta Conference, ‘should not deceive one another.’ In order to defeat Hitler, Mussolini and the Japanese, the British, Americans, Soviets, French and Chinese had indeed all worked closely together. But in his meticulous, scholarly and highly enjoyable history of the second world war,
‘Christianity,’ writes Bijan Omrani in his opening sentence, ‘is dying in England.’ Does it matter? His next sentence makes it clear that, for him at least, it does. ‘In this generation, the religion that has defined the spiritual life, identity and culture of the country since its origins as a unified state in the 10th
Cock’s bones! This is a most wonderly historical novel, the very reverse of a wind-egg. It tells the story of Lambert Simnel, the youthful figurehead of a Plantagenet uprising against Henry VII in 1487. The historical Simnel is an elusive figure, and most of what little we know comes through Tudor propagandists. Jo Harkin fills
I must say that my feelings about the 1980s American rock band the Bangles were – unusually for me – moderate. I loved some of their hits while being left cold by others. They were pleasant. But after reading this book’s press release, I realised how sorely lacking in appreciation of their impact I’d been:
Salvador Dali’s wife Gala was born Elena Ivanova Diakonova in 1894 in Kazan, on the banks of the Volga. Her father was an abusive alcoholic who vanished when she was ten. Her mother, a midwife, moved the family to Moscow where Elena attended an exclusive school. But in 1913 she started coughing, so was sent
Psychosis and thriller writing are never friends. Even when told from the psychotic’s point of view, madness is always hard to portray since it involves a form of chaos irreconcilable with the resolutions we find in any thriller worth its salt. Havoc (The Borough Press, £16.99), by the American writer Christopher Bollen, is a remarkable
Olivier Messiaen was a French composer steeped in the solitude and ecstasy of Catholic mysticism: everything he wrote was dedicated to the greater glory of God. He was in thrall to the liturgical works of Stravinsky, but also to the percussive cling-clang of Javanese gamelan music and other eastern sonorities. His thirst for ‘un-French’ music
Show Don’t Tell, a collection of 12 short stories by the American writer Curtis Sittenfeld, explores marriage, sex, money, racism, literature and friendship from the 1990s to the present. There is a fine line here between memoir and fiction, with many of the female protagonists being Midwestern, bookish Democrats – quite like Sittenfeld herself. In
Robert Irwin – novelist, historian, reviewer and general all-round enthusiast and scholar of just about everything – died last year. It might seem odd that a man whose previous works included the definitive one-volume introduction to The Arabian Nights and a controversial critique in 2006 of Edward Said’s Orientalism – not to mention what is
Jean Hannah Edelstein is a British-American journalist and the author of a 2018 memoir entitled This Really Isn’t About You, which was about her dating life, the death of her father and her discovery that she had Lynch syndrome – which predisposes her to some cancers, as it had her dad. There is a sickening