I have been listening a lot to David Gilmour’s album, On An Island (EMI). We must now call him David, as he is a portly gent of a certain age who will probably get a knighthood the next time a Pink Floyd fan moves into No. 10. Obviously, though, we think of him as Dave,
I wonder whether Tony (‘Education, education, education’) Blair or any of his cohorts in the Education Department were listening to the BBC World Service’s School Day 24 last week. Children from around the world were brought together in live link-ups as part of the BBC’s Generation Next week of programmes designed to give young people,
This being the Spectator’s bumper Christmas issue, we asked the television companies for a few seasonal preview discs. There wasn’t much ‘ho, ho, ho!’ about any of them. Some were merely grim: Three Kings at War (Channel 4, Thursday), for example, chronicled how three cousins — George V, Czar Nicholas and Kaiser Bill — helped,
Mary Wakefield talks to Craigie Aitchison about Bedlingtons — and about his painting By five o’clock last Thursday evening, Craigie Aitchison and I had been talking about dogs for nearly an hour. It was grey outside but, inside, the pink walls of Craigie’s sitting room glowed in the orange light of an electric fire, and
Georg Gerster (born 1928) is a Swiss photographer who specialises in shooting from above. For more than 40 years he has been taking aerial photographs, and has flown over 111 countries. Concentrating on archaeological and heritage sites, Gerster has made what might accurately be called an ‘overview’ that has greatly enhanced our archaeological understanding. His
In November 1905, in the Galerie Ernst Arnold, four young architecture students from the Dresden Technical School had their first encounter with Vincent van Gogh. Only six months earlier, Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff and Fritz Bleyl had formed an avant-garde artists’ group, Die Brücke (The Bridge), to represent ‘all who express directly
Any article about a production of Wagner’s Ring cycle has to begin by saying that it is the supreme challenge a company can face, and how much more so when the company is based in a remote foreign city, and flies in to mount the tetralogy a few hours after it has been performing something
Periodically, Radio Three sails into stormy waters, a section of its listeners taking a dislike to some new policy intiative and crying ‘dumbed down’. Off the top of my head, I can remember the phasing out of the old talks department; the threat to the regional BBC orchestras; the greater emphasis on jazz; the general
Some playwrights mellow with age, but not David Hare. His sense of righteous indignation knows no bounds. According to press reports, the reason he decided to open his latest play on Broadway is that he still bears a grudge against Nicholas Hytner for refusing to schedule more performances of Stuff Happens at the National. Alas,
It was one of those perfect New York days that make you feel grateful to be alive. I’d eaten my favourite breakfast — pancakes with maple syrup and crispy bacon — then salved my conscience with a huge bowl of fresh fruit, and was now taking a post-prandial walk in Central Park. The sky was
There’s a programme I sometimes do on the right-wing guerilla media website 18 Doughty Street which I think you might enjoy. It’s called Culture Clash, presented by Peter Whittle, and it’s a bit like Newsnight Review would be if you took away the pseudery, the left-liberal cant and Ekow Eshun. Obviously, the production values are
The titles of Jonathan Dove’s musical works — Flight, Tobias and the Angel, Palace in the Sky, The Little Green Swallow, Man on the Moon — might lead one to consider his winged surname a highly appropriate one. However, while the composer undoubtedly possesses a soaring imagination, it is allied to a refreshingly pragmatic, earthbound
The National Gallery of Art in Washington presented a feast for the eyes this week. Three feasts, in fact. To celebrate Rembrandt year, the NGA organised the largest exhibition of his drawings, etchings and prints ever assembled in the United States. In an adjoining gallery, the NGA has rehung its celebrated Woodner collection of hundreds
Louis le Brocquy is 90 this year and his new show at Gimpel’s is merely one of four current celebratory exhibitions. (The others are at Tate Britain, The National Gallery of Ireland and Galerie Jeanne-Bucher in Paris.) He once wryly observed: ‘I’m aware that my age and vulnerability could be mistaken for some kind of
Stanley Spencer (1891–1959) and Francis Bacon (1909–92) were near contemporaries but their work holds little in common. Although both are painters of crisis and intensity, their very individual achievements may be said to embody diametric opposites — the heaven on earth of Spencer’s beloved Cookham, and the ‘hell is others’ Grand Guignol of Bacon. Distinguished
Honestly, before I took up this beat I had no idea how many new movies aren’t that great and aren’t truly terrible but are simply so-so and when it comes to so-so Stranger Than Fiction is just so so-so, which is a shame because: a) I’d been looking forward to it and b) I have
Glyndebourne on Tour is having a vintage year, and that’s not counting its Die Fledermaus, which, favourite work of mine as it is, I couldn’t bear to see again in that production. Così fan tutte, on the other hand, I couldn’t bear not to see, having been at the first night in Glyndebourne last May,
The death of Nick Clarke, The World at One, Any Questions and Round Britain Quiz presenter, jolted many commentators — and listeners — to bewail the loss of a news broadcaster noted for his courtesy, his integrity, his ability to ferret for ‘the truth’ without being provocative or volatile. It says a lot about how
There was much pre-publicity around Tsunami — The Aftermath (BBC1, Tuesday) implying that the second anniversary of the disaster was a little early to turn it into drama, and that the film would be distressing and demeaning for the victims’ families. I could see the point, though what struck me most was that with more
This week the Painters’ Hall in the City of London opened its doors for the second time to The Lynn Painter-Stainers Prize, launched last year by the Worshipful Company of Painter-Stainers and the Lynn Foundation to promote the art of representational painting. The exhibition (on view until 2 December) is the newest addition to a