‘This is interesting, darling,’ my husband called out from beside his whisky while I was doing the washing-up. The interesting thing was in a short black-and-white film made by John Betjeman for television in 1968 and now on BBC iPlayer called Contrasts: Marble Arch to Edgware. The camera showed him in the bare interior of
Virginia Woolf submitted an article to Tit-Bits at the age of eight. It was rejected. The experience might have hurt her. With her sister Vanessa and brother Thoby she had built an imaginary world in their family newspaper, the Hyde Park Gate News, modelled upon Tit-Bits. Writing as an adult about George Eliot she said: ‘She
Towards the end of the 1980s, Jeffrey Bernard, late of this magazine, sometimes used to wear grey shoes with jeans and a blazer. Those grey shoes, if ever fashionable, were out of fashion by then, like referring to young women as birds. But his writerly disposition once encouraged him to call an intimate acquaintance who
‘Did she mean youth clubs?’ asked my husband when I said how annoying I found the promise made by Yvette Cooper, the Home Secretary, to provide ‘new youth hubs to steer young people away from violence’. No, she definitely said ‘hubs’. Everyone has to have a hub now. Sophy Ridge has one on television at
Becky Sharp, you’ll remember, near the beginning of Vanity Fair, throws the school gift of a Johnson’s Dictionary out of the window of the coach. She responds to Amelia Sedley’s horror by saying with a laugh: ‘Do you think Miss Pinkerton will come out and order me back to the black-hole?’ This is not the
In Florence there was a stone on which Dante sat in the evenings, pondering and talking to acquaintances. One asked him: ‘Dante, what is your favourite food?’ He replied: ‘Eggs.’ The following year, the same celebrity-hunter found him in the same place and asked: ‘With what?’ Dante replied: ‘With salt.’ In the Piazza delle Pallottole
‘Very tasty,’ said my husband. ‘Very sweet.’ In a catchphrase from 1940 that must surely predate even his long tale of years, he had found an echo for one that has in recent days attracted millions on TikTok. The difference is that today it is called a meme. ‘You see how I do my make-up
Freddie Flintoff recently called the Maidan ‘the home of cricket’. For supporters of Ukraine’s independence, the Maidan saw continual demonstrations a decade ago. The outline of the Hippodrome of Constantinople is marked out on the Maidan. Quite a place, then. Or rather, places. Our tacking ‘the’ on to Maidan, indicates its use as ‘a square’.
Writing about monkeypox in The Spectator in May 2022, Douglas Murray repeated a formula he had put forward in 2020, explaining ‘the problem with us humans as a species’: ‘Someone always shags a monkey.’ Now an outbreak of new, improved monkeypox is upon us, and the first thought has been to avoid stigmatising monkeys. It
My husband has ordered a copy of Craig Brown’s new book, out next week, a bit late for my birthday. I know he’ll grab it while I’m doing the washing up and later read out bits, which would be nice if he were any good at it. I wonder if the book explains the title:
In The Importance of Being Earnest Jack Worthing was given his surname by Mr Thomas Cardew, who happened to have a first-class ticket for Worthing in his pocket when he found him in the cloakroom at Victoria station – the Brighton line. When told, Lady Bracknell exclaimed: ‘The line is immaterial!’ This turns out not
The word that Sir Keir Starmer, the Prime Minister, chose to describe the action of rioters was more interesting than he perhaps knew. ‘I won’t shy away from calling it what it is – far-right thuggery.’ Thuggery throve in India, was suppressed by imperial authorities and has been revived in a different form in the
The singer Charli XCX (or ‘Ninety Ten’ as my husband insists on pronouncing it) has endorsed Kamala Harris, in a way. ‘Kamala is brat,’ she tweeted. Since the slippery meaning of brat includes elements of dirtiness, drunkenness and hedonism, it might not define all that Americans want in a president. Not that Charli is American.
My husband has taken to crying out or braying ‘Haar, ha!’ at the wireless whenever he hears something particularly foolish, which is quite often. His bray was even louder than usual when one of those endless trailers invited us all to ‘dive deeper’. Like a tornado, this figure of speech has thickened into reality within
Logan Paul, a wrestler with 23 million YouTube subscribers, called Donald Trump’s immediate reaction to his shooting ‘the most badass thing I’ve ever seen in my life’. It helped that it was photographed with Old Glory flying against a blue sky and Trump, fist in the air, mouthing ‘Fight! Fight! Fight!’ with blood trickling down
Lord Peter Wimsey said to the nurse: ‘Now about the old lady herself. I gather she was a little queer towards the end – a bit mental, I think you people call it?’ This is in Unnatural Death by Dorothy L. Sayers, from 1927. The 1920s were the heyday of mental, which occurred then about
Graham Norton’s latest novel ‘blends dark humour and emotional weight with ease’, says the Radio Times. That may well be, but it was the title that struck me: Forever Home. It seems to me a childish phrase, heard in the imagination in a high-pitched American accent, as perhaps in Boys Town (1938), which was Ronnie
‘That’ll be the old pivot again,’ said Amol Rajan on Today last week. He was interviewing Pat McFadden, who is the shadow chancellor of the Duchy of Lancaster, since the Duchy needs its chancellor shadowed. Amol, as I think of him since he sounds so young (though he is 41 on election day), suggested that
‘Evelyn Waugh,’ said my husband when I asked who came up with the analogy of carrying a Ming vase. He was, in a way, right, but wrong too. Every political commentator, it seems, has been talking of Sir Keir Starmer’s Ming vase strategy in approaching the election. In April 2021 Decca Aitkenhead was reminded of
The National Galleries of Scotland is singular. In its public pronouncements its pronouns are it and its. Fair enough. Though it appears plural, I shall not misuse its chosen pronouns. Visitors must also learn a new language to visit its three galleries, for they are not now called galleries. They are called National, Portrait and
