Competition

Lucy Vickery presents this week’s Competition In Competition No. 2702 you were to invited to submit an imaginary example of an embarrassingly overblown author’s dedication or an extract from an equally nauseating acknowledgments page. It seems that these days writing is a far from lonely pursuit and gratitude is routinely heaped by authors on battalions

In Competition No. 2701 you were invited to take the opening line of ‘Adlestrop’, substitute a location of your choice, and continue for up to a further 15 lines. The result of a brief, unscheduled stop at a Cotswold station just before the first world war, ‘Adlestrop’ has spawned many imitators. Jimmie Pearse’s fine parody,

Lucy Vickery presents this week’s Competition In Competition No. 2700 you were invited to submit an example of pretentious wine-writing. Peter Mayle’s account in the Observer of his first formal wine tasting, in London’s St James’s, gives a flavour of what I was looking for: ‘The first wine, so he [the wine merchant] informed us,

Lucy Vickery presents this week’s Competition In Competition No. 2699 you were invited to submit an ‘Ode to an Expiring Frog’ or to any other creature that is not long for this world. Inspiration here comes of course from the magnificent Mrs Leo Hunter, embodiment of provincial literary pretension and authoress of this poignant piece:

Lucy Vickery presents this week’s Competition In Competition No. 2698 you were invited to submit a short story that begins, ‘Of course he knew — no man better — that he hadn’t a ghost of a chance, he hadn’t an earthly.’ and ends ‘And Reginald came slowly across the lawn.’ The given words are the

Lucy Vickery presents this week’s Competition In Competition No. 2696 you were invited to submit a dialogue in verse between two body parts, composed on the occasion of a hangover. Kingsley Amis described the opening of Kafka’s Metamorphosis as the best literary representation of a hangover, though many might argue that the crown belongs to

Lucy Vickery presents this week’s Competition In Competition No. 2695 you were invited to submit the last will and testament of a fictional character. It is always striking when it comes to a challenge of this sort how like-minded the comping community is in its choice of fictional characters. There is a pretty wide range

Lucy Vickery presents this week’s Competition In Competition No. 2694 you were invited to provide the female equivalent to Shakespeare’s Seven Ages of Man. Thanks to Phyllis Reinhard who submitted a pithy, witty entry that triumphed, she confesses, in a similar competition run by Another Magazine a decade or so ago. This disqualifies it from

In Competition No. 2693 you were invited to supply a hitherto unpublished extract by Lewis Carroll relating the further adventures of Alice. The location was left up to you. Parliament was the most popular choice of venue, which was no surprise. Westminster feels like a natural successor to Wonderland, with its circular arguments, twisted logic

Lucy Vickery presents this week’s competition In Competition No. 2692 you were invited to supply a poem suitable for inclusion in Now We Are Eighty-Six. A strong entry fell into two camps: those infused with the gung-ho spirit of Jenny Joseph’s ageing purple-clad heroine (‘When I am an old woman I shall wear purple/ With

Lucy Vickery presents this week’s competition In Competition No. 2691 you were invited to submit toe-curlingly bad analogies. Gratitude and respect to my opposite number over at the Washington Post’s Style Invitational contest from whom I plundered this idea. So impressed was I by the sublimely funny winning entries this challenge generates across the pond

Lucy Vickery presents this week’s competition In Competition No. 2690 you were invited to invent names to fit jobs. This assignment was suggested to me by a regular and long-standing competitor-who-wishes-to-remain-nameless, and was also a favourite of the brilliant Mary Ann Madden, who for many years presided over New York magazine’s literary competition. Several of

Lucy Vickery presents this week’s Competition In Competition No. 2690 you were invited to invited to submit quatrains reflecting on current events in the Middle East in the style of Edward FitzGerald/Omar Khayyam. FitzGerald is, of course, master of the beautifully turned aphoristic phrase. And, as Cedric Watts points out in his introduction to the

Lucy Vickery presents this week’s competition In Competition No. 2688 you were invited to submit a short story incorporating six book titles. A deceptively straightforward assignment, this one. It is trickier than you might think to weave titles into prose in a way that is both unstilted and inventive — without compromising the quality of

Lucy Vickery presents this week’s competition In Competition No. 2687 you were invited to take a well-known poem, change one letter in the first line and continue the poem for up to a further 15 lines. Oh, for more space to do justice to a truly stellar postbag! It was agony whittling the entry down

Lucy Vickery presents this week’s competition In Competition No. 2686 you were invited to submit a love letter from one fictional character to another. An entertaining postbag included this endearingly cack-handed overture from Bridget Jones to Rochester: ‘the word is you are sex on legs, and I’ve been rather short in that department lately. Well,

Lucy Vickery presents this week’s competition In Competition No. 2685 you were invited to submit a marital dialogue in verse. The scene set was one of interspousal disharmony: a domestic hell peopled by a familiar cast of nagging frigid wives and long-suffering, emotionally disengaged husbands. Not much ammo there for the pro-marriage lobby, then. Tim

In Competition No. 2684 you were invited to take a well-known literary figure and cast them in the role of agony aunt/uncle, submitting a problem of your invention and their solution. Some of you interpreted ‘literary figure’ as a fictional character; others as an author. Either was acceptable. You were all so good this week

Lucy Vickery presents this week’s competition In Competition No. 2683 you were invited to submit a sequel to ‘The Owl and the Pussy-Cat’. Lear himself left fragments of one, the delightful if tear-jerking ‘The Children of the Owl and the Pussy-Cat’, a tale of premature death and penury. Yours, too, were mostly stories of unhappily-ever-after,