In Competition No. 2782 you were invited to submit a poem in praise of fatness. Thanks to John Whitworth for this magnificent and timely topic. What better, at this self-flagellatory time of year, than a celebration of the consequences of festive excesses? My heart went out to Basil Ransome-Davies, who bemoans the metamorphosis of Sophie
In Competition No. 2781 you were invited to devise a riposte to a nauseating Christmas round-robin letter that would deter the author from ever sending another. My favourite of Lynne Truss’s half-dozen responses to persistent round-robiners, broadcast on Radio 4, was take six: ‘I’ve decided, finally, to try a more direct approach. Here it comes.
In Competition No. 2780 you were invited to write, in the spirit of Aesop or La Fontaine, a rhymed fable involving animals. Plato wrote in Phaedo that Socrates whiled away the hours in captivity turning some of Aesop’s Fables into verse. La Fontaine did the same, of course, though not from behind bars, some 2,000
In Competition No. 2779 you were invited to submit Maud’s reply to Tennyson. It was Joyce Grenfell’s magnificently ball-breaking riposte to the invitation to ‘Come into the garden, Maud’ that inspired the challenge, and in general your responses referenced this section of the poem. You were on equally feisty form, having little truck with the
In Competition No. 2778 you were invited to express your regret, in verse, for New Year’s resolutions not kept. The challenge produced an entertaining outpouring of contrition. I enjoyed John MacRitchie’s twist on the Frank Sinatra classic: ‘I’ve packed my case too full,/ Made dreadful curries, in a Thai way,/ Each year, my diets flop,/
In Competition No. 2777 you were invited to take inspiration from pupils at a Cambridge school who may escape punishment for minor offences if they can come up with a quick and clever excuse. Juliet Walker showed impressive ingenuity: ‘Yes, I did have my pet rat in my pocket, and I’m sorry if he frightened
In Competition No. 2776 you were invited to supply a poem reflecting on the Nativity written from the point of view of the donkey or the ox who (according to artists’ portrayals of the event, at least) bore witness to it. From the mid-1970s, the poet U.A. Fanthorpe wrote poems as Christmas greetings to her
In Competition No. 2775 you were invited to submit an elegy on the death of the ash. A bleak topic for a comp, perhaps, but happily there are those who reckon that it is too early to start preparing the obituaries. Clive Anderson, president of the Woodland Trust, believes the species may well rise again.
In Competition No. 2774 you were invited to supply an extract from the diary of a well-known historical figure that startlingly reverses received ideas about history and the person in question. John Samson outs Oliver Cromwell as a closet Cavalier in love with all things Irish, while Steve Baldock’s extract from the diary of
In Competition No. 2773 you were invited to submit a poem entitled ‘On First Looking into a Rhyming Dictionary’. That class act Stanley J. Sharpless’s twist on Keats’ famous sonnet (which I found in E.O. Parrott’s How To Be Well-Versed in Poetry) was the inspiration for this assignment. Mr Sharpless begins: ‘How often have I
In Competition No. 2772 you were invited to liken a well-known figure, living or dead, to a foodstuff. This challenge fell on somewhat stony ground, producing a small if distinguished entry in which politicians featured strongly. Here’s a flavour of George Simmers’s Tony Blair pudding: ‘The inviting exterior has no real content, but is a
In Competition No. 2771 you were invited to provide a rhymed witch’s spell to bring someone or something either good or ill. Most of you were in cursing mood (though Katie Mallett provided a welcome ray of sunshine: ‘I would cast a spell for happiness…’). Targets included nuisance callers, Bill Gates, leylandii, Downton Abbey and
In Competition 2770 you were invited to submit a response, in the style of Alexander Pope, to the recently announced Turner Prize short list or to the contemporary art scene in general. Inspiration for this assignment came from the art critic Robert Hughes’s ‘The Sohoiad or the Masque of Art: a satire in heroic couplets
In Competition No. 2769 you were invited to supply the first paragraph/s of the imaginary sequel to a well-known novel. The literary sequel is thriving, fuelled by readers’ hunger to know more. In recent times, such distinguished names as P.D. James (Jane Austen), Andrew Motion (R.L. Stevenson), Sebastian Faulks (Ian Fleming) and Anthony Horowitz (Conan
In Competition No. 2768 you were invited to supply the profile for an online dating site of a Shakespearean character. Adrian Fry’s Lady Macbeth — ‘I’m a driven, passionate woman with NSOH’ — just missed out, as did Derek Morgan and Carolyn Thomas-Coxhead. The winners take £20 each, Noel Petty pockets the extra fiver. My
In Competition No. 2767 you were invited to imagine what the ‘famous last words’ of any well-known real or fictional character, alive or dead, might be/have been. Voltaire’s parting shot, when invited on his deathbed to forswear Satan, is purported to have been: ‘This is no time to make new enemies.’ Oscar Wilde’s final flourish
In Competition No. 2766 you were invited to submit a poem about a phobia. John Samson’s account of what strikes me as a perfectly reasonable fear of Ikea flatpacks stood out in what was another cracking entry. Bill Greenwell, Brian Allgar, Josephine Boyle and W.J. Webster also shone. The prizewinners are printed below and rewarded
In Competition No. 2765 you were invited to fill in the gap in ‘The Last —— on Earth’, and to submit a short story of that title. The challenge produced an excellent entry. I very much enjoyed J. Seery’s engaging opening: ‘The events at the Cheltenham supermarket at the end of the 24th century inducing
In Competition No. 2764 you were invited to provide an example of a Spectator columnist stepping into a fellow columnist’s shoes. It was a smallish entry by comparison with recent weeks and the standard was somewhat uneven. Deborah Ross proved a popular if elusive target. You struggled valiantly to capture her voice but no one
In Competition No. 2763 you were invited to submit a poem that is composed of lines taken from well-known poems, with no more than one line taken from any single poem. This was a brute of a challenge, but it did pull in the crowds. Semi-nonsense was fine as long as it was amusing but