Competition

In Competition No. 3336 you were invited to supply the story behind the composition of a famous poem. This challenge drew a smart and diverse entry that proved tricky to whittle down to a prizewinning half-dozen. But after lengthy consideration, D.A. Prince, Brian Murdoch and Paul Voogt are awarded commendations and those printed below earn

In Competition No. 3335 you were invited to submit an acrostic poem for Valentine’s Day whose acrostic contains an unValentine-ish sentiment. The prize winners, printed below, pocket £20 apiece. Venus, darling, gorgeous snuggly-wuggly, Apple of my ever-loving eye,  Let me kiss you, squeeze you, honey-bunny,  Ever-treasured sugar, sweetie-pie, Nuzzle me, my gorgeous, hot stud muffin,

In Competition No. 3334 you were invited to submit a poem about conspiracy theories. Trawling the net for examples, I found, alongside the more familiar ones – a reptilian elite, JFK’s assassination, commie fluoridation – whispers of chemicals in the water to turn the frogs gay and that Finland is a myth. In a hotly

In Competition No. 3333 you were invited to submit a short story that features Donald Trump or another politician of your choice in a well-known fictional landscape. Joan Didion once observed that Ronald Reagan was the American politician to most fully embrace his own fictionality, making up stories in which he played the starring role. Didion

In Competition No. 3332 you were invited to supply, in verse form, a retraction of beliefs previously believed in passionately. You weren’t obliged to step into the shoes of a real poet but many chose to and some smart, entertaining about-turns included Robert Schechter’s ‘Palinode on a Grecian Urn’: ‘Truth is beauty,’I said smugly,but lived

In Competition No. 3331 you were invited to write a resentful note of departure on behalf of a well-known figure from the field of fact or fiction. This challenge, set some time ago owing to seasonal production deadlines, was prompted by Suella Braverman’s splenetic broadside, but I decided to widen the brief beyond the political

In Competition No. 3330 you were invited to submit some improbable forecasts, in verse, for the year ahead. Things you deemed unlikely to happen this year ranged from the predictable – peace in Ukraine, a reversal of climate change – to the whimsical: Donald Trump as the next Pope and Snoop Dogg eloping with Penny

In Competition No. 3329 you were invited to submit a villanelle on a festive theme.    Artistry and variety abounded in a most enjoyable entry. Hats off, everyone, and thank you for your brilliance and versatility over the year. The winners below earn £30. Happy Christmas, one and all. It seems it was a century

In Competition No. 3328 you were invited to submit a poem on a topical theme in which the last two words of each line rhyme. Some competitors were unsure whetherI meant that the last two words in each line should rhyme with each other, or with the next line. I meant the former, but given

In Competition No. 3327 you were invited to submit a rough resumé of the plot of a Shakespeare play such as might have been attemptedby a well-known fictional character of your choice. Literary sleuths featured prominently in the entry, with Poirot, Miss Marple and Sherlock Holmes all making eye-catching appearances. A commendation to George Simmers

In Competition No. 3326 you were invited to submit a nursery rhyme recast in the style of a well-known poet. One of my favourite twists on a nursery rhyme is Lewis Carroll’s ‘Twinkle, Twinkle, Little Bat’, the Mad Hatter’s party piece in Alice’s Adventures in Wonderland. Twinkle, twinkle, little bat!How I wonder what you’re at!Up

In Competition No. 3325 you were invited to describe an encounter between Bertie Wooster and James Bond in the style of P.G. Wodehouse. The seed for this popular challenge was Ben Schott’s much-praised 2018 homage to P.G. Wodehouse, Jeeves and the King of Clubs, in which Jeeves and Wooster enter into the world of international

In Competition No. 3324 you were in-vited to submit nonsense verse on an autumnal theme. W.J. Webster confessed that ‘sense kept breaking in’ to his entry, but the line between sense and nonsense is not always clear. As Anthony Burgess observed, in a review of Geoffrey Grigson’s Faber Anthology of Nonsense Verse, Mr Grigson ‘wisely

In Competition No. 3323 you were invited to submit an extract from a book review written by a well-known author which trashes a work by another well-known author that is generally deemed to be a classic. Virginia Woolf took a dim view of Ulysses. In a 1922 diary entry, she wrote: ‘I finished Ulysses and

In Competition No. 3322 you were invited to submit a poem reflecting on the fate of the Sycamore Gap tree, planted in the late 19th century by Newcastle lawyer John Clayton. Antony Gormley, who has a studio in Hexham near the site of the felled tree, has described it as ‘a marker in the lie

In Competition No. 3321 you were invited to provide a love scene from a novel set in a location that might not be considered conducive to romance. There was a distinctly scatological flavour to this week’s postbag. Rubbing shoulders with the abattoirs and morgues were sewage treatment plants and waste-contaminated waters. Adrian Fry’s description of

In Competition No. 3320 you were invited to submit a poem extolling Epicureanism over Stoicism or the other way round. Stoicism is enjoying something of a revival, embraced by everyone from billionaire tech bros to self-help devotees. But Mary Beard is no fan of Marcus Aurelius and has said that she finds it ‘mystifying’ that

In Competition No. 3319 you were invited to supply a description of the house of a well-known figure from the field of fact or fiction that provides clues to their personality. This assignment was prompted by Laura Freeman’s reference in a Spectator articleto ‘Great Men’s Houses’, an essay Virginia Woolf wrote for Good Housekeeping in

In Competition No. 3318 you were invited to provide a verse portrait of Seamus Heaney by any other poet, living or dead. This challenge marks the tenth anniversary, last month, of Heaney’s death. Once asked if anything in his work struck him as appropriate as an epitaph, the Nobel Laureate quoted from his translation of

In Competition No. 3317 you were invited to provide an opening to a novel that bears out Elmore Leonard’s tip to writers: ‘Never open a book with weather.’ Leonard’s other bêtes noires, outlined in his 2007 10 Rules of Writing, include prologues, exclamation marks and the modification of the word ‘said’ with an adverb. But