In Competition No. 2913 you were invited to submit an extract from the school report of a well-known author, living or dead. Teachers often get it wrong, of course. Eight-year-old Charlotte Brontë was described by hers in less than glowing terms: she ‘writes indifferently’ and ‘knows nothing of grammar, geography, history or accomplishments’. In 1943 Beryl
In Competition No. 2912 you were invited to submit a tribute in verse to a once-popular foodstuff that has fallen out of favour. Bill Greenwell’s entry (Spangles!) brought to mind childhood pleasures, as did Sid Field’s (Creamola) and Jayne Osborn’s (Angel Delight). But I still shudder at the memory of spam fritters, and Alan Millard’s
In Competition No. 2911 you were invited to submit a thriller in three text messages. This one seemed straightforward enough but it turned out to be a tough assignment that stretched veterans and newcomers alike. As in all forms of micro-fiction — the mini-masterpiece attributed to Hemingway, ‘For sale: baby shoes, never worn’, springs to
In Competition No. 2910 you were invited to submit a poem by a pet who is cheesed off with its owner. The contempt in Basil Ransome-Davies’s closing couplet, written from the perspective of a bolshie moggy, was echoed throughout the entry by a hacked-off parade of bullied, misunderstood and condescended-to pets: He wants affection, he
In Competition No. 2909 you were invited to follow in the footsteps of Michael Gove, who has urged civil servants to take inspiration from George Orwell and Evelyn Waugh, Jane Austen and George Eliot, and submit a memo generated by either the Department of Education or the Ministry of Justice as it might have been
In Competition No. 2908 you were invited to submit a comically appalling opening to an imaginary novel. Thanks are due to the inventor of the annual Bulwer-Lytton fiction contest from whom I have pinched the idea for this challenge (Edward Bulwer–Lytton is often described as ‘the worst writer in history’). It was a pleasure to
In Competition No. 2907 you were invited to imagine that poets, living or dead, had been recruited to compose verse discouraging antisocial behaviour on the underground. This challenge was prompted by the results of Transport for London’s real-life efforts to use poetry to prompt Tube users to mind their manners: the poems in question feature
In Competition No. 2906 you were invited to write a poem about an encounter in an airport. Craig Raine’s poem ‘Gatwick’ caused a right old kerfuffle when it was published recently in the London Review of Books. The Twitter bullies came out in force to broadcast their disgust at an elderly poet sharing his lustful
In Competition No. 2905 you were invited to write a sonnet whose lines begin with the letters R,O,Y,G,B,I,V,V,I,B,G,Y,O,R, in that order. Thanks to Frank McDonald for suggesting this gem of a competition. I ummed and ahed over what was a vast and accomplished entry trying to whittle it down to a winning seven. It wasn’t
In Competition No. 2904 you were invited to take as your first line ‘There’s a breathless hush on the centre court’ and continue for up to 15 lines in the style of Sir Henry Newbolt’s poem ‘Vitaï Lampada’. There is just space to congratulate the winners and to commiserate with unlucky losers John Whitworth, who
In Competition No. 2903 you were invited to provide an extract from an article in an interiors magazine featuring some paint-colour names of your own invention that rival the ludicrousness of the real-life likes of ‘potentially purple’, ‘salty tear’ and ‘likeable sand’. High points in a patchy entry were Adrian Fry’s ‘Dresden licht’, John O’Byrne’s
In Competition No. 2903 you were invited to supply a poem incorporating a dozen cricketing terms. English poets love cricket: Housman, Betjeman, Chesterton and Sassoon all wrote about the game. And then, of course, there is Harold Pinter, who encapsulated it so beautifully in two lines: I saw Len Hutton in his prime, Another time,
In Competition No. 2901 you were invited to write a poem in praise of a modern-day blot on the landscape. Stephen Spender wasn’t praising pylons on aesthetic grounds in his notorious poem but celebrating the progress that these non-human structures embody: ‘There runs the quick/perspective of the future’. The spirit of the 1930s poets —
In Competition No. 2900 you were invited to write a short story that ends on a condiment of your choice. The germ of this comp was the writer Richard Brautigan’s wish to end a short story with the word ‘mayonnaise’, an ambition he fulfilled in his 1967 novel Trout Fishing in America. Actually, strictly speaking,
In Competition No. 2899 you were invited to write a poem commemorating the birth of Princess Charlotte of Cambridge. The impetus for this comp was Carol Ann Duffy’s failure to deliver the goods. This made some people very cross, but as the official website of the British Monarchy makes clear, modern laureates are under no
In Competition No. 2898 you were invited to give an update on one of the children in Cautionary Tales who lived to tell the tale. Belloc’s gallery of kiddie delinquents suffered particularly unpleasant comeuppances — being eaten, feet upwards, by a lion, and so on. Of those who did escape with their lives, weepy Lord
In Competition No. 2897 you were asked for a job application by a well-known writer, living or dead. Inspiration for this comp came from a young Hunter S. Thompson’s characteristically unorthodox pitch for a position at the Vancouver Sun. An unflattering portrait of his relationship with a previous employer — ‘The man despised me, of
In Competition No. 2896 you were invited to take Kipling’s ‘If’ and recast it on behalf of a politician on the campaign trail. In an interview with the New Republic in 1985, Mario Cuomo said that politicians campaign in poetry and govern in prose. And Hugo Rifkind, in conversation on Radio 4 with the poet
In Competition No. 2895 you were invited to submit a poem describing a meal with a well-known poet. Sylvia Fairley tucked, somewhat reluctantly, into albatross with Coleridge, D.A. Prince shared cocoa with Wendy Cope and Rob Stuart enjoyed a curry with Dante. Well done, all: it was a top-notch entry. The winners take £25. Frank
In Competition No. 2894 you were invited to submit a paean to a famous racehorse. Thanks to David Pearn, who suggested what proved to be an excellent competition. P.C. Parrish, Roger Theobald and Peter Goulding impressed, but I could almost hear the thunder of hooves as I read Chris O’Carroll’s bonus-fiver-winning entry. His fellow winners