In Competition No. 3040 you were invited to submit a poem against poets or poetry. Plato started it, but over the ages poetry has been accused of many sins: elitism, aestheticising horror, inadequacy as an agency of political change. In what was a wide-ranging and spirited entry there were references to Shelley (‘poets are
In Competition No. 3039, which was inspired by Elizabeth Gilbert’s phenomenally successful memoir Eat, Pray, Love, you were invited to choose a well-known figure, past or present, invent a three-verb title you felt would be appropriate for their memoir, and provide an extract from it. Some promising-sounding titles — Sleep, Dream, Fleece by Sigmund Freud,
In Competition No. 3038 you were invited to provide a (longer) sequel to the six-word story ‘For sale: baby shoes, never worn’. Long before Twitter, so legend has it, Ernest Hemingway crafted this mini masterpiece in response to a bet that he couldn’t write a novel in half a dozen words. This turns out
In Competition No. 3037 you were invited to take a song by Abba or the Beatles and rewrite the lyrics as a sonnet. Oh, for more space. Your entries were especially clever and funny this week, and the winners were chosen only after protracted agonising. Those printed below take £20 each. O Jude! Fear
In Competition No. 3036 you were invited to provide a resignation letter in the style of a well-known author. I was inspired to set this challenge by the great William Faulkner, who bowed out with panache from his job as University of Mississippi postmaster: ‘I will be damned if I propose to be at the
In Competition No. 3035 you were invited to provide a poem entitled ‘The Love Song of [insert name of a well-known figure]’. There was no obligation to write in the style of Eliot, but a few brave souls did so. David Shields’s ‘Love Song of Kim Kardashian’ (‘I have measured out my life in selfie
In Competition No. 3034 you were invited to provide a poem written by a poet laureate present or past on the engagement of Prince Harry and Meghan Markle. There are those who view the role of laureate as a poisoned chalice. Craig Raine has described how he said to Ted Hughes, during a discussion
In Competition No. 3033 you were invited to take as your first line ‘I am the very model of a Very Stable Genius’ and continue for up to a further 15. It seemed about time for a challenge to mark Trump’s first year in office, and what better as a springboard than the Donald’s
In Competition No. 3032 you were invited to provide a poem about passports. While the news that British passports issued after October of next year would be navy blue rather than burgundy was heartily cheered in some quarters, others — like Nicola Sturgeon, who denounced it as ‘insular nonsense’ — weren’t so delighted. And
In Competition No. 3031 you were invited to provide a review by a restaurant critic that is tediously loaded with sexual language. I have had this comp up my sleeve since reading a piece by Steven Poole in the Observer in which he laid into the relentless sexualisation of food in our culture: ‘Everyone
In Competition No. 3030 you were invited to provide a poem entitled ‘January’. I mentioned William Carlos Williams, R.S. Thomas and Dante Gabriel Rossetti in the brief for this challenge, all of whom wrote poems with ‘January’ as their title. But that most maligned of months also lands a starring role in the opening
In Competition No. 3029 you were invited to provide a new year’s resolution (or more than one) in verse. Woody Guthrie’s 1943 ‘new years rulin’s’ have considerable charm: ‘Dont get lonesome; stay glad; dream good; shine shoes; wash teeth if any…’ But perhaps it was Nietzsche who inspired Basil Ransome-Davies’s entry. In 1882, he
In Competition No. 3028 you were invited to submit lines for a Christmas card courtesy of well-known poets. Poets moved to write Yule-inspired verse include that old killjoy William Topaz Mc-Gonagall: ‘The way to respect Christmas time/ Is not by drinking whisky or wine’. And, of course, John Betjeman: ‘And girls in slacks remember Dad,/
In Competition No. 3027 you were invited to submit a poem inspired by the Shipping Forecast. Life-saver, lullaby, poetic reminder of our maritime heritage, the Shipping Forecast celebrated its 150th anniversary this year. Charlotte Green has described it as the nearest she ever came to reading poetry on air; Carol Ann Duffy ended her
In Competition No. 3026 you were invited to submit topical double dactyls. The double dactyl was dreamed up in 1951 by the poet Anthony Hecht and the classical scholar Paul Pascal. My well-thumbed copy of Jiggery-Pokery, a wonderful 1967 compendium of the form edited by Hecht and the poet John Hollander, reveals with pride
In Competition No. 3025 you were invited to submit a Lord’s Prayer for the 21st century. One of my favourites, among the many parodies of the Lord’s Prayer already out there, is Ian Dury’s ‘Bus Driver’s Prayer’: ‘Our father,/ who art in Hendon/ Harrow Road be Thy name./ Thy Kingston come; thy Wimbledon…’.
In Competition No. 3024 you were invited to submit a short story in the style of Dan Brown. This comp, a nod to the glorious awfulness of the wildly rich, bestselling author Dan Brown’s much-mocked prose, drew a nicely calibrated entry. In the interests of allowing space for six winners (who are rewarded with £25
In Competition No. 3023 you were invited to submit cringeworthy portmanteau words. The word portmanteau was first used in this sense by Lewis Carroll in Through the Looking Glass when Humpty Dumpty is explaining ‘Jabberwocky’ to Alice: ‘Well, “slithy” means “lithe and slimy”… You see it’s like a portmanteau — there are two meanings packed
In Competition No. 3022 you were invited to compose a safe poem that Boris Johnson could have on hand to quote from when out in the field. The recent kerfuffle caused by the Foreign Secretary’s murmured quotation of a few lines of Kipling’s poem ‘Mandalay’ during a visit to Shwedagon Pagoda in Myanmar led me
In Competition No. 3021 you were invited to compose terrifying lullabies. Lorca wondered why ‘Spain reserved the most potent songs of blood to lull its children to sleep, those least suited to their delicate sensibilities’, but the Scandinavians set the bar pretty high too: the unsoothing–sounding ‘Krakevisa’, from Norway, tells of gruesome uses for the