The first Inbetweeners film made £45 million at the box office, and was such an unexpected smash there was always going to be a second one, which is fair enough. It is based on the TV sitcom (Channel 4, 2008–2010), which was a favourite in our house, not that I was ever allowed to watch
Wakolda is not a sunny film for a sunny day, just so you’re aware, but as there is so little else around — August is a hopeless month for films; August is a dumping ground for the sub-par — you are going to have to take that on the chin, bear it as best you
Your enjoyment of Michel Gondry’s Mood Indigo may entirely depend on how much visual whimsy you can take, what your threshold might be, whether you can go with it or whether it wears you out and brings you to your knees. There’s animated food and little mice that zip around in cars and eels wriggling
The trouble with Believe is that, unless you are ten years old or under, which I’m assuming you are not, you won’t believe. Not for a second. Not for a minute. Not a word of it. This doesn’t see itself as a children’s film and isn’t being marketed as a children’s film, which means I
Finding Vivian Maier is a documentary about the American nanny who led a wholly secretive life as a photographer and who, posthumously, has been described as ‘one of the greatest photographers of the 20th century’. It’s a good story, which is well told here, and told breezily (83 minutes), which we like. But I’m not
Richard Linklater’s observational chronicle, Boyhood, was 12 years in the making and is 166 minutes long — that’s nearly three hours, in real money — and I wasn’t bored for a single moment. Isn’t that miraculous? Have you ever heard the like? Me, who is generally bored at the drop of a hat? Me, who
If it were up to me this would be called ‘The 100-Year-Old Man Who Climbed Out the Window, Fell, and Was Never Heard From Again’ as this way we’d be out of the cinema in two minutes flat, no hard feelings. Alternatively, if The 100-Year-Old Man Who Climbed Out the Window and Disappeared had actually
As far as ‘jukebox films’ go, Mamma Mia! was a riot, Sunshine on Leith was tolerable, just about, while Walking on Sunshine is a step too far and brings the genre to its knees.It’s being billed as ‘the feel-good musical of the year’ although, bereft of a single original idea, ‘the feel-ennui musical of the
The Fault in Our Stars, which is based on the bestselling young-adult novel by John Green, is about two teenagers with cancer who fall in love and it’s a sort of Love Story for younger people, God help them, although unlike Love Story it’s not set to mislead an entire generation. (In my experience, love
Belle is based on the true story of Dido Elizabeth Belle, the illegitimate, mixed-race daughter of a sea captain and his African slave mistress, who was brought up as a free gentlewoman by her great uncle, Lord Mansfield, at Kenwood House, Hampstead, in the 18th century. How fascinating, you might think. You just can’t mess
Grace of Monaco, the Grace Kelly biopic starring Nicole Kidman, is an absolute joy, and I highly recommend it. Unless you live under a rock, which I think I might envy (dark, quiet, peaceful, but maybe dank?), you’ll know it was savaged at Cannes, but don’t let that put you off, as this isn’t just
If a gang of knife-wielding toddlers ever presses you for the name of the best Disney film, Sleeping Beauty (1959) is a pretty good answer. It has everything you expect from those features animated during Walt’s life: a simple story translated from a fairy tale; beautifully painted castle and forest scenes; a baddie that you
When you see the latest corporate entertainment juggernaut hurtling at you, what are your options? When I saw X-Men: Days of Future Past (what?) hurtling at me, I thought: I can either jump aboard or I can swerve off-road. In this instance, I chose to swerve off-road — I’ve seen Godzilla; I’ve done my time
Godzilla is from the director Gareth Edwards, a Brit whose first film, Monsters, truly put him on the map, as it daringly played with the genre, and incorporated a plausible human love story, and the difference between that film and this may be summed up as follows: whereas Monsters was a clever and inventive film
Frank is a music biopic, but only of sorts, as it is not at all like your average music biopic. It’s not that processional march we have come to expect; that chronological story of tough beginnings, the moment of discovery, tour montages, calendar dates flying, and finally making it big. In fact, this is about
Blue Ruin is a low-budget yet highly accomplished revenge thriller although whether you have the stomach for it is another matter. I do not have a strong stomach, as we know, and as I braced myself for the next startlingly bloody burst of violence, having yet to recover from the last startlingly bloody burst of
The Other Woman is not just an extremely bad film but also a wholly reprehensible one (she says, with her most disapproving hat on). It’s a comedy, although if you find any of it funny, that’s all I will ever need to know about you, but its unfunniness isn’t what upsets me so much. It’s
Have you seen that pizza with a cheeseburger crust? If not, just imagine a normal pizza, except where the pizza ought to end — and civilised society begin — there’s a ring of about ten miniature burgers, all encased in dough. On top of each of those burgers is a greasy discharge of cheese. There’s
If the very first scene of Calvary doesn’t immediately draw you in there’s every chance there is something seriously wrong with you and I would urge you to book an appointment with your GP. It is a terrific opening and it takes place in Ireland, in a Catholic church, within the dark, intimacy of a
I should warn you that if you go see The Double it is one of those films that will trouble you long after the event. It will trouble you at breakfast and it will trouble you at lunch and it will trouble you as you go about your business, whatever that might be. Yes, a
