Arts feature

‘The family didn’t approve of acting’

Mary Wakefield meets Niamh Cusack and finds an actress full of contradictions It’s oddly exciting, upstairs at the Old Vic: there are actresses rushing to rehearsal; the burble of PR ladies schmoozing the press; the sense of a curtain about to rise. A bright new play. I smile, look around hopefully for my interviewee-to-be, the

Revealing the physicist’s soul

Henrietta Bredin talks to the baritone Gerald Finley about how he portrays ‘the destroyer of worlds’ At precisely 5.30 a.m. on Monday 16 July 1945 the world entered the nuclear age. The first atomic bomb exploded in a searing flash of light and a vast mushroom cloud unfurled in the skies above New Mexico. ‘Now

‘Basically, I’m a spineless wimp’

Steven Berkoff admits to Lloyd Evans that, despite his reputation, he’s not tough at all On the waterfront. This, literally, is where I meet Steven Berkoff to discuss his stage adaptation of the classic Fifties movie. Berkoff’s east London office is a sumptuous, spotlessly clean apartment with wraparound views of the grey-green Thames. He strolls

‘It’s less risky to take risks’

A new arts centre with no public subsidy? Henrietta Bredin talks to its founder Peter Millican Let’s get one thing out of the way immediately — King’s (with an apostrophe) Cross in London is the location for the new and very splendid mixed-use office building and performance space, Kings Place, which has no business letting

An emotional journey

Director Lindsay Posner finds something primal and truly disturbing in Arthur Miller’s play The day’s rehearsal is about to commence. The actors sit or stand around chatting, telling anecdotes, prevaricating, pouring one last cup of coffee — anything to avoid the moment when they have to begin committing emotionally and psychologically to Arthur Miller’s text.

Giving life to characters

Henrietta Bredin talks to Ian McDiarmid about turning a novel set in Scotland into a play Ian McDiarmid possesses a voice that, if he chose to let it, could curdle milk. Half-strangled and poisonously clotted it emerges in an evil flow in his portrayal of the Emperor Palpatine in the Star Wars films. As Satan

Dates for your diary

Andrew Lambirth looks forward to some great exhibitions in the year ahead There’s a very full year’s viewing ahead to cheer the eye and gladden the heart however bleak the financial prospects. For a start, the National Gallery is mounting a major exhibition focusing on the fascinating relationship that Picasso had with the art of

A bucolic paradise

Ronald Blythe examines William Blake’s influence on the work of the 19th-century artist Samuel Palmer Samuel Palmer was in his early twenties when he wrote in his notebook, ‘The Glories of Heaven might be tried — hymns sung among the hills of Paradise at eventide…’ As a subject for a painting he means. Just before

Music and emotion

Damian Thompson says we can learn a lot about Beethoven if we look beyond the symphonies Beethoven Unwrapped is the title of the year-long musical celebration marking the opening of Kings Place, the new ‘creative centre’ at King’s Cross. But does Beethoven, of all composers, need unwrapping? The answer is yes, more than ever, if

Poles apart

Saul Steinberg: Illuminations Dulwich Picture Gallery, until 15 February 2009 Cartoons & Coronets: The Genius of Osbert Lancaster The Wallace Collection, until 11 January 2009 Saul Steinberg (1914–99) was born in Romania and studied architecture in 1930s Milan. His first cartoons appeared in 1936 and he began to build a reputation, despite the threat of

Out of the ordinary

Carolyn Bartholomew talks to Tilda Swinton, an actor who has made a career out of being unconventional Tilda Swinton is undoubtedly one of the great artists of her generation, although it is only relatively recently that she has become more conspicuous with mainstream films such as The Chronicles of Narnia and Michael Clayton (for which

Mystery of the missing tapes

Selina Mills on how some newly discovered tapes give us a glimpse into the life of Agatha Christie One hot summer’s afternoon in London, when I was five or six, I was sent to the garden of our house in Chelsea, rather than attending a birthday party, to contemplate a naughty deed. I can’t remember

Putting criminals on stage

Danny Kruger explains how his theatre company helps offenders to go straight Felicia ‘Snoop’ Pearson was a drug dealer, with a five-year stretch for murder behind her and no nice future ahead. But then a random meeting in a Baltimore nightclub, with an actor in the hit TV show The Wire, led to a starring

How Boris got under his skin

Henrietta Bredin talks to Edward Gardner, English National Opera’s music director There is a ridiculously tiny, narrow room carved out of the foyer of the London Coliseum, known as the Snuggery. I think it was originally intended as somewhere for King Edward VII to retire to for a touch of silken dalliance or simply to

Playing a public enemy

Toby Jones, Karl Rove in the film W, explains his character’s relationship with President Bush Condoleezza Rice’s teeth lie discarded beside her bottle of water. Colin Powell’s wig needs adjustment. Across the table, Scott Glenn removes Donald Rumsfeld’s steel-rimmed spectacles and continues his description of the seven months he spent in the Philippines shooting Apocalypse

Worshipping a golden calf

Martin Gayford considers whether we are in the final, pre-popping stages of an art bubble Journalists arriving for the press view of Renaissance Faces at the National Gallery last week were greeted by placards. Why, the slogans asked — you might think reasonably enough — could that institution not pay its staff a little more,

A man apart

The great days of cinema are not over: they live on in Terence Davies, writes Peter Hoskin How to write about the cinema of Terence Davies? Words just don’t stand a chance. I could deploy every superlative going, and reduce every one of the three short films and five feature films he’s directed into their

An insidious form of censorship

Dominic Cooke on why we must guard against a self-perpetuating climate of fear and timidity Forty years ago, the Theatres Bill removed from the Lord Chamberlain his centuries-old power to censor the British stage. Under a law unchanged since 1843, every work intended for production in British theatres had first to be submitted to, and

A power to enthral

Henrietta Bredin on how book illustrations can bring the narrative to life The illustrations in children’s books play a crucial role in expanding the imaginative horizons of the reader and fixing the story in the memory. The very best book illustration is so inextricably linked to the text that it is hard to think of

Ayckbourn’s unflinching gaze

Veronica Lee profiles the playwright as the Old Vic revives his best-known work Alan Ayckbourn, so theatre lore has it, is the second-most performed British playwright after Shakespeare. So why has he become so unfashionable among theatre cognoscenti? Partly, it’s his own doing. In 2002, disillusioned by the musical-laden, drama-free territory it had become and