Damian Thompson highlights the gems among the prolific and pilloried composer’s nine million notes The extraordinary thing about Franz Liszt is that he remains one of the most famous composers of the 19th century despite the fact that the overwhelming majority of his music is forgotten — and likely to stay forgotten. He wrote enough
Harry Mount looks across the Dardanelles and sees yesterday’s weather today In Canakkale — the biggest town on the Dardanelles, where more than 130,000 British, Australians, New Zealanders and Turks were slaughtered in the 1915 campaign — Mark Wallinger, the 2007 Turner Prize winner, has dreamt up a clever little work about memory. On the
The rights and wrongs of internships for those who are seeking a first job have been hotly debated in the press recently, and nowhere more so than with reference to young people who hope to make a career in arts and music administration. But the principles remain the same whatever the discipline: is it legal
We are fairly certain that the late Robert Maxwell never met the even later Josiah Wedgwood, but Cap’n Bob’s nefarious legacy is now being keenly felt by Wedgwood’s descendants. For it was in the aftermath of Maxwell’s plundering of the Mirror Group that the Pension Protection Fund was established to compensate pensioners in the wake
Andrew Lambirth finds a striking metaphor for the physical limitations of earthbound existence versus the infinite freedom of the spirit in Paul Nash’s painting ‘Winter Sea’ Paul Nash is one of the best-loved English painters of the last century, a great imaginative artist, always trying to discover the appropriate form for what he wanted to
Emily Mortimer on how her father John was asked by Kenneth Tynan to translate Feydeau’s farce and how she wishes he were still around to drink champagne with the current cast It was in the middle of the Sixties that I had the opportunity of learning the true meaning of farce,’ my father wrote. That
Niru Ratnam invites you to join in and take off your trousers in the name of art at the taxpayer’s expense — while you still can In the week before the G20 summit in early 2009, I found myself sitting at a large, round, glass-topped table in the new extension to the Whitechapel Gallery. A
If you went on holiday to Italy this year, you may have come back with a plate, a mug or a jug — an item or two of the painted pottery still handmade (at least sometimes) by craftsmen and women, mostly in Umbria, but also in the Marche, and which you can see in the
A kind of madness has taken grip of the art market. It seems that the world’s super-rich have decided that money has no value — or at least that it has a value different from that understood by the rest of us. Just this month, one of Alma Tadema’s fanciful biblical epics was sold for
Andrew Lambirth talks to the artist Keith Coventry about drawing inspiration from Sickert, Churchill and Ladybird Books Keith Coventry has no time to visit the two lap-dancing clubs that lurk a few doors down from his studio, a small room with barred windows in a light-industrial block in the East End. Here, he puts in
As she prepares for the role of Mrs Malaprop, Penelope Keith talks to Lloyd Evans, who finds her decisive, cheerful, pragmatic and modest, with a tendency to break into fits of unexpected giggles A winter off. That’s what Penelope Keith had planned for this year. But when an opportunity arrived to play Mrs Malaprop in
How will the arts world plug the funding gap? Igor Toronyi-Lalic investigates It’s an idea so simple in concept, so elegant in execution, so bursting with potential, that you kick yourself for not thinking of it yourself. ‘You put your project here,’ explains 28-year-old solicitor and budding internet entrepreneur Michael Troughton, scrolling down the front
James Rhodes is being hailed as one of Britain’s most exciting new musicians, and has just signed a six-album deal. Here, he describes his journey from psychiatric hospital to concert hall So I’m sitting in what’s laughably called the Serenity Garden at a London psychiatric hospital that shall remain nameless, and one of the patients
In an upstairs room in an unfrequented corner of Zurich’s Kunsthaus, there is a portrait of one of the unsung heroes of modern art. In an upstairs room in an unfrequented corner of Zurich’s Kunsthaus, there is a portrait of one of the unsung heroes of modern art. Wilhelm Wartmann was the first director of
‘Museum decides against building new extension’ is not the stuff of newspaper headlines, so most of you will be unaware that the National Museum of Wales in Cardiff has been creating a distinct museum of art on the top floor of its existing Edwardian building. A few weeks ago, the Welsh museum relaunched its Impressionist
In May 1904 a young artist called James McBryde wrote excitedly to his great friend M.R. James. ‘I don’t think I have ever done anything I liked better than illustrating your stories. To begin with I sat down and learned advanced perspective and the laws of shadows…’ In May 1904 a young artist called James
A new exhibition of paintings and drawings by Leon Kossoff (born 1926) is an event in the art world. Kossoff is an intensely private man and keeps such a low profile that many people react with surprise to the information that he is still very much alive and working. Not for him the carefully calculated
Andrew Lambirth finds the National Gallery’s new exhibition on Canaletto and his contemporaries both illuminating and enjoyable Giovanni Antonio Canal (1697–1768), better known as Canaletto, is a safe bet and a crowd-pleaser, and the weary critic is entitled to ask — not another Canaletto show? What can there be left to say? But note the
On the southern edge of Manchester, a few miles from the airport, there is a commuter town where the Victorian novel remains very much alive. This year Knutsford celebrates the bicentenary of its most famous daughter, who immortalised this ‘dear little town’ in several of her finest stories. More than 150 years after it first
From the start, the combatively worded motion — ‘Time for the arts to stand on its own two feet and stop sponging off the tax-payer’ — came under attack in the Spectator arts debate at Church House last month. From the start, the combatively worded motion — ‘Time for the arts to stand on its