Henrietta Bredin talks to the Earl of Harewood about a life in opera In his memoir, The Tongs and the Bones, the Earl of Harewood ruefully quotes his uncle, the Duke of Windsor, remarking, ‘It’s very odd about George and music. You know, his parents were quite normal — liked horses and dogs and the
It’s an irony of Western art that our vision of modern metropolitan life was shaped, via Impressionism, by ukiyo-e prints — ‘pictures of the floating world’ of Edo, Japan. It’s an irony of Western art that our vision of modern metropolitan life was shaped, via Impressionism, by ukiyo-e prints — ‘pictures of the floating world’
Andrew Lambirth talks to Alan Reynolds, who abandoned a lucrative career as a landscape painter to follow his instincts towards abstraction At the age of 85, Alan Reynolds is enjoying a sudden and well-deserved flurry of interest in his work. A superb monograph has just been published on his art, written by Michael Harrison, director
Afghanistan has been subjected to centuries of turmoil, yet an astonishing collection of treasures survives and will be on show at the British Museum next week, as the exhibition’s curator St John Simpson explains Afghanistan is often described as the crossroads of Asia and of the ancient world, and a major new exhibition of objects
Philip Ziegler puts the case for Terence Rattigan, whose centenary is celebrated with numerous revivals of his work After decades in the doldrums, Terence Rattigan seems once more to be returning to popular and critical favour. Last year After the Dance was one of the National Theatre’s more emphatic successes, and the centenary of Rattigan’s
Lloyd Evans talks to Sophie Thompson, whose lack of vanity defines her approach to acting Straight off, as soon as I meet Sophie Thompson, I can see the look she’s striving for. Elegant ragamuffin. Torn jeans, scruffy trainers and a charity-shop blouse all offset by some peachy designer accessory worth five grand. Then I realise
Mark Greaves talks to the artist Peter Howson about his latest commission and his demons Peter Howson started hallucinating last summer. Lying awake at night, he saw what he describes as ‘devils, demons and goblins’. They told him there was no point in living; that he might as well do away with himself. It was,
It’s time to heed the complaints and free art schools from the constraints of the university system, says Niru Ratnam The Turner Prize award ceremony always attracts protest — usually in the shape of the Stuckists, a group of bedraggled, eccentric-looking artists who gather outside Tate Britain in funny hats and bemoan the death of
Penelope Curtis, director of Tate Britain, talks to Ariane Bankes about the planned revamp of the museum and 100 different ways of showing sculpture The evening after first meeting Penelope Curtis, director of Tate Britain, I bumped into a mutual friend who told me, only half-joking, that she could be frightening. Fair enough, I thought:
Damian Thompson highlights the gems among the prolific and pilloried composer’s nine million notes The extraordinary thing about Franz Liszt is that he remains one of the most famous composers of the 19th century despite the fact that the overwhelming majority of his music is forgotten — and likely to stay forgotten. He wrote enough
Harry Mount looks across the Dardanelles and sees yesterday’s weather today In Canakkale — the biggest town on the Dardanelles, where more than 130,000 British, Australians, New Zealanders and Turks were slaughtered in the 1915 campaign — Mark Wallinger, the 2007 Turner Prize winner, has dreamt up a clever little work about memory. On the
The rights and wrongs of internships for those who are seeking a first job have been hotly debated in the press recently, and nowhere more so than with reference to young people who hope to make a career in arts and music administration. But the principles remain the same whatever the discipline: is it legal
We are fairly certain that the late Robert Maxwell never met the even later Josiah Wedgwood, but Cap’n Bob’s nefarious legacy is now being keenly felt by Wedgwood’s descendants. For it was in the aftermath of Maxwell’s plundering of the Mirror Group that the Pension Protection Fund was established to compensate pensioners in the wake
Andrew Lambirth finds a striking metaphor for the physical limitations of earthbound existence versus the infinite freedom of the spirit in Paul Nash’s painting ‘Winter Sea’ Paul Nash is one of the best-loved English painters of the last century, a great imaginative artist, always trying to discover the appropriate form for what he wanted to
Emily Mortimer on how her father John was asked by Kenneth Tynan to translate Feydeau’s farce and how she wishes he were still around to drink champagne with the current cast It was in the middle of the Sixties that I had the opportunity of learning the true meaning of farce,’ my father wrote. That
Niru Ratnam invites you to join in and take off your trousers in the name of art at the taxpayer’s expense — while you still can In the week before the G20 summit in early 2009, I found myself sitting at a large, round, glass-topped table in the new extension to the Whitechapel Gallery. A
If you went on holiday to Italy this year, you may have come back with a plate, a mug or a jug — an item or two of the painted pottery still handmade (at least sometimes) by craftsmen and women, mostly in Umbria, but also in the Marche, and which you can see in the
A kind of madness has taken grip of the art market. It seems that the world’s super-rich have decided that money has no value — or at least that it has a value different from that understood by the rest of us. Just this month, one of Alma Tadema’s fanciful biblical epics was sold for
Andrew Lambirth talks to the artist Keith Coventry about drawing inspiration from Sickert, Churchill and Ladybird Books Keith Coventry has no time to visit the two lap-dancing clubs that lurk a few doors down from his studio, a small room with barred windows in a light-industrial block in the East End. Here, he puts in
As she prepares for the role of Mrs Malaprop, Penelope Keith talks to Lloyd Evans, who finds her decisive, cheerful, pragmatic and modest, with a tendency to break into fits of unexpected giggles A winter off. That’s what Penelope Keith had planned for this year. But when an opportunity arrived to play Mrs Malaprop in
