Michael Henderson considers the perennial appeal of Bob Dylan Bob Dylan turns 70 next week, and from Duluth to Derby they will blow out the candles. The Minnesotan troubadour, who rolled into New York the year Kennedy became president, will pay no attention. As he wrote in one of his better songs, ‘Me, I’m still
‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass filled with urine. ‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass
Andrew Lambirth on the special relationship between the artists Zoran Music and Ida Barbarigo that is explored in an exhibition that shows their work together for the first time in more than half a century At the Estorick Collection, a modest north London townhouse, there is until 12 June a most engaging exhibition devoted to
Michael Henderson talks to Alfred Brendel about his favourite films ‘I belong to no tribe,’ says Alfred Brendel, taking tea at his home in Hampstead, surrounded by some of the books that constitute his vast library. ‘I follow no creed, subscribe to no ideology, and I despise nationalism. I have lived in many places but
John Major is half way through a book about the rise and fall of the music hall. His father, Tom, was a song-and-dance man who formed a double act with his wife, Kitty. John’s brother Terry was a trapeze artist, and the former prime minister must have come close to going into the family trade.
Hieronymus Bosch had a distinctive view of our debased humanity, most distinctly expressed in his paintings of Christ’s Passion, says Michael Prodger Carl Jung described the painter Hieronymus Bosch as ‘the master of the monstrous…the discoverer of the unconscious’. He was, however, only half right. While it is true that Bosch has no peers as
Perhaps to contradict the shocking fade-out of sculpture post-1970 in the Royal Academy’s Modern British Sculpture exhibition, just ended, there are a number of good sculpture shows in the commercial galleries. Perhaps to contradict the shocking fade-out of sculpture post-1970 in the Royal Academy’s Modern British Sculpture exhibition, just ended, there are a number of
Despite promises, the London Olympics is set to leave us with a legacy of unwanted buildings. We should cut costs and have flatpack movable stadia, says Ross Clark The complex used for the 1908 Olympics became known as White City. For 2012, the challenge is not to create a White Elephant City. While gymnastics can
A museum dedicated to Charlie Chaplin will open soon. William Cook gets a preview and talks to the star’s son Michael about life with a legend Standing in the deserted drawing-room of Charlie Chaplin’s Swiss château, waiting to meet his eldest surviving son, Michael, I remember something Auberon Waugh once said to Naim Attallah. ‘A
Tom Conti tells Mary Wakefield how to get inside a woman’s mind I watched Shirley Valentine again last night. It’s different when you’re older. At 14 it’s impossible to imagine that any sane woman would talk to a wall — or put up with that dour, demanding husband for so many years. When you’re 35,
Assailed on all sides by cultural vacuity, we are more than ever in need of the life lessons of Beethoven, argues Michael Henderson We do not, as a rule, meet all our loves at once. Those things which mean so much to us in our emotional maturity did not always strike us as special presences.
Henrietta Bredin talks to the Earl of Harewood about a life in opera In his memoir, The Tongs and the Bones, the Earl of Harewood ruefully quotes his uncle, the Duke of Windsor, remarking, ‘It’s very odd about George and music. You know, his parents were quite normal — liked horses and dogs and the
It’s an irony of Western art that our vision of modern metropolitan life was shaped, via Impressionism, by ukiyo-e prints — ‘pictures of the floating world’ of Edo, Japan. It’s an irony of Western art that our vision of modern metropolitan life was shaped, via Impressionism, by ukiyo-e prints — ‘pictures of the floating world’
Andrew Lambirth talks to Alan Reynolds, who abandoned a lucrative career as a landscape painter to follow his instincts towards abstraction At the age of 85, Alan Reynolds is enjoying a sudden and well-deserved flurry of interest in his work. A superb monograph has just been published on his art, written by Michael Harrison, director
Afghanistan has been subjected to centuries of turmoil, yet an astonishing collection of treasures survives and will be on show at the British Museum next week, as the exhibition’s curator St John Simpson explains Afghanistan is often described as the crossroads of Asia and of the ancient world, and a major new exhibition of objects
Philip Ziegler puts the case for Terence Rattigan, whose centenary is celebrated with numerous revivals of his work After decades in the doldrums, Terence Rattigan seems once more to be returning to popular and critical favour. Last year After the Dance was one of the National Theatre’s more emphatic successes, and the centenary of Rattigan’s
Lloyd Evans talks to Sophie Thompson, whose lack of vanity defines her approach to acting Straight off, as soon as I meet Sophie Thompson, I can see the look she’s striving for. Elegant ragamuffin. Torn jeans, scruffy trainers and a charity-shop blouse all offset by some peachy designer accessory worth five grand. Then I realise
Mark Greaves talks to the artist Peter Howson about his latest commission and his demons Peter Howson started hallucinating last summer. Lying awake at night, he saw what he describes as ‘devils, demons and goblins’. They told him there was no point in living; that he might as well do away with himself. It was,
It’s time to heed the complaints and free art schools from the constraints of the university system, says Niru Ratnam The Turner Prize award ceremony always attracts protest — usually in the shape of the Stuckists, a group of bedraggled, eccentric-looking artists who gather outside Tate Britain in funny hats and bemoan the death of
Penelope Curtis, director of Tate Britain, talks to Ariane Bankes about the planned revamp of the museum and 100 different ways of showing sculpture The evening after first meeting Penelope Curtis, director of Tate Britain, I bumped into a mutual friend who told me, only half-joking, that she could be frightening. Fair enough, I thought:
