As you enter the old KGB building, at the end of Freedom Street, the first thing that hits you is the cold. Outside it’s below freezing. Inside it’s even colder. The cells are in the basement, down a dank and narrow corridor. Upstairs are the offices where the KGB filed away the details of the
With all the enormous fuss over Sherlock on the telly, David Suchet’s recent retirement from Poirot should not be forgotten. What an incredible innings! The actor finally hung up his patent-leather shoes after a quarter-century of playing the sleuth in 70 stories. The case is not closed for fans, however. Agatha Christie’s Belgian brainbox —
There is, we all know, only one anniversary that matters this year: 20 March 2014, 50 years since The Twilight Zone episode ‘The Masks’ was first beamed into America’s cathode-ray tubes. Bunting will be stretched from television screen to television screen in celebration. Champagne will be spilt over remote controls. After all, ‘The Masks’ isn’t
Another new year and once again the world’s leading CEOs and politicians descend on Davos, transforming this little Alpine town into the world’s most (self-) important talking shop. Yet there’s another side to Davos that’s far more interesting than dry geopolitical debate. Long before it became a stage for the World Economic Forum, this quiet
One of the great treats of the exhibiting year will undoubtedly be Henri Matisse: The Cut-Outs (17 April to 7 September) at Tate Modern. The last phase of Matisse’s productive career was devoted to making extraordinarily vivid images from painted paper cut with scissors, as the physical effort of wielding a paintbrush became too much
The mood is celebratory in East Anglia: the University (UEA) marks 50 years since it opened its doors in Norwich, and the Sainsbury Centre, its visual arts flagship, is back in business after refurbishment by Foster & Partners. The first public building designed by Norman Foster, it opened originally in 1978, a huge glass and
Writing about Graham Sutherland in 1950, the critic Robert Melville observed: ‘When one looks at a picture one finds oneself over the frontier or one doesn’t. Criticism has no power of making converts to an experience which occurs without the intervention of reason … Criticism considers the sensitive flesh of the image and discovers its
For a man who’s about to celebrate his 60th birthday, Sir David Chipperfield looks remarkably fresh-faced. His pale blue eyes are bright and piercing, his thick white hair is cut in a fashionable short crop. Clad in a dark polo neck, he looks almost boyish. This youthful vitality is reflected in his work. At an
I recently met an A-level English student who had never heard of Pontius Pilate. How is it possible to reach the age of 18 — to be applying to university to read English and European Literature — and never to have come across the man who asked the unanswerable question: what is truth? This student
The charming East Sussex village of Ditchling lies at the foot of the South Downs, its narrow streets lined with ancient houses and pubs. For much of the 20th century it was home to a community of artists and craftsmen, the most famous of whom are Eric Gill and David Jones, master and pupil. In
Earlier this year a painting by Jean-Michel Basquiat, depicting two figures stoned on the hallucinogenic drug PCP, was offered for sale at Christie’s in New York. ‘Dustheads’ was given an estimated sales tag of $25–35 million. In the end, the hammer came down at $48.8 million, a sum that easily broke the previous record for
Our legal system is pure theatre and always has been. Many barristers stand accused of being failed actors and vice versa. Judges love the dressing-up box and a chance to give their gavel a good bang. With murmuring galleries, shocking verdicts, swooning witnesses, cries of ‘all rise’ and ‘take him down’, the flummery and drama
Buddy, you can keep your Christmases and your Easters, your Hanukkahs and your Eids. For someone like me, the annual celebration that really matters is the one that falls on 31 October — Halloween. This isn’t because I’m an inveterate trick-or-treater, out for candy and larks. It isn’t because I own shares in a pumpkin
The Ashmolean Museum has taken the radical step of embracing contemporary art, and is currently hosting (until 30 March 2014) a mini-retrospective of Malcolm Morley’s work, curated by Sir Norman Rosenthal and borrowed entirely from the prestigious American-based Hall Art Foundation. Morley (born London 1931) was the first winner of the ever-controversial Turner Prize (apparently
Like almost everyone else in the insane world of musical theatre, I don’t know how to create a hit. This hasn’t prevented me from contributing to, even originating, some. Most of these successes have come about by happy accident and could so easily have been disasters or stillborn but for matters or events beyond my
Dame Edna is hanging up her tiara. From now on the ‘failed comedian’, as Edna calls her alter ego Barry Humphries, will have to make do without her. Her current tour includes a run at the London Palladium but after she’s graced the provinces, it’s adios, possums. Her last ever live show is currently bringing
Gaily into Ruislip Gardens runs the red electric train… Near the end of the Metropolitan Line, where London dwindles into woods and meadows, stands a Tudor manor house, built within the moat of a motte-and-bailey castle. Now a quaint museum, charting the history of the farms that once surrounded it, this modest landmark shares its
Chris Ingram is a silver-haired, incisive man, with an air of quiet authority and decided opinions about the art he so passionately collects. A media entrepreneur who started work at 16 as a messenger boy in an advertising agency, Ingram has the strength of his convictions. Over the past dozen years he has built up
The contrast could not have been more acute. It came the day after a press release from Christie’s New York pinged into my inbox announcing the forthcoming sale of Jeff Koons’s ‘Balloon Dog (Orange)’ on 12 November. Even by current auction-house standards, the hype was of heroic immoderation but it was the novel brazen pandering
Think of an art at which the English have excelled and I doubt you would come up with the word ‘embroidery’. As I muttered when my agent asked whether I should like to make a film for BBC4 about the golden age of this forgotten but brilliant native art form: ‘Embroidery? What, like sewing?’ But