Arts feature

On 10 October, the Sheldonian Theatre in Oxford will host the first concert in ‘the biggest ever celebration of the life and work of Franz Schubert’. Over three weeks, all 650 songs (or thereabouts) will be performed, most of them in England’s oldest concert hall, the Holywell Music Room just around the corner from the

Everyone knows about architecture being frozen music. The source of that conceit may be debated, but its validity is timeless and certain. For all its weightiness, architecture plays with ethereal proportion, harmony, resonance and delight: the stuff of music. But architecture is more fundamentally about the management of light and space. Or, at least, that’s

At the entrance to Anselm Kiefer’s forthcoming exhibition at the Royal Academy visitors will encounter a typically paradoxical Kiefer object: a giant pile of lead books, sprouting wings. When I asked Kiefer to explain this strange object, he immediately — and characteristically — began talking about alchemy. Lead, of course, was the material from which

It is 450 years since the birth of William Shakespeare. The anniversary has been hard to avoid in this country, which is entirely appropriate. Shakespeare helped to shape not only our language but also our conception of character and our understanding of the human condition. Our experience of love, of facing death, of loss and

To most non-Italians Turin spells Fabbrica Italiana Automobili Torino (Fiat). But this subalpine city has a longer history than the internal combustion engine. It may be twinned with Detroit, but its cavalcade of equestrian monuments testifies to an older sort of horsepower — the sort harnessed by the condottieri of the House of Savoy to

Strange things happen to Werner Herzog — almost as strange as the things that happen in his haunting, hypnotic films. In 1971, while making a movie in Peru, he was bumped off a flight that subsequently crashed into the jungle. Years later, he made a moving film about that disaster’s sole survivor. In 2006, while

Scotland’s on a knife-edge. Like all referendum-watchers at the Edinburgh Festival I grabbed a ticket for The Pitiless Storm, a drama about independence, which attracts big crowds every lunchtime at the Assembly Rooms. The play draws its inspiration from the passion and fury of Red Clydeside. David Hayman, an actor and lifelong leftie, plays a

In 1963, Dr Richard Beeching, an ICI director with a PhD in physics, a qualification that clearly boondoggled his credulous political patrons, published a government report called ‘The Reshaping of British Railways’. It identified 8,000km of painstakingly created track for closure. At the time, road transport seemed just the thing. Lorries? Bring them on! Commuting

At the end of his performance at the Barbican with the Jazz at Lincoln Center Orchestra, Wynton Marsalis made a little speech. The next piece, he announced, was a number that Art Blakey’s Jazz Messengers used to play. Marsalis then recalled how he himself had played with the Jazz Messengers as an 18-year-old trumpet prodigy.

In a studio in Birmingham, there’s an air of excitement. Jessica Dromgoole and her team are recording new scenes for Home Front, Radio 4’s specially commissioned drama commemorating the first world war. They know that they’re about to launch on to the airwaves the boldest, most creative and enterprising venture yet heard on the station.

‘I am not interested in sporting diamond tiaras on stage, or having my point shoes cooked and eaten by my fans,’ muses Natalia Osipova, referring to two old ballet anecdotes. ‘Ballet has evolved and the ballerina figure with it. The world around us offers new challenges, new stimuli and new opportunities, and I believe that

If things had turned out differently for Brazil — I don’t mean in the World Cup — Recife might now be known as Mauritsstad. But when the Portuguese expelled the Dutch in 1654, the name of the new capital of Pernambuco built by governor Johan Maurits van Nassau-Siegen was lost to history. Today Johan Maurits

Stars, playwrights and even set designers are constantly being lionised in the papers. But why not producers? They, after all, are the ones who choose the plays, the stars, and then make it all happen. Duncan Weldon and Paul Elliott are two veteran cigar chompers who’ve been in the business for 45 years. They’ve made

The illustrator Quentin Blake is uncannily like one of his own creations: tousled, bright-eyed, quizzical, and apologetic about his summer cold. He greeted me warmly and conducted me down a dimly lit hallway into his lair, a studio giving on to a leafy London square, piled high with the tools of his trade: papers teetering

John Bishop doesn’t just tell funny stories. He also tells the sort of life story that makes you sit up and listen. He grew up on a council estate outside Liverpool and, at the age of six, visited his father in prison. By the time he was in his mid-thirties he was working in middle

‘Oompa Loompa juice,’ says the actor Alex Jennings when I ask if he takes any supplements to preserve his looks. He’s 57 but could pass for a decade younger. We meet backstage in his Drury Lane suite, which boasts a fridge crammed with pink champagne, where he’s preparing to play the lead role in Charlie