Over 20 years ago I wrote about Giambattista Tiepolo in The Spectator. Shortly afterwards I went to visit Howard Hodgkin in his spacious, white, light-filled studio close to the British Museum. It turned out that he had read my column and was pleased that someone had been discussing this 18th-century Venetian, who was just his
Only once did Michelangelo sign a sculpture. It was the ‘Pietà’ of 1497–1500, and he did so using an incomplete sentence in the past imperfect: ‘Michelangelo Buonarroti the Florentine was making…’. The implication was that actually completing a perfect masterpiece was an unattainable goal, so instead he just had to leave off (a great many
The American dream was a consumerist idyll: all of life was to be packaged, stylised, affordable and improvable. Three bedrooms, two-point-five children, two cars and one mortgage. The sense was first caught by Alexis de Tocqueville in Democracy in America (1835–40), where he talks about a people more excited by success than fearful of failure.
Reading Elena Ferrante’s Neapolitan quartet is a heady experience. You not only see, hear, know her characters — you can almost taste them. The villain of the first of the four books, which follow the friendship of mercurial Lila and striving Lenù from childhood into their sixties, is Don Achille, an ‘ogre’ who sweats the
As you go into the new Wellcome Collection exhibition, Electricity: The Spark of Life, you might have in mind a sentence from Mary Shelley’s original electrifying novel Frankenstein; Or, the Modern Prometheus: ‘I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at
‘Eppur si muove’ — And yet it moves. Galileo’s defiant insistence that the Earth revolves round the Sun, his refusal to submit to the Inquisition, is a familiar one. It’s the battle cry not of a reformer but of a revolutionary, a passionate teller of truths. It’s a credo he shared with composer Claudio Monteverdi.
In the mid-6th century, legend has it, St Brendan set off from Ireland with a currach-load of monks on a mission to find the Isle of the Blessed. The Irish like to think that his Atlantic odyssey took him to Newfoundland before the Vikings; what seems more probable, if you believe the medieval account, is
In early January, lastminute.com recommended its top 15 destinations for 2017. In 12th spot, just above Montreal, Croatia and Japan, was Hull. And if you’re tempted to opt for a snooty chuckle at this point, my advice would be to go to Hull — because, judging from my recent experience, even on a cold January
Michael Andrews once noted the title of an American song on a scrap of paper: ‘Up is a Nice Place to Be.’ Then he added a comment of his own: ‘The best.’ This jotting was characteristic in more than one way. A splendid exhibition at the Gagosian Gallery, Grosvenor Hill, London, makes it clear that
Artists, poets and philosophers have not paid much attention to Milton Keynes …although comedians have. This urban experiment has been mocked by lazy satirists who find ambition derisory and concrete cows hilarious. Milton Keynes is 50 this year and it has an honourable place in the history of that ancient chimera, the Ideal City. It
Here in Munich, in the gallery that Hitler built, this year’s big hit show is a spectacular display of modern art. Postwar: Art Between the Pacific and the Atlantic, 1945–1965 is a massive survey of international modernism, curated with typical Germanic can-do. Talk about ruthless efficiency — even the catalogue weighs several kilograms. All the
Arthur Rackham shouldn’t have lived in anything as conventional as a house. It should have been a gingerbread cottage, like the one he drew for Grimms’ Fairy Tales, with cakes for a roof and boiled sugar for windows. Or a Rapunzel turret, for letting down ropes of long, blonde hair, except he was so very
For much of 1517 Michelangelo Buonarroti was busy quarrying marble in the mountains near Carrara. From time to time, however, he received letters relating how his affairs were going in Rome. These contained updates on — among other matters — how his friend and collaborator Sebastiano del Piombo was getting on with a big altarpiece
On 27 July 1613 a man prostrated himself in the church of San Pedro Mártir in Toledo, having first made a solemn declaration: ‘I, Juan Bautista Maíno, make profession and promised obedience…’ Thus he became a Dominican friar. At the time, Maíno was halfway through painting ten canvases for the high altar of this very
Instant photography already existed long before Edwin Land, the ingenious inventor and founder of Polaroid, went for a walk with his daughter in Santa Fe in 1943. ‘Why can’t I see the pictures now?’ she asked her father on the way home. But the photographic systems available at that time were really just ‘experimental portable
St James’s Palace. 1953. A dynamic Duke of Edinburgh is relishing a ding-dong with the antediluvian fossils of the Coronation Committee. He wants to embrace modernity by allowing the BBC to televise the ceremony. The ‘grey old men’ want to continue doing things in exactly the same way that they have been done since 1066.
‘What is man, that thou art mindful of him?’ asks the Psalmist. It’s a good question. God Himself doesn’t give a very satisfactory answer. In one breath he insists that humans are a little lower than the angels, made in His own image, but also (in a formulation as bleak and more terse than any
Forty years ago this month a film appeared, so prescient I wonder if its author, Paddy Chayefsky, saw the 2016 American presidential election campaign in a crystal ball. It was called Network and it foretold the rise of Donald Trump. The plot is King Lear appears on Newsnight: a newsman run mad. The protagonist is
In Australia, I have been told, the female pubic area is sometimes known as a ‘mapatasi’ because its triangular shape resembles a map of Tasmania. And since we are discussing cartography and the nether regions, it is wonderful to find in the British Library’s new exhibition, Maps and the 20th Century, that Countess Mountbatten wore
David Hockney: It is a kind of joke, but I really mean it when I say Caravaggio invented Hollywood lighting. It is an invention, in that he quickly worked out how to light things dramatically. I’ve always used shadows a bit, because that’s what you need below a figure to ground it, but mine are
