Arts feature

Sometimes Andrea Mantegna was just showing off. For the Palazzo Ducale in Mantua, he painted a false ceiling above the Camera degli Sposi. Around a great trompe l’oeil oculus, apparently open to the sky, assorted gawpers and cherubs lean nosily over the parapet: ‘What’s going on down there, then?’ Only the Duke and Duchess of

‘I always think they’re not lusting after me,’ Brett Anderson says of the middle-aged fans who still turn up to see his band Suede and leave the shows a little flushed and excited. ‘They’re lusting after something that doesn’t really exist. They’re remembering their wild youth. It’s faintly comical to me when I think about

I think everyone was a little nervous of Harold. Including Harold, sometimes. He was affable, warm, generous, impulsive — and unpredictable. Like his plays, where the hyper-banal surfaces — the synthetic memories and false nostalgia of Old Times, the aural drivel of Rose in The Room, the bogus familial warmth of The Homecoming — are

Tintoretto was il Furioso. He was a lightning flash or a thunderbolt, a storm in La Serenissima of Renaissance Italy, a maverick and a cheat. One of his friends, a fellow Venetian, likened him to a peppercorn overwhelming ten bunches of poppies. More often than not, those poppies were rival artists. He trampled them like

‘If liberty means anything at all it means the right to tell people what they do not want to hear,’ wrote George Orwell in his preface to Animal Farm. It is a line that has gone down as one of the great capsule defences of dissent, made all the more prescient by the fact that

Not so long ago, the Dundee waterfront was presided over by a great triumphal arch, built to commemorate Queen Victoria’s visit in 1844. It was an imposing piece of decorative architecture, 84 feet high, and it dominates most views of the city painted over the ensuing century. It became a cherished symbol of Dundee but

It’s the lederhosen that grabs you first. Two gents were walking down the street ahead of us in full Alpine rig: long socks, collarless loden jackets, and hunting hats decorated with what looked like shaving brushes. Among the flowerbeds and fountains that surround the main theatre of the Bad Ischl Lehar Festival a posse of

Like most of our ape ancestors, we have really had only one response to the fall of night. We have stretched and yawned, we have climbed upwards, we’ve lain down somewhere soft, closed our eyes and shut the whole thing out until morning. Humans may have exchanged tree trunks for a set of stairs, and

It’s October 1895 and the spirit of Music has been absent from Britain for exactly 200 years. Why she fled, and why she should return now — specifically, to the Leeds Festival — is not clear. Undaunted, Charles Hubert Hastings Parry, the poet Robert Bridges and the massed choral and orchestral forces of the West

There is something of The Wizard of Oz about Marina Amaral’s photographs. She whisks us from black-and-white Kansas to shimmering Technicolor Oz. When Howard Carter leans over Tutankhamun’s open sarcophagus (1922), he does so in the glare of pharaonic gold. A photograph of fallen American soldiers on the Gettysburg battlefield (1863) shocks the more when

What could be more British than nosying around someone else’s private property while munching on a slice of cake? The National Garden Scheme allows you to do both, opening up people’s back gardens to the public and offering them a lovely homemade afternoon tea while they’re at it. I grew up poring over the pages

‘I’m an amateur,’ Barry Humphries tells me. The Australian polymath uses the word in its older sense of ‘enthusiast’ rather than ‘bungler’ and he feels no need to point out the distinction. He’s in London to perform a three-week residency at the Barbican — Barry Humphries’ Weimar Cabaret — with his fellow Australian Melissa Madden

Unless you have been sleeping under a barricade or a pile of Molotov cocktails it will not have escaped your attention that we — that is, a few broadsheets and BBC4 — have been having a good old think about the events of 1968. When student rioting brought France to its knees and the revolution

In G.F. Watts’s former sculpture studio in the Surrey village of Compton, a monstrous presence has interposed itself between the dusty plaster models of ‘Alfred, Lord Tennyson’ and ‘Physical Energy’. Standing 14ft tall, the brightly painted soldier with fez and sabre is a replica of a colossal puppet made by James Henry Pullen (1835–1916) while

My earliest memory of a mosque is being with my father in London’s Brick Lane Mosque. He was a member of its management committee and that gave me, an infant, the right to roam freely the four floors — including its vast basement — as I waited for him to finish meetings. I remember seeing

‘I like your shirt today,’ Sir Ray Davies says to the waiter who brings his glass of water to the table outside a café in Highgate. ‘How’s your girlfriend?’ It turns out the girlfriend is no longer the girlfriend. ‘You broke up? You know, that happens. It’ll be OK. You’ll meet somebody else.’ He pauses

‘To look at ourselves from afar,’ Julian Barnes wrote in Levels of Life, ‘to make the subjective suddenly objective: this gives us a psychic shock.’ The context of Barnes’s remark is the 100-year span in which aerial photography evolved from its 19th-century birth in the wicker cradle of a gas balloon to the miraculous moment

Kanye West is more than halfway in to the Rock’n’Roll Hall of Fame — if his politics don’t block the way. This extraordinary rapper-producer first won over a worldwide audience with the 2004 anthem ‘Jesus Walks’, disrupted hip-hop’s bling-bling materialism with the us-vs-them challenge of his Jay-Z collaboration Watch the Throne, and then released the

When the German novelist Sophie von La Roche visited Oxford Street in the 1780s she saw watchmakers and fan shops, silversmiths and spirit booths, and a Pantheon that rivalled the one in Rome. Edward Gibbon called the domed ballroom, which hosted glitzy concerts, ‘the wonder of the eighteenth century and of the British empire’, but